Alexie, Sherman. 1995. Reservation Blues. New York: Atlantic Monthly Press.Google Scholar

Allen, Paula Gunn. 1983. The Woman Who Owned the Shadows. San Francisco: Spinsters, Ink.Google Scholar

Allen, Paula Gunn. 1986. The Sacred Hoop: Recovering the Feminine in American Indian Traditions. Boston: Beacon Press.Google Scholar

Allen, Paula Gunn. 1997. Life Is a Fatal Disease: Collected Poems 1962–1995. Albuquerque, NM: West End Press.Google Scholar

Apess, William. [1829] 1831. A Son of the Forest: The Experience of William Apess, a Native of the Forest. Comprising a Notice of the Pequot Tribe of Indians, Written by Himself. New York: Published by the author.Google Scholar

Armstrong, Jeannette. 1985. Slash. Penticton, BC: Theytus; rev. edn., 1998.Google Scholar

Barnes, Jim. 1997. On Native Grounds: Memoirs and Impressions. Norman: University of Oklahoma Press.Google Scholar

Bear, Luther Standing. [1928, 1931] 1975. My People, the Sioux, ed. Brininstool, E. A.. Boston: Houghton Mifflin. Reprint, Lincoln: University of Nebraska Press.Google Scholar

Bevis, William. 1987. “Native American Novels: Homing in.” In Recovering the Word: Essays in Native American Literature, ed. Swann, Brian and Krupat, Arnold, 580–620. Berkeley: University of California Press.Google Scholar

Black, Elk. 1932. Black Elk Speaks: Being the Life Story of a Holy Man of the Oglala Sioux. With Neihardt, John. New York: William Morrow & Company.Google Scholar

Blaeser, Kimberly. 1994. Trailing You. New York: Greenfield Review.Google Scholar

Brant, Beth. 1991. Food & Spirits: Stories. Ithaca, NY: Firebrand Books.Google Scholar

Callahan, Sophia Alice. [1891] 1997. Wynema: A Child of the Forest. Chicago: Smith. Repr. Lincoln: University of Nebraska Press.Google Scholar

Carr, A. A. 1995. Eye Killers. Norman: University of Oklahoma Press.Google Scholar

Chrystos. 1988. Not Vanishing. Vancouver: Press Gang.Google Scholar

Chrystos. 1993. In Her I Am. Vancouver: Press Gang.Google Scholar

Cook-Lynn, Elizabeth. 1996. Why I Can’t Read Wallace Stegner and Other Essays. Madison: University of Wisconsin Press.Google Scholar

Copway, George. 1847. The Life, History, and Travels of Kah-ge-ga-bowh (George Copway). Albany, NY: Weed and Parsons.Google Scholar

D’Aponte Gisolfi, Mimi. 1999. Seventh Generation: An Anthology of Native American Plays. New York: Theatre Communications Group.Google Scholar

Däwes, Birgit. 2014. Indigenous North American Drama: A Multivocal History. Albany: State University of New York Press.Google Scholar

Deloria, Philip. 2004. Indians in Unexpected Places. Lawrence: University of Kansas Press.Google Scholar

Deloria, Vine. 1969. Custer Died for Your Sins: An Indian Manifesto. New York: Macmillan.Google Scholar

Driskell, Qwo-Li. 2016. Cherokee Queer and Two-Spirit Memory. Tucson: University of Arizona Press.Google Scholar

Dunbar-Ortiz, Roxanne, and Gilo-Whitaker., Dina 2016.“All the Real Indians Died Off”: And 20 Other Myths about Native Americans. Boston: Beacon.Google Scholar

Eastman, Charles A. (Ohiyesa). 1916. From the Deep Woods to Civilization: Chapters in the Autobiography of an Indian. Boston: Little Brown.Google Scholar

Erdrich, Louise. 1984. Jacklight. New York: Henry Holt.Google Scholar

Erdrich, Louise. [1984] 1993. Love Medicine. New York: Henry Holt.Google Scholar

Geiogamah, Hanay. 1980. New Native American Drama: Three Plays by Hanay Geiogamah (Body Indian, Foghorn, and 49). Norman: University of Oklahoma Press.Google Scholar

Geiogamah, Hanay, and Darby, Jaye T., eds. 1998. Stories of Our Way: An Anthology of American Indian Plays. Los Angeles: UCLA American Indian Studies Center.Google Scholar

Gilroy, Paul. 1993. The Black Atlantic: Modernity and Double Consciousness. London: Verso.Google Scholar

Glancy, Diane. 1990. Iron Woman. Minneapolis: New Rivers Press.Google Scholar

Glancy, Diane. 1997. War Cries: A Collection of Nine Plays. Duluth: Holy Cow! Press.Google Scholar

Glancy, Diane. 2002. American Gypsy: Six Native American Plays. Norman: University of Oklahoma Press.Google Scholar

Hale, Janet Campbell. 1993. Bloodlines: Odyssey of a Native Daughter. New York: Random House.Google Scholar

Harjo, Joy. 1983. She Had Some Horses. New York: Thunder’s Mouth Press.Google Scholar

Heath Justice, Daniel. 2006. Our Fire Survives the Storm: A Cherokee Literary History. Minneapolis: University of Minnesota Press.Google Scholar

Henry, Gordon D. 1994. The Light People. Norman: University of Oklahoma Press.Google Scholar

Highway, Tomson. 1998. Kiss of the Fur Queen. Norman: University of Oklahoma Press.Google Scholar

Hogan, Linda. 1993. The Book of Medicines. Minneapolis: Coffee House Press.Google Scholar

Hogan, Linda. 2001. The Woman Who Watches over the World: A Native Memoir. New York: W. W. Norton.Google Scholar

Johnson, Basil. 1993. Ojibway Tales: Moose Meat and Wild Rice. Lincoln: University of Nebraska Press.Google Scholar

Johnson, E. Pauline. 1903. Canadian Born. Toronto: G. N. Morang.Google Scholar

Johnson, E. Pauline. 1911. Legends of Vancouver. Vancouver: G. S. Forsyth.Google Scholar

Jones, Stephen Graham. 2008. Ledfeather. Norman: Fiction Collective 2.Google Scholar

Jones, Stephen Graham.2013. The Truth about Stories: A Native Narrative. Minneapolis: University of Minnesota Press.Google Scholar

Jones, Stephen Graham.2017. “Letter to a Just-Starting-Out Indian Writer – and Maybe to Myself.” In The Fiction of Stephen Graham Jones: A Critical Companion, ed. Stratton, Billy J., xi–xvii. Albuquerque: University of New Mexico Press.Google Scholar

Kenny, Maurice. “Tinselled Bucks: An Historical Study of Indian Homosexuality.” Gay Sunshine: A Journal of Gay Liberation 26–27 (1975–76): 15–17; repr. in Living the Spirit: A Gay American Indian Anthology, ed. Roscoe, Will, 15-31. New York: St. Martin’s Press, 1988.Google Scholar

Kenny, Maurice. 1987. Between Two Rivers: Selected Poems 1956–1984. Fredonia, NY: White Pine Press.Google Scholar

Kenny, Maurice. 1992. Tekonwatoni, Molly Brant, 1735–1795. Fredonia, NY: White Pine Press.Google Scholar

King, Thomas. 1990. Medicine River. New York: Viking.Google Scholar

King, Thomas. 2003. “A Million Porcupines Crying in the Dark.” In The Truth about Stories, 99–119. Toronto: Anansi.Google Scholar

Krupat, Arnold, ed. 1994. Native American Autobiography: An Anthology. Madison: University of Wisconsin Press.Google Scholar

Krupat, Arnold., 1998. The Turn of the Native: Studies in Criticism and Culture. Lincoln: University of Nebraska Press.Google Scholar

Lee, A. Robert. 2013. “Telling You Now: The Imagination within Modern Native Autobiography.” In The Native American Renaissance: Literary Imagination and Achievement, ed. Velie, Alan R. and Robert Lee, A., 273–94. Norman: University of Oklahoma Press.Google Scholar

Lesley, Craig, ed. 1991. Talking Leaves: Contemporary Native American Short Stories, New York: Bantam Doubleday Bell.Google Scholar

Lincoln, Kenneth. 1983. Native American Renaissance. Berkeley: University of California Press.Google Scholar

Lincoln, Kenneth. 2013. “Tribal Renaissance.” In The Native American Renaissance: Literary Imagination and Achievement, ed. Velie, Alan R. and Robert Lee, A., 330–51. Norman: University of Oklahoma Press.Google Scholar

