The Cambridge History of Native American Literature - Title page

pp iii-iii

Copyright page

pp iv-iv

Contents

pp v-viii

Figures

pp ix-xi

Contributors

pp xii-xx

Introduction: What Was Native American Literature?

pp 1-14

Part I - Traces and Removals (Pre-1870s)

pp 15-128

1 - Indigenous Languages and the Origins of American Literary History

pp 17-32

2 - Unsettling Colonial Temporalities: Oral Traditions and Indigenous Literature

pp 33-50

3 - Early Native American Literature and Hemispheric Studies

pp 51-73

4 - Performative Cultures of Early America

pp 74-88

5 - Nineteenth-Century American Indian Newspapers and the Construction of Sovereignty

pp 89-112

6 - Indigenous Literacies in Early New England

pp 113-128

Part II - Assimilation and Modernity (1879–1967)

pp 129-252

7 - The Multiplicity of Early American Indian Poetry

pp 131-148

8 - Native American Literature in the 1930s

pp 149-163

9 - Black-Indian Literature under Jim Crow

pp 164-181

10 - Transatlantic Modernity and Native Performance

pp 182-196

11 - American Indian Literature and Post-Revolutionary Mexico

pp 197-212

12 - I Kū Mau Mau (Standing Together): Native Hawaiian Literary Politics

pp 213-232

13 - Native Women’s Writing and Law

pp 233-252

Part III - Native American Renaissance (Post-1960s)

pp 253-428

14 - Rethinking the Native American Renaissance: Texts and Contexts

pp 255-270

15 - Marginally Mainstream: Momaday, Silko, Erdrich, and Alexie

pp 271-286

16 - Indigenous Lives, Visual Autobiographies

pp 287-326

17 - Indigenous Writing in Canada

pp 327-348

18 - Reservation Realities and Myths in American Literary History

pp 349-364

19 - Mapping the Future: Indigenous Feminism

pp 365-378

20 - Queer Sovereignty

pp 379-394