Mathews, John Joseph. 1934. Sundown. London and New York: Longmans, Green & Co.Google Scholar

McNickle, D’Arcy. 1936. The Surrounded. New York: Dodd, Mead & Co.Google Scholar

Means, Russell. 1995. Where White Men Fear to Tread. New York: St. Martin’s Press.Google Scholar

Momaday, N. Scott. 1968. House Made of Dawn. New York: Harper & Row.Google Scholar

Momaday, N. Scott. 1974. Angle of Geese. Boston: D. R. Godine.Google Scholar

Momaday, N. Scott. 1976. The Names: A Memoir. Tucson: Sun Tracks/University of Arizona Press.Google Scholar

Mosionier, Beatrice Culleton. 1992. In Search of April Raintree. Winnipeg: Peguis Publishers.Google Scholar

Dove, Mourning. [1927] 1981. Cogewea, the Half-Blood: Given Through Sho-Powtan: A Depiction of the Great Montana Cattle Range. Boston: Four Seas. Repr. Lincoln: University of Nebraska Press.Google Scholar

Occom, Samuel. [1768] 1982. “A Short Narrative of My Life.” Repr. in The Elders Wrote: An Anthology of Early Prose by North American Indians, 1968–1931, ed. Peyer, Bernd, 12–18. Berlin: Dietrich Reimer.Google Scholar

Ortiz, Simon. 1981. From Sand Creek. New York: Thunder Mouth’s Press.Google Scholar

Ortiz, Simon. 2002. Out There Somewhere. Tucson: University of Arizona Press.Google Scholar

Oskison, Milton John. 1935. Brothers Three. New York: Macmillan.Google Scholar

Owens, Louis. 1992. Other Destinies: Understanding the American Indian Novel. Norman: University of Oklahoma Press.Google Scholar

Penn, W. S. 1998. As We Are Now: Mixblood Essays on Race and Identity. Berkeley: University of California Press.Google Scholar

Revard, Carter. 1998. Winning the Dust Bowl. Tucson: University of Arizona Press.Google Scholar

Riggs, Lynn. 1931. Green Grow the Lilacs. New York: S. French.Google Scholar

Ridge, John Rollin (Yellow Bird). [1854] 1977. The Life and Adventures of Joaquin Muriata, the Celebrated California Bandit. Reprint, Norman: University of Oklahoma Press.Google Scholar

Rodgers, Richard, and Hammerstein, Oscar. 1943. Oklahoma! A Musical, New York: Random House.Google Scholar

Schoolcraft, Jane Johnston (Bamewawagezhikaquay). 2006. The Sound the Stars Make Rushing through the Sky: The Writings of Jane Johnston Schoolcraft, ed. Parker, Robert Dale. Philadelphia: University of Pennsylvania Press.Google Scholar

Sequoyah (George Gist). 1835. Cherokee Alphabet. Boston: Pendleton’s Lithography.Google Scholar

Silko, Leslie Marmon. 1977. Ceremony. New York: Viking Press.Google Scholar

Silko, Leslie Marmon. 1981. Storyteller. New York: Arcade Publishing.Google Scholar

Standing Bear, Luther. 1925. My Indian Boyhood. New York: Houghton Mifflin.Google Scholar

Stanlake, Christy. 2009. Native American Drama: A Critical Interpretation. New York: Cambridge University Press.Google Scholar

Stannard, David E. 1994. American Holocaust: The Conquest of the New World. New York: Oxford University Press.Google Scholar

Swann, Brian, ed. [1975] 1993. Song of the Sky: Versions of Native American Songs and Poems. Four Zoas Night House Press. Repr. Amherst: University of Massachusetts Press.Google Scholar

Tapahonso, Luci. 1997. Blue Horses Rush In: Poems and Stories. Tucson: University of Arizona Press.Google Scholar

Tremblay, Gail. 1990. Indians Singing in 20th Century America. Corvallis: Calyx.Google Scholar

Van Camp, Richard. 2004. The Lesser Blessed. Vancouver, BC: Douglas & Mclntyre.Google Scholar

Vizenor, Gerald. 1978. Bearheart. Minneapolis: Truck Press. Originally titled Darkness in Saint Lewis Bearheart.Google Scholar

Vizenor, Gerald. 1990. Interior Landscapes: Autobiographical Myths and Metaphors. Minneapolis: University of Minnesota Press.Google Scholar

Warrior, Robert. 1995. Tribal Secrets: Recovering American Indian Intellectual Traditions. Minneapolis: University of Minnesota Press.Google Scholar

Waters, Frank. 1942. The Man Who Killed the Deer. Athens: Swallow Press/Ohio University Press.Google Scholar

Weatherford, Jack. 2010. Indian Givers: How the Indians of the Americas Transformed the World. New York: Random House.Google Scholar

Weaver, Jace. 2014. Red Atlantic: American Indigenes and the Making of the Modern World, 1000–1927. Chapel Hill: University of North Carolina Press.Google Scholar

Weaver, Jace, Womack, Craig S., and Warrior, Robert. 2006. American Indian Literary Nationalism. Albuquerque: University of New Mexico Press.Google Scholar

Welch, James. 1974. Winter in the Blood. New York: Harper & Row.Google Scholar

Whiteman, Roberta Hill. 1984. Star Quilt. Duluth: Holy Cow! Press.Google Scholar

Winnemucca Hopkins, Sarah. 1883. Life among the Piutes: Their Wrongs and Claims. Boston: Cupples, Upham.Google Scholar

Womack, Craig S. 1999. Red on Red: Native American Literary Separatism. Minneapolis: University of Minnesota Press.Google Scholar

Womack, Craig S. 2001. Drowning in Fire. Tucson: University of Arizona Press.Google Scholar

Yellow Robe, William S. 2000. Where the Pavement Ends: Five Native American Plays. Norman: University of Oklahoma Press.Google Scholar

Zitkala-sa/Zitkala-sha/Red Bird (Gertrude Simmons Bonnin). 2001. Dreams, Poems and the Sun Dance Opera. Lincoln: University of Nebraska Press.Google Scholar

Alexie, Sherman. 2003. Ten Little Indians. New York: Grove.Google Scholar

Alexie, Sherman. 2005. The Lone Ranger and Tonto Fistfight in Heaven. Expanded edn. New York: Grove.Google Scholar

Alexie, Sherman. 2007. The Absolutely True Diary of a Part-Time Indian. New York: Little, Brown.Google Scholar

Alexie, Sherman. 2009. “Spokane Words: Tomson Highway Raps with Sherman Alexie.” 1997 interview. Repr. in Conversations with Sherman Alexie, ed. Peterson, Nancy J., 21–31. Jackson: University Press of Mississippi.Google Scholar

Erdrich, Louise. 1984. Love Medicine: A Novel. New York: Holt, Rinehart, and Winston.Google Scholar

Erdrich, Louise. 2010. “The Art of Fiction No. 208.” Interview by Halliday, Lisa. Paris Review 195 (Winter), 133–66.Google Scholar

Franzen, Jonathan. 2015. Introductory note to the Fiction section. In The 50s: The Story of a Decade, ed. Finder, Henry, 597–600. New York: Modern Library.Google Scholar

Howe, LeAnne. 2008. “Blind Bread and the Business of Theory Making, by Embarrassed Grief.” In Reasoning Together: The Native Critics Collective, ed. Acoose, Janice et al., 325–39. Norman: University of Oklahoma Press.Google Scholar

Kincaid, James. 1992. “Who Gets to Tell Their Stories?” New York Times Book Review. May 3, p. 28.Google Scholar

Library of Congress. 2015. “Library of Congress Prize for American Fiction Awarded to Louise Erdrich.” Library of Congress online. March 17. www.loc.gov/item/prn-15-045/ (accessed March 14, 2018).Google Scholar

Lincoln, Kenneth. 1983. Native American Renaissance. Berkeley: University of California Press.Google Scholar

MacShane, Frank. 1977. Review of Ceremony, by Leslie Marmon Silko. New York Times Book Review, June 12, p. 15.Google Scholar

Momaday, N. Scott. 1979. “Man Made of Words.” In The Remembered Earth, ed. Hobson, Geary. Albuquerque: University of New Mexico Press.Google Scholar

Momaday, N. Scott. 1997. The Man Made of Words: Essays, Stories, Passages. New York: St. Martin’s Press.Google Scholar

Momaday, N. Scott. [1968] 2010. House Made of Dawn. New York: HarperPerennial.Google Scholar

Owens, Louis. 2001. I Hear the Train: Reflections, Inventions, Refractions. Norman: University of Oklahoma Press.Google Scholar

Price, Reynolds. 1974. “When Is an Indian Novel Not an Indian Novel?” Review of Winter in the Blood, by James Welch. New York Times Book Review, November 10, p. 1.Google Scholar

Roemer, Ken. n.d. “N. Scott Momaday: Biographical, Literary, and Multicultural Contexts.” www.english.illinois.edu/maps/poets/m_r/momaday/contexts.htm (accessed March 14, 2018).Google Scholar

Silko, Leslie Marmon. 1981. “Language and Literature from a Pueblo Indian Perspective.” In English Literature: Opening up the Canon, ed. Fiedler, Leslie and Baker, Houston, 54–72. Baltimore: Johns Hopkins University Press.Google Scholar

Silko, Leslie Marmon. 1986. “Here’s an Odd Artifact for the Fairy-Tale Shelf.” Review of The Beet Queen, by Louise Erdrich. Studies in American Indian Literatures, first series 10, 4 (Fall): 178–84.Google Scholar

Silko, Leslie Marmon. 1996. Yellow Woman and a Beauty of the Spirit: Essays on Native American Life Today. New York: Simon and Schuster.Google Scholar

Silko, Leslie Marmon. [1981] 2012. Storyteller. New York: Penguin Books.Google Scholar

Sprague, Marshall. 1968. “Anglos and Indians.” Review of House Made of Dawn, by N. Scott Momaday. New York Times Book Review, June 9, p. 5.Google Scholar

Vizenor, Gerald. 2008. Survivance: Stories of Native Presence. Lincoln: University of Nebraska Press.Google Scholar

Abel, Jordan. 2013. The Place of Scraps. Vancouver: Talonbooks.Google Scholar

Abel, Jordan. 2014. Un/Inhabited. Vancouver: Project Space Books and Talonbooks.Google Scholar

Abel, Jordan. 2016. Injun. Vancouver: Talonbooks.Google Scholar

Alexie, Sherman. 2007. The Absolutely True Diary of a Part-Time Indian. New York: Little, Brown.Google Scholar

Allen, Paula Gunn. 1986. The Sacred Hoop: Recovering the Feminine in American Indian Traditions. Boston: Beacon.Google Scholar

Anthes, Bill. 2015. Edgar Heap of Birds. Durham, NC: Duke University Press.Google Scholar

Bascaramurty, Dakshana. 2017. “The Modern Touch of an Old Master.” Globe and Mail. December 1. www.theglobeandmail.com/arts/inside-the-process-behind-kent-monkmans-art/article37126241/ (accessed May 1, 2019).Google Scholar

Berlo, Janet Catherine, ed. 1996. Plains Indian Drawings 1865–1935: Pages from a Visual History. New York: Harry N. Abrams in association with the American Federation of Arts and The Drawing Center.Google Scholar

Bhabha, Homi. 1984. “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” October 28. Discipleship: A Special Issue on Psychoanalysis (Spring): 125–33.Google Scholar

Blish, Helen H. ed. 1967. A Pictographic History of the Oglala Sioux. Lincoln: University of Nebraska Press.Google Scholar

Brotherstone, Gordon. 1979. Image of the New World: The American Continent Portrayed in Native Texts. London: Thames and Hudson, 1979.Google Scholar

Brumble, H. David. 1988. American Indian Autobiography. Berkeley: University of California Press.Google Scholar

Comic-Con International: San Diego. 2019. www.comic-con.org (accessed October 21, 2019).Google Scholar

Dembicki, Matt, ed. 2010. Trickster: Native American Tales, A Graphic Collection. Golden, CO: Fulcrum Books.Google Scholar

Dunn, Dorothy, ed. 1969. 1877: Plains Indian Sketch Books of Zo-Tom and Howling Wolf. Flagstaff, AZ: Northland.Google Scholar

Eisner, Will. 1985. Comics and Sequential Art: Principles and Practice of the World’s Most Popular Art Form. Expanded edn. Tamarac, FL: Poorhouse Press.Google Scholar

Endrezze, Anita. 2000. Throwing Fire at the Sun, Water at the Moon. Tucson: University of Arizona Press.Google Scholar

Everett-Green, Robert. 2017. “Kent Monkman: A Trickster with a Cause Crashes Canada’s 150th Birthday Party.” Globe and Mail. January 6. www.theglobeandmail.com/news/national/canada-150/kent-monkman-shame-and-prejudice/article33515775/ (accessed May 1, 2019).Google Scholar

Ewers, John C. 1968. “Introduction.” In Howling Wolf; a Cheyenne Warrior’s Graphic Interpretation of His People, by Karen Daniels Petersen, 5–20. Palo Alto, CA: American West Pub. Co.Google Scholar

Ewers, John C. 1978. Murals in the Round: Painted Tipis of the Kiowa and Kiowa-Apache Indians. Washington, DC: Smithsonian Institution Press.Google Scholar

Glancy, Diane. 2014. Fort Marion Prisoners and the Trauma of Native Education. Lincoln: University of Nebraska Press.Google Scholar

Gould, Janice. 2011. Indian Mascot, 1959. Dos Coyotes Production. Colorado Springs: The Press at Colorado College.Google Scholar

Greene, Candace S. 2013. “Being Indian at Fort Marion: Revisiting Three Drawings.” American Indian Quarterly 37, 4 (Fall): 289–316.Google Scholar

Hearne, Joanna. 2017. “Introduction: Native to the Device: Thoughts on Digital Indigenous Studies.” Studies in American Indian Literatures 29, 1 (Spring): 3–26.Google Scholar

Hoebel, E. Adamson, and Petersen, Karen Daniels, eds. 1964. A Cheyenne Sketchbook, by Cohoe, . Norman: University of Oklahoma Press.Google Scholar

Howard, James H. ed. 1968. The Warrior Who Killed Custer: The Personal Narrative of Chief Joseph White Bull. Lincoln: University of Nebraska Press.Google Scholar

Lefebvre, Henri. 1991. The Production of Space, trans. Donald Nicholson-Smith. Malden, MA: Blackwell.Google Scholar

Lidchi, Henrietta, and Tsinhnahjinnie, Hulleah J., eds. 2009. Visual Currencies: Reflections on Native Photography. Edinburgh: National Museums Scotland.Google Scholar

Lippard, Lucy R. 1997. The Lure of the Local: Senses of Place in a Multicentered Society. New York: New Press.Google Scholar

Lookingbill, Brad D. 2006. War Dance at Fort Marion: Plains Indian War Prisoners. Norman: University of Oklahoma Press, 2006.Google Scholar

Lum, Fred. 2017. “Toronto Pride Parade Grand Marshal Kent Monkman Opts to Be Himself.” Globe and Mail. June 23. www.theglobeandmail.com/news/toronto/kent-monkman-marks-indigenous-response-to-canada-150-at-torontopride/article35453537/(accessed May 1, 2019).Google Scholar

Mallery, Garrick. [1892, 1893] 1972. “Picture-Writing of the American Indians.” In Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888–89, ed. Powell, J.. 2 vols. New York: Dover.Google Scholar

Margolin, Malcolm. 1978. The Ohlone Way: Indian Life in the San Francisco-Monterey Bay Area. Berkeley: Heyday Books.Google Scholar

Martin, Michel. 2017. “Native Americans Tell Their Own Superhero Stories at Indigenous Comic Con.” All Things Considered, NPR, November 26.Google Scholar

McCloud, Scott. 2006. Making Comics: Storytelling Secrets of Comics, Manga, and Graphic Novels. New York: Harper.Google Scholar

Miranda, Deborah A. 2013. Bad Indians: A Tribal Memoir. Berkeley: Heyday Books.Google Scholar

Momaday, N. Scott. 1969. The Way to Rainy Mountain. Albuquerque: University of New Mexico Press, 1969.Google Scholar

Momaday, N. Scott. 1976. The Names: A Memoir. New York: Harper and Row.Google Scholar

Momaday, N. Scott. 1992. In the Presence of the Sun: Stories and Poems. New York: St. Martin’s.Google Scholar

Monkman, Kent. 2017. Shame and Prejudice: A Story of Resilience. Art Museum, University of Toronto; Justina M. Barnicke Gallery, University of Toronto Art Centre; 7 Hart House Circle, Toronto. Published in conjunction with an exhibition of the same title and presented January 26–March 4.Google Scholar

Mooney, James. [1898] 1979. Calendar History of the Kiowa Indians, Bureau of American Ethnology, 17th Annual Report. Washington, DC: Smithsonian Institution Press.Google Scholar

Mooney, James. 1891–1904. “Kiowa Heraldry Notebook: Descriptions of Kiowa Tipis and Shields.” Washington, DC: Smithsonian Institution, National Anthropological Archives. Manuscript 2531.Google Scholar

Naranjo-Morse, Nora. 1992. Mud Woman: Poems from the Clay. Tucson: University of Arizona Press.Google Scholar

Nicholson, Hope, ed. 2015. Moonshot: The Indigenous Comics Collection. Toronto: AH (Alternate History) Comics.Google Scholar

O’Brien, Lynne Woods. 1973. Plains Indian Autobiographies. Boise, ID: Boise State College.Google Scholar

Petersen, Karen Daniels, ed. 1968. Howling Wolf: A Cheyenne Warrior’s Graphic Interpretation of His People. Palo Alto, CA: American West.Google Scholar

Petersen, Karen Daniels. 1971. Plains Indian Art from Fort Marion. Norman: University of Oklahoma Press.Google Scholar

Ritter, Kathleen. 2014. “Ctrl-F: Reterritorializing the Canon.” In Un/Inhabited, by Abel, Jordan, vii–xix. Vancouver: Project Space Books and Talonbooks.Google Scholar

Romero, Channette. 2017. “Toward an Indigenous Feminine Animation Aesthetic.” Studies in American Indian Literatures 29, 1 (Spring): 56–87.Google Scholar

Rushing, W. Jackson, III. 2005. “‘In Our Own Language’: The Art of Hachivi Edgar Heap of Birds.” Third Text 19, 4 (July): 365–84.Google Scholar

Rymhs, Deena. Forthcoming. Directing Traffic: Roads, Mobility, and Violence in Indigenous Literature and Art. New York: Routledge.Google Scholar

Sheyahshe, Michael. 2008. Native Americans in Comic Books: A Critical Study. Jefferson, NC: McFarland.Google Scholar

Silko, Leslie Marmon. 1981. Storyteller. New York: Seaver Books.Google Scholar

Silko, Leslie Marmon. 1993. Sacred Water: Narratives and Pictures. Tucson: Flood Plain Press.Google Scholar

Silko, Leslie Marmon. 1996. Yellow Woman and a Beauty of the Spirit: Essays on Native American Life Today. New York: Simon and Schuster.Google Scholar

Spiegelman, Art, with Chute, Hillary. 2011. MetaMaus. New York: Pantheon Books.Google Scholar

Steffanucci, Tracy. 2014. “Afterword.” In Un/Inhabited, by Abel, Jordan, i–v. Vancouver: Project Space Books and Talonbooks.Google Scholar

Szabo, Joyce M. 2007. Art from Fort Marion. Norman: University of Oklahoma Press.Google Scholar

Tuan, Yi-Fu. 1977. Space and Place: The Perspective of Experience. Minneapolis: University of Minnesota Press.Google Scholar

Wildschut, William. 1926. “A Crow Pictographic Robe.” Indian Notes 3 (1): 28–32.Google Scholar

Wildschut, William, and Ewers, John C.. 1959. Crow Indian Beadwork: Descriptive and Historical Study. New York: Museum of the American Indian, Heye Foundation.Google Scholar

Wong, Hertha D. [Sweet]. 1992. Sending My Heart Back across the Years: Tradition and Innovation in Native American Autobiography. New York: Oxford University Press.Google Scholar

Wong, Hertha D. 2018. “Hachivi Edgar Heap of Birds’s Artwork: ‘Native Peoples Have Chosen Art as Their Cultural Tool and Weapon.’” In Picturing Identity: Contemporary American Autobiography in Image and Text, 214–28. Chapel Hill: University of North Carolina Press.CrossRefGoogle Scholar

Abel, Jordan. 2013. The Place of Scraps. Vancouver: Talon.Google Scholar

Abel, Jordan. 2014. “Un/inhabited: EVENT Interviews Jordan Abel.” With Elena E. Johnson. EVENT. October 29. www.eventmagazine.ca/2014/10/uninhabitated-event-interviews-jordan-abel/ (accessed May 1, 2018).Google Scholar

Abel, Jordan. 2016. Injun. Vancouver: Talon.Google Scholar

Ahenakew, Edward. 1973. Voices of the Plains Cree, ed. Buck, Ruth M.. Toronto: McClelland & Stewart.Google Scholar

Anahareo. 1940. My Life with Grey Owl. London: Peter Davies.Google Scholar

Anahareo. [1972] 2014. Devil in Deerskins: My Life with Grey Owl, ed. Sophie, McCall. Winnipeg: University of Manitoba Press.Google Scholar

Annharte, Marie Baker. 1990. Being on the Moon. Winlaw, BC: Polestar.Google Scholar

Aodla Freeman, Mini. [1977] 2015. Life among the Qallunaat, ed. Martin, Keavy, Rak, Julie, and Dunning, Norma. Winnipeg: University of Manitoba Press.Google Scholar

Armstrong, Jeannette, ed. 1993. Looking at the Words of Our People: First Nations Analysis on Literature. Penticton, BC: Theytus.Google Scholar

Armstrong, Jeannette, ed. 2001. “Four Decades: An Anthology of Canadian Native Poetry from 1960 to 2000.” In Armstrong and Grauer, Native Poetry in Canada, x–xx.Google Scholar

Armstrong, Jeannette, and Grauer, Lally, eds. 2001. Native Poetry in Canada: A Contemporary Anthology. Peterborough, ON: Broadview.Google Scholar

Assembly of First Nations. 1994. Breaking the Silence: An Interpretive Study of Residential School Impact and Healing as Illustrated by Stories of First Nations Individuals. Ottawa: Assembly of First Nations.Google Scholar

Baker, Carleigh. 2016. “The Mythical Indigenous Protagonist.” Review of The Break, by Katherena Vermette. Literary Review of Canada (November). https://reviewcanada.ca/magazine/2016/11/the-mythical-indigenous-protagonist/ (accessed May 1, 2018).Google Scholar

Barnett, Don, ed. 1975. Bobbi Lee, Indian Rebel: Struggles of a Native Canadian Woman. Life Histories from the Revolution Series. Richmond: LSM Information Center.Google Scholar

Campbell, Maria. 1973. Halfbreed. Toronto: McClelland & Stewart.Google Scholar

Campbell, Maria. 1992. Give Back: First Nations Perspectives on Cultural Practice. Vancouver: Gallerie.Google Scholar

Cariou, Warren. 2014. “Indigenous Literature and Other Verbal Arts, Canada (1960–2012).” In The Oxford Handbook on Native American and Indigenous Literatures, ed. Cox, James H. and Justice, Daniel Heath, 577–88. New York: Oxford University Press.Google Scholar

Clements, Marie. 2002. Burning Vision. Vancouver: Talon.Google Scholar

Clements, Marie. 2005. The Unnatural and Accidental Women. Vancouver: Talon.Google Scholar

Clements, Marie. 2010. The Edward Curtis Project. Vancouver: Talon.Google Scholar

Clements, Marie. 2012. Tombs of the Vanishing Indian. Vancouver: Talon.Google Scholar

Clements, Marie.dir. 2017. The Road Forward. Montreal: National Film Board of Canada.Google Scholar

Corntassel, Jeff, Chaw-win-is, , and T’lakwadzi, . 2016. “Indigenous Storytelling, Truth-Telling, and Community Approaches to Reconciliation.” In Learn, Teach, Challenge: Approaches to Indigenous Literatures, ed. Reder, Deanna and Morra, Linda, 373–91. Waterloo: Wilfrid Laurier University Press.Google Scholar

Cox, James H., and Daniel Heath Justice. 2014. “Introduction: Post-Renaissance Indigenous American Literary Studies.” In The Oxford Handbook on Native American and Indigenous Literatures, ed. James H. Cox and Daniel Heath Justice, 1–11. New York: Oxford University Press.Google Scholar

Coupal, Michelle. 2016. “Teaching Indigenous Literature as Testimony: Porcupines and China Dolls and the Testimonial Imaginary.” In Learn, Teach, Challenge: Approaches to Indigenous Literatures, ed. Reder, Deanna and Morra, Linda, 447–86. Waterloo: Wilfrid Laurier University Press.Google Scholar

Cuthand, Beth. 2001. “Post-Oka Kinda Woman.” In Armstrong and Grauer, Native Poetry in Canada, 132–33.Google Scholar

Dewar, Jonathan. 2016. “From Profound Silences to Ethical Practices: Aboriginal Writing and Reconciliation.” In The Oxford Handbook of Canadian Literature, ed. Sugars, Cynthia, 150–69. New York: Oxford University Press.Google Scholar

Dimaline, Cherie. 2017. The Marrow Thieves. Toronto: Cormorant.Google Scholar

Dion, Joseph F. 1979. My Tribe, The Crees, ed. Demsey, Hugh A.. Calgary: Glenbow Museum.Google Scholar

Eigenbrod, Renate. 2012. “‘For the Child Taken, for the Parent Left Behind’: Residential School Narratives as Acts of ‘Survivance.’” English Studies in Canada 38, 3–4: 277–97.Google Scholar

Elliott, Alicia. 2017. “The cultural appropriation debate isn’t about free speech – it’s about context.” CBC Arts. 16 May. www.cbc.ca/arts/the-cultural-appropriation-debate-isn-t-about-free-speech-it-s-about-context-1.4117142 (accessed May 1, 2019).Google Scholar

Fee, Margery. 2015. Literary Land Claims: The ‘Indian Land Question’ from Pontiac’s War to Attawapiskat. Waterloo: Wilfrid Laurier University Press.Google Scholar

Garneau, David. 2016. “Imaginary Spaces of Conciliation and Reconciliation: Art, Curation, and Healing.” In Robinson and Martin, Arts of Engagement, 21–41.Google Scholar

Gleeson, Kristin. 2012. Anahareo: Wilderness Spirit. Tucson: Fireship.Google Scholar

Grauer, Lally. 2001. “Tuning Up, Tuning In.” In Armstrong and Grauer, Native Poetry in Canada, xxi–xxviii.Google Scholar

Halfe, Louise Bernice. 1994. Bear Bones & Feathers. Regina: Coteau.Google Scholar

Halfe, Louise Bernice. 2002. Blue Marrow. Toronto: McClelland & Stewart.Google Scholar

Halfe, Louise Bernice. 2007. The Crooked Good: Sky Dancer. Regina: Coteau.Google Scholar

Halfe, Louise Bernice. 2016. Burning In This Midnight Dream. Regina: Coteau.Google Scholar

Halfe, Louise Bernice. 2018. Sôhkêyihta: The Poetry of Sky Dancer Louise Bernice Halfe, ed. Gaertner, David. Waterloo: Wilfrid Laurier University Press.Google Scholar

Harper, Stephen. 2008. “Statement of Apology to Former Students of Residential Schools.” House of Commons Debates: 39th Parliament, 2nd Session, Number 110. June 11. www.aadnc-aandc.gc.ca/eng/1100100015644/1100100015649 (accessed May 1, 2018).Google Scholar

Highway, Tomson. 1988. The Rez Sisters. Saskatoon: Fifth House.Google Scholar

Highway, Tomson. 1989. Dry Lips Oughta Move to Kapuskasing. Saskatoon: Fifth House.Google Scholar

Highway, Tomson. 1998. Kiss of the Fur Queen. Toronto: Doubleday.Google Scholar

Hunt, Dallas. 2017. “Nikîkîwân: Contesting Settler Colonial Archives through Indigenous Oral History.” Indigenous Literature and the Arts of Community 230–231: 25–42. (Special edition of Canadian Literature, ed. Sarah Henzi and Sam McKegney.)Google Scholar

Jaine, Linda, ed. 1993. Residential Schools: The Stolen Years. Saskatoon: University Extension Press.Google Scholar

Joe, Rita. 1978. Poems of Rita Joe. Halifax: Abanaki Press.Google Scholar

Johnston, Basil. 1988. Indian School Days. Toronto: Key Porter Books.Google Scholar

Johnston, Basil. 2007. “Foreword.” In Magic Weapons: Aboriginal Writers Remaking Community after Residential School by Sam McKegney, vii–xv. Winnipeg: University of Manitoba Press.Google Scholar

Karpinski, Max. 2017. “‘Split With the Kind Knife’: The Regenerative Excisions of Jordan Abel’s The Place of Scraps.” Indigenous Literature and the Arts of Community 230–231: 65–84. (Special edition of Canadian Literature, ed. Sarah Henzi and Sam McKegney.)Google Scholar

Keeshig-Tobias, Lenore. 1990. “Stop Stealing Native Stories.” Globe and Mail. January 26. www.theglobeandmail.com/news/national/cultural-appropriation-stop-stealing-native-stories/article35066040/ (accessed May 1, 2018).Google Scholar

King, Thomas. 1990. “Godzilla vs. Post-Colonial.” World Literature Written in English 30, 2: 10–16.Google Scholar

Kenny, George. [1977] 2014. Indians Don’t Cry, ed. Eigenbrod, Renate. Winnipeg: University of Manitoba Press.Google Scholar

Gabrielle, L’Hirondelle Hill, and McCall, Sophie, eds. 2015. The Land We Are: Artists and Writers Unsettle the Politics of Reconciliation. Winnipeg: Arbeiters Ring.Google Scholar

Manuel, George, and Posluns, Michael. 1974. The Fourth World: An Indian Reality. Don Mills, ON: Collier-Macmillan.Google Scholar

Manuel, Vera. [1992] Forthcoming. Honouring the Strength of Indian Women: Plays, Stories, Poetry by Vera Manuel, ed. Coupal, Michelle, Reder, Deanna, and Arnott, Joanne. Winnipeg: University of Manitoba Press.Google Scholar

Maracle, Lee. 1990a. Bobbi Lee, Indian Rebel. Toronto: Women’s Press.Google Scholar

Maracle, Lee. 1990b. Sojourner’s Truth and Other Stories. Vancouver: Press Gang.Google Scholar

Maracle, Lee. 2017. “Today Is Different, Because Yesterday We Fought.” Write (Fall): 10–11.Google Scholar

Martin, Keavy. 2017. “The Rhetoric of Silence in Life among the Qallunaat.” In Henzi and McKegney, “Indigenous Literature,” 144–61.Google Scholar

McCall, Sophie. 2014. “Aboriginal Oral History and the Politics of the TRC.” Presentation at Musqueam 101, Musqueam First Nation (Vancouver, BC). January 22.Google Scholar

McKegney, Sam. 2014. “Beyond Continuance: Criticism of Indigenous Literatures in Canada.” In The Oxford Handbook on Native American and Indigenous Literatures, ed. James H. Cox and Daniel Heath Justice, 409–26. New York: Oxford University Press.Google Scholar

Mercredi, Duncan. 1990. Spirit of the Wolf: Raise Your Voice. Winnipeg: Pemmican.Google Scholar

Milloy, John S. 2014. A National Crime: The Canadian Government and the Residential School System, 1879 to 1986. Winnipeg: University of Manitoba Press.Google Scholar

Morin, Peter. 2016. “this is what happens when we perform the memory of the land.” In Robinson and Martin, Arts of Engagement, 67–91.Google Scholar

Mountain Horse, Mike. 1979. My People, the Bloods. Calgary: Glenbow-Alberta Institute; Standoff, AB: Blood Tribal Council.Google Scholar

Moyes, Lianne. 2017. “Listening to ‘Mes lames de tannage’: Notes toward a Translation.” Indigenous Literature and the Arts of Community 230–231: 86–105. (Special edition of Canadian Literature, ed. Sarah Henzi and Sam McKegney.)Google Scholar

Obomsawin, Alanis, dir. 1993. Kanehsatake: 270 Years of Resistance. Montreal: Studio B, Office national du film du Canada.Google Scholar

Obomsawin, Alanis. 1995. My Name Is Kahentiiosta. Montreal: Studio B, Office national du film du Canada.Google Scholar

Obomsawin, Alanis. 1997. Spudwrench. Montreal: Studio B, Office national du film du Canada.Google Scholar

Obomsawin, Alanis. 2000. Rocks at Whiskey Trench. Montreal: Studio B, Office national du film du Canada.Google Scholar

“Phil Fontaine’s Shocking Testimony of Sexual Abuse.” 1990. The Journal. CBC Television. October 30, 1990.Google Scholar

Parry, Tom. 2016. “Preserve Indigenous Residential Schools as Sites of Conscience, MPs Urged.” CBC News. September 26.Google Scholar

Prokosh, Kevin. 2006. “Highway Raises Eyebrows with Colour-Blind Opinions.” Winnipeg Free Press. 18 October. D6.Google Scholar

Reder, Deanna. 2016. “Indigenous Autobiography in Canada: Uncovering Intellectual Traditions.” In The Oxford Handbook of Canadian Literature, ed. Sugars, Cynthia, 170–90. New York: Oxford University Press.Google Scholar

Reder, Deanna. 2017. “Recuperating Indigenous Narratives: Making Legible the Documenting of Injustices.” Plenary paper delivered at Mikinaakominis / TransCanadas: Literature, Justice, Relation. University of Toronto, May 24–27.Google Scholar

Regan, Paulette. 2010. Unsettling the Settler Within: Indian Residential Schools, Truth-Telling, and Reconciliation in Canada. Vancouver: University of British Columbia.Google Scholar

Robinson, Dylan, and Martin, Keavy, eds. 2016a. Arts of Engagement: Taking Aesthetic Action in and beyond the Truth and Reconciliation Commission of Canada. Waterloo, ON: Wilfrid Laurier University Press.Google Scholar

Robinson, Dylan, and Martin, Keavy 2016b. “Introduction: ‘The Body is a Resonant Chamber.’” In Robinson and Martin, Arts of Engagement, 1–20.Google Scholar

Robinson, Eden. 2000. Monkey Beach. Toronto: Vintage, 2000.Google Scholar

Robinson, Eden. 2017. Son of a Trickster. Toronto: Alfred A. Knopf.Google Scholar

Ruffo, Armand Garnet. 2010. “Where the Voice was Coming From.” In Across Cultures / Across Borders: Canadian Aboriginal and Native American Literatures, ed. Paul DePasquale, Renate Eigenbrod, and Emma LaRocque, 171–93. Peterborough: Broadview Press.Google Scholar

Ruffo, Armand Garnet. 2014. “Introduction.” In An Anthology of Canadian Native Literature in English, ed. Ruffo, Armand Garnet, Moses, Daniel David, and Goldie, Terry, xxi–xxxv. Toronto: Oxford University Press.Google Scholar

Sellars, Bev. 2013. They Called Me Number One: Secrets and Survival at an Indian Residential School. Vancouver: Talon.Google Scholar

Simpson, Leanne Betasamosake. 2011. Dancing on Our Turtle’s Back: Stories of Nishnaabeg Re-Creation, Resurgence and a New Emergence. Winnipeg: Arbeiter Ring.Google Scholar

Simpson, Leanne Betasamosake. 2013. Islands of Decolonial Love. Winnipeg: Arbeiter Ring.Google Scholar

Simpson, Leanne Betasamosake. 2017. This Accident of Being Lost. Toronto: House of Anansi Press.Google Scholar

Sterling, Shirley. 1992. My Name Is Seepeetza. Toronto: Douglas & McIntyre.Google Scholar

Truth and Reconciliation Commission of Canada. 2009. “Establishment, Powers, Duties and Procedures of the TRC.” Mandate: Schedule N of Indian Residential Schools Settlement Agreement, February 11.Google Scholar

Truth and Reconciliation Commission of Canada 2015. Canada’s Residential Schools: Missing Children and Unmarked Burials. Vol. IV of The Final Report of the Truth and Reconciliation Commission of Canada. Montreal: McGill-Queen’s University Press.Google Scholar

Vermette, Katherena. 2016. The Break. Toronto: Anansi.Google Scholar

Wagamese, Richard. 2012. Indian Horse. Vancouver: Douglas & McIntyre.Google Scholar

Weetaltuk, Eddy. [2009] 2016. From the Tundra to the Trenches, ed. Martin, Thibault. Winnipeg: University of Manitoba Press.Google Scholar

Yahgulanaas, Michael Nicoll. 2009. Red: A Haida Manga. Vancouver: Douglas & McIntyre.Google Scholar

Younging, Gregory. 2018. Elements of Indigenous Style: A Guide for Writing By and About Indigenous Peoples. Toronto: Brush Education.Google Scholar

Younging, Gregory, Dewar, Jonathan, and Mike, DeGagné. 2009. “Apology and Reconciliation: A Timeline of Events.” In Response, Responsibility, and Renewal: Canada’s Truth and Reconciliation Journey, ed. Dewar, Younging, and DeGagné, 176–78. Ottawa: Aboriginal Healing Foundation.Google Scholar

Brock, W. R. 1965. The Character of American History. 2nd edn. New York: Palgrave Macmillan.Google Scholar

Conway, Moncure D. [1888] 1968. The Life of Nathaniel Hawthorne. New York: Haskell House.Google Scholar

Cooper, James Fenimore. 1825. The Pioneers. New York: Collins and Hannay, and Charles Wiley.Google Scholar

Erdrich, Louise. 1984. Love Medicine. New York: Holt, Reinhart & Winston.Google Scholar

Erdrich, Louise. 1988. Tracks. New York: Henry Holt and Co.Google Scholar

Goddu, Teresa. 1997. Gothic America: Narrative, History, and Nation. New York: Columbia University Press.Google Scholar

Hawthorne, Nathaniel. [1851] 1981. The House of the Seven Gables. New York: Penguin.Google Scholar

Hawthorne, Nathaniel. 2005. The Portable Hawthorne, ed. Spengemann, William. New York: Penguin Classics.Google Scholar

Melville, Herman. 1850. “Hawthorne and His Mosses.” http://people.virginia.edu/~sfr/enam315/hmmosses.html (accessed April 18, 2018).Google Scholar

Melville, Herman. [1851] 2015. Moby-Dick. New York: Calla/ Dover Publications.Google Scholar

Momaday, N. Scott. 1968. House Made of Dawn. New York: Harper & Row.Google Scholar

Schoolcraft, Henry Rowe. 1853. Historical and Statistical Information, respecting the History, Condition and Prospects of the Indian Tribes of the United States. Vol. II. Philadelphia: Lippincott, Grambo & Company.Google Scholar

Silko, Leslie Marmon. 1977. Ceremony. New York: Penguin.Google Scholar

Welch, James. 1974. Winter in the Blood. New York: Harper & Row.Google Scholar

Welch, James. 1979. The Death of Jim Loney. New York: Harper & Row.Google Scholar

Allen, Paula Gunn. 1986. The Sacred Hoop: Recovering the Feminine in American Indian Traditions. Boston: Beacon.Google Scholar

Barker, Joanne. 2017. “Introduction.” In Critically Sovereign: Indigenous Gender, Sexuality, and Feminist Studies, ed. Barker, Joanne, 1–44. Durham, NC: Duke University Press.Google Scholar

Barman, Jean. 1997/98. “Taming Aboriginal Sexuality: Gender, Power, and Race in British Columbia, 1850–1900.” BC Studies 115/116 (Autumn/Winter): 237–66.Google Scholar

Berger, John. 1990. Ways of Seeing. London: Penguin.Google Scholar

Blaney, Fay. 2003. “Aboriginal Women’s Action Network.” In Strong Women Stories: Native Vision and Community Survival, ed. Kim Anderson and Bonita Lawrence, 156–70. Toronto: Sumach.Google Scholar

Cosgrove, Denis. 1985. “Prospect, Perspective and the Evolution of the Landscape Idea.” Transactions of the Institute of British Geographers 10, 1 (March): 45–62.Google Scholar

Erdrich, Louise. 2012. The Round House. New York: Harper.Google Scholar

Erdrich, Louise. 2016. Shadow Tag: A Novel. New York: Harper Perennial.Google Scholar

Fabian, Johannes. 1985. Time and the Other: How Anthropology Makes Its Object. New York: Columbia University Press.Google Scholar

Huhndorf, Shari M., and Suzack, Cheryl. 2010. “Indigenous Feminism: Theorizing the Issues.” In Indigenous Women and Feminism: Politics, Activism, Culture, ed. Suzack, Cheryl, Huhndorf, Shari M., Perreault, Jeanne, and Barman, Jean, 1–17. Vancouver: UBC Press.Google Scholar

Hulme, Peter. 1985. “Polytropic Man: Tropes of Sexuality and Mobility in Early Colonial Discourse.” In Europe and Its Others: Proceedings of the Essex Conference on the Sociology of Literature, July 1984, ed. Barker, Francis, Hulme, Peter, Iversen, Margaret, and Loxley, Diana, Vol. II, 17–32. Colchester: University of Essex.Google Scholar

Laflen, Angela. 2014. Confronting Visuality in Multi-Ethnic Women’s Writing. New York: Palgrave Macmillan.Google Scholar

LaRocque, Emma. 1996. “The Colonization of a Native Woman Scholar.” In Women of the First Nations: Power, Wisdom, and Strength, ed. Miller, Christine and Chuchryk, Patricia, 11–18. Winnipeg: University of Manitoba Press.Google Scholar

Lawrence, Bonita. 2003. “Gender, Race, and the Regulation of Native Identity in Canada and the United States: An Overview.” Hypatia 18, 2 (Spring): 3–31.Google Scholar

Lefebvre, Henri. 1992. The Production of Space. Hoboken, NJ: Wiley Blackwell.Google Scholar

Nead, Lynda. 1990. “The Female Nude: Pornography, Art, and Sexuality.” Signs 15, 2 (Winter): 323–35.Google Scholar

Pearce, Roy Harvey. [1953] 1988. Savagism and Civilization: A Study of the Indian and the American Mind. Berkeley: University of California Press.Google Scholar

Pratt, Mary Louise. 2007. Imperial Eyes: Travel Writing and Transculturation. New York: Routledge.Google Scholar

Prucha, Francis Paul. 1986. The Great Father: The United States Government and the American Indians. Lincoln: University of Nebraska Press.Google Scholar

Redbird, Elsie B. 1995. “Honoring Native Women: The Backbone of Native Sovereignty.” In Popular Justice and Community Regeneration: Pathways of Indigenous Reform, ed. Hazlehurst, Kayleen M., 121–42. Westport, CT: Praeger.Google Scholar

Rose, Gillian. 1993. Feminism and Geography: The Limits of Geographical Knowledge. Cambridge: Polity.Google Scholar

Scully, Pamela. 2005. “Malintzin, Pocahontas, and Krotoa: Indigenous Women and Myth Models of the Atlantic World.” Journal of Colonialism and Colonial History 6, 3: 1–28.Google Scholar

Trask, Haunani-Kay. 1996. “Feminism and Indigenous Hawaiian Nationalism.” Signs 21, 4 (Summer): 906–16.Google Scholar

Allen, Paula Gunn. 1983. The Woman Who Owned the Shadows. San Francisco: Spinsters.Google Scholar

Belcourt, Billy-Ray. 2017. This Wound Is a World. Calgary: Frontenac House Poetry.Google Scholar

Benaway, Gwen. 2013. Ceremonies of the Dead. Ontario: Kegedonce.Google Scholar

Benaway, Gwen. 2016. Passage. Ontario: Kegedonce.Google Scholar

Benaway, Gwen. 2017. “The Power – and the Violence – of Being an Indigenous Trans Woman.” Macleans. June 21. www.macleans.ca/opinion/the-power-and-the-violence-of-being-an-indigenous-trans-woman/ (accessed April 18, 2018).Google Scholar

Brant, Beth, ed. [1983] 1988. A Gathering of Spirit: Writing and Art by North American Indian Women. Rockland, ME: Sinister Wisdom. Repr. New York: Firebrand Books.Google Scholar

Brant, Beth, 1985. Mohawk Trail. Ithaca, NY: Firebrand Books.Google Scholar

Brant, Beth. 1991. Food & Spirits: Stories. NY: Firebrand Books.Google Scholar

Brant, Beth. 1994. Writing as Witness: Essay and Talk. Toronto: Women’s Press.Google Scholar

Brown, Kirby. 2018. Stoking the Fire: Nationhood in Early Twentieth Century Cherokee Writing. Norman: Oklahoma University Press.Google Scholar

Burhansstipanov, Linda, laFavor, Carole, Hoskins, Shirley, Bellymule, Gloria, and Rowell, Ron. 1997. “Native Women Living beyond HIV/AIDS Infection.” In The Gender Politics of HIV/AIDS in Women: Perspectives on the Pandemic in the United States, ed. Goldstein, Nancy and Manlowe, Jennifer L., 337–56. New York: New York University Press.Google Scholar

Chrystos. 1988. Not Vanishing. Vancouver: Press Gang.Google Scholar

Cox, James. 2012. Red Land to the South: American Writers and Indigenous Mexico. Minneapolis: University of Minnesota Press.Google Scholar

Driskill, Qwo-Li. 2004. “Stolen from Our Bodies: First Nations Two-Spirits/Queers and the Journey to a Sovereign Erotic.” Studies in American Indian Literatures 16, 2 (Summer): 50–64.Google Scholar

Driskill, Qwo-Li, Daniel Heath Justice, Miranda, Deborah, and Tatonetti, Lisa, eds. 2011. Sovereign Erotics: A Collection of Two-Spirit Literature. Tucson: The University of Arizona Press.Google Scholar

Fife, Connie. 1992. Beneath the Naked Sun. Toronto: Sister Vision.Google Scholar

Gilley, Brian Joseph. 2006. Becoming Two-Spirit: Gay Identity and Social Acceptance in Indian Country. Lincoln: University of Nebraska Press.Google Scholar

Gould, Janice. 1990. Beneath My Heart: Poetry. Ithaca, NY: Firebrand Books.Google Scholar

Gould, Janice. 1994. “Disobedience (in Language) in Text by Lesbian Native Americans.” ARIEL: A Review of International English Literature 25, 1 (January): 32–44.Google Scholar

Jacobs, Sue-Ellen, Thomas, Wesley, and Lang, Sabine, eds. 1997. Two-Spirit People: Native American Gender Identity, Sexuality, and Spirituality. Urbana: University of Illinois Press.Google Scholar

Justice, Daniel Heath. 2006. Our Fire Survives the Storm: A Cherokee Literary History. Minneapolis: University of Minnesota Press.Google Scholar

Justice, Daniel Heath 2010. “Notes toward a Theory of Anomaly.” Sexuality, Nationality, and Indigeneity. Special issue of GLQ: A Journal of Lesbian and Gay Studies 16 (1–2): 207–42.Google Scholar

Justice, Daniel Heath 2011. The Way of Thorn and Thunder: The Kynship Chronicles. Albuquerque: University of New Mexico Press.Google Scholar

Kenny, Maurice. 1977. “Winkte.” ManRoot 11 (Spring/Summer): 26.Google Scholar

laFavor, Carole. [1996] 2017. Along the Journey River. Minneapolis: University of Minnesota Press.Google Scholar

laFavor, Carole. [1997] 2017. Evil Dead Center: A Mystery. Minneapolis: University of Minnesota Press.Google Scholar

Lane, M. Carmen. 2015. Calling Out after Slaughter. North York, ON: GTK Press.Google Scholar

Lorde, Audre. 1984. Sister Outsider: Essays and Speeches. New York: Crossing Press.Google Scholar

Million, Dian. 2009. “Felt Theory: An Indigenous Feminist Approach to Affect and History.” Wicazo Sa Review 24, 2 (Fall): 53–76.Google Scholar

Millon, Dian. 2014. Therapeutic Nations: Healing in the Age of Indigenous Human Rights. Tucson: University of Arizona Press.Google Scholar

Miranda, Deborah. 2002. “Dildos, Hummingbirds, and Making Her Crazy: Searching for American Indian Women’s Love Poetry and Erotics.” Frontiers: A Journal of Women Studies 23, 2: 135–49.Google Scholar

Miranda, Deborah. 2013. Bad Indians: A Tribal Memoir. Berkeley: Heyday.Google Scholar

Murphy, Jami. 2016. “AG Opinion Legalizes Same-Sex Marriage.” Cherokee Phoenix (Tahlequah, Oklahoma), December 15.Google Scholar

Pico, Tommy. 2017. Nature Poem. Brooklyn, NY: Tin House.Google Scholar

Roscoe, Will. 1991. The Zuni Man-Woman. Albuquerque: University of New Mexico Press.Google Scholar

Roscoe, Will. 1998. Changing Ones: Third and Fourth Genders in Native North America. New York: St. Martin’s Press.Google Scholar

Tatonetti, Lisa. 2014. The Queerness of Native American Literature. Minneapolis: University of Minnesota Press.Google Scholar

Warren, Jennifer. 2017. “How Gwen Benaway Faces Her Transgender Future in Her New Poetry Collection.” CBC Books, August 8. www.cbc.ca/books/how-gwen-benaway-faces-her-transgender-future-in-her-new-poetry-collection-1.4056421 (accessed April 18, 2018).Google Scholar

Weaver, Jace. 1997. That the People Might Live: Native American Literatures and Native American Community. New York: Oxford University Press.Google Scholar

Whitehead, Joshua. 2017. Full-Metal Indigiqueer. Vancouver: Talonbooks.Google Scholar

Whitehead, Joshua. 2018. “Mâwacinikân: Moving Indigenous Literature to the Front in 2018.” CBC Arts: Point of View. January 19. www.cbc.ca/arts/mawacinikan-moving-indigenous-literature-to-the-front-in-2018-1.4493517 (accessed April 18, 2018).Google Scholar

Whitehead, Joshua: 2018. Jonny Appleseed. Vancouver: Arsenal Pulp Press.Google Scholar

Williams, Walter. [1986] 1992. The Spirit and the Flesh: Sexual Diversity in American Indian Culture. Boston: Beacon Press.Google Scholar

Womack, Craig. 1999. Red on Red: Native American Literary Separatism. Minneapolis: University of Minnesota Press.Google Scholar

Womack, Craig. 2001. Drowning in Fire. Tucson: University of Arizona Press.Google Scholar

Alexie, Sherman. 2009. “Survivorman.” New Yorker. June 8. www.newyorker.com/magazine/2009/06/08/survivorman (accessed April 23, 2018).Google Scholar

Bitsui, Sherwin. 2003. Shapeshift. Tucson: University of Arizona Press.Google Scholar

Bitsui, Sherwin. 2009. Flood Song. Port Townsend: Copper Canyon.Google Scholar

Coke, Allison Hedge, Adele. 2006. Blood Run. Cambridge: Salt Press.Google Scholar

Diaz, Natalie. 2012. When My Brother Was an Aztec. Port Townsend: Copper Canyon.Google Scholar

Diaz, Natalie. 2017. “A Native American Poet Excavates the Language of Occupation.” New York Times Book Review. August 6 , 20.Google Scholar

Erdrich, Heid E. 2012. Cell Traffic: New and Selected Poems. Tucson: University of Arizona Press.Google Scholar

Erdrich, Louise. 1984. Jacklight. New York: Holt, Rinehart, and Winston.Google Scholar

Fassler, Joe. 2013. “The Poem That Made Sherman Alexie ‘Drop Everything and Want to Be a Poet.’” Atlantic, October 16. www.theatlantic.com/entertainment/archive/2013/10/the-poem-that-made-sherman-alexie-want-to-drop-everything-and-be-a-poet/280586/ (accessed April 23, 2018).Google Scholar

Harjo, Joy. 1982. She Had Some Horses. New York: Thunder’s Mouth Press.Google Scholar

Harjo, Joy. 1990. In Mad Love and War. Middletown, CT: Wesleyan University Press.Google Scholar

Long Soldier, Layli. 2017. Whereas. Minneapolis: Graywolf.Google Scholar

McAdams, Janet. 2016. Seven Boxes for the Country After. Kent, OH: Kent State University Press.Google Scholar

Ortiz, Simon J. 1981. From Sand Creek: Rising in This Heart Which Is Our America. Tucson: University of Arizona Press.Google Scholar

Pico, Tommy. 2016. IRL. New York: Birds.Google Scholar

Rader, Dean. 2011. Engaged Resistance: American Indian Art, Literature, and Film from Alcatraz to the NMAI. Austin: University of Texas Press.Google Scholar

Viñas, Biana. 2007. “The Motion of Poetic Landscape: An Interview with Sherwin Bitsui.” Hunger Mountain: December 1. http://hungermtn.org/motion-poetic-landscape-interview-sherwin-bitsui/ (accessed April 23, 2018).Google Scholar

Warrior, Robert. 1995. Tribal Secrets: Recovering American Indian Intellectual Traditions. Minneapolis: University of Minnesota Press.Google Scholar

White, Orlando. 2009. Bone Light. Los Angeles: Red Hen.Google Scholar

White, Orlando. 2017a. Interview. Taos Journal of International Poetry and Art. www.taosjournalofpoetry.com/letterrs/ (accessed April 23, 2018).Google Scholar

White, Orlando. 2017b. LETTERRS. New York: Nightboat Books.Google Scholar

Young Bear, Ray A. 1980. Winter of the Salamander: The Keeper of Importance. San Francisco: Harper & Row.Google Scholar

Young Bear, Ray A. 1990. The Invisible Musician: Poems. Duluth, Minn: Holy Cow! Press.Google Scholar

Abbott, L. 1996. Spiderwoman Theater and the Tapestry of Story. The Canadian Journal of Native Studies 14, 1, 165–80.Google Scholar

“About Native Voices.” 2016. Autry Museum of the American West. March 11. https://theautry.org/events/signature-programs/native-voices/about-native-voices (accessed April 23, 2018).Google Scholar

Armstrong, A. E., Johnson, K. L., and Wortman, W. A., eds. 2009. Performing Worlds into Being: Native American Women’s Theater. Oxford, OH: Miami University Press.Google Scholar

Bakhtin, M. 1981. The Dialogic Imagination: Four Essays, ed. Holquist, M.. Austin: University of Texas Press.Google Scholar

Balme, C. 1999. Decolonizing the Stage: Theatrical Syncretism and Postcolonial Drama. Oxford: Clarendon Press.Google Scholar

Barker, K. 2013.The Hours That Remain. Toronto: Playwrights Canada Press.Google Scholar

Bigsby, C. W. E. 1985. “American Indian Theatre.” In A Critical Introduction to Twentieth-Century American Drama, ed. Bigsby, C. W. E., Vol. III, 365–74. Cambridge: Cambridge University Press.Google Scholar

Cardinal, C. 2015. Huff & Stitch. Toronto: Playwrights Canada Press.Google Scholar

Cheechoo, S. [1991] 2001. Path With No Moccasins. Alexandria, VA: Alexander Street Press.Google Scholar

Clements, M. 2005. The Unnatural and Accidental Women. Vancouver: Talonbooks.Google Scholar

Clements, Marie. 2010. The Edward Curtis Project: A Modern Picture Story. Toronto: Talonbooks.Google Scholar

Dandurand, J. A. 2004. Please Do Not Touch the Indians. Candler, NC: Renegade Planets Publishers.Google Scholar

D’Aponte Gisolfi, M. 1999. Seventh Generation: An Anthology of Native American Plays. New York: Theatre Communications Group.Google Scholar

Darby, J. T., and Fitzgerald, S., eds. 2003. Keepers of the Morning Star: An Anthology of Native Women’s Theater. Los Angeles: UCLA American Indian Studies Center.Google Scholar

Dennis, D. 2005. Two Plays: Tales of An Urban Indian / The Trickster of Third Avenue East. Toronto: Playwrights Canada Press.Google Scholar

Däwes, B. 2007. Native North American Theater in a Global Age: Sites of Identity Construction and Transdifference. Heidelberg: Winter.Google Scholar

Däwes, B. ed. 2013. Indigenous North American Drama: A Multivocal History. Albany: State University of New York Press.Google Scholar

Däwes, B. 2016. “A New Legacy for Future Generations”: Native North American Performance and Drama. In The Routledge Companion to Native American Literature, ed. Madsen, D., 423–34. New York: Routledge.Google Scholar

Deloria, P. J. 1998. Playing Indian. New Haven, CT: Yale University Press.Google Scholar

Galperin, P. O. 2015. In Search of Princess White Deer: The Biography of Esther Deer. New York: Vintage.Google Scholar

Geoigamah, H. [1972] 2006. Body Indian. Alexandria, VA: Alexander Street Press.Google Scholar

Geiogamah, H., and Darby, J. T., eds. 1999. Stories of Our Way: An Anthology of American Indian Plays. Los Angeles: UCLA American Indian Studies Center.Google Scholar

Geiogamah, H., and Darby, J. T. eds. 2000. American Indian Theater in Performance: A Reader. Los Angeles: UCLA American Indian Studies Center.Google Scholar

Glancy, D. [1993] 2006. The Truth-Teller. Alexandria, VA: Alexander Street Press.Google Scholar

Gomez, T. [1994] 2006. Inter-Tribal. Alexandria, VA: Alexander Street Press.Google Scholar

Guno, L. [2005] 2018. Bunk #7. In Indian Act: Residential School Plays, ed. Bernard, Donna-Michelle St.. Toronto: Playwrights Canada Press.Google Scholar

Haugo, A. 2005. “American Indian Theatre.” In The Cambridge Companion to Native American Literature, ed. Porter, J. and Roemer, K. M., 189–204. Cambridge: Cambridge University Press.Google Scholar

Highway, T. 1988. The Rez Sisters. Saskatoon, Saskatchewan: Fifth House Publishers.Google Scholar

Highway, T. 1989. Dry Lips Oughta Move to Kapuskasing. Markham, ON: Fifth House.Google Scholar

Highway, T. 1999. Rose. Burnaby, BC: Talonbooks.Google Scholar

Highway, T. 2013. The (Post) Mistress. Vancouver: Talonbooks.Google Scholar

Hodgson, H., ed. 2002. The Great Gift of Tears: Four Aboriginal Plays. Regina, Saskatchewan: Coteau Books.Google Scholar

Howe, L. 1995. “Native Theater: Who Will Create the ‘Native Cue’?” Native Playwrights’ Newsletter 7 (Spring), 62–63.Google Scholar

Howe, L. 2000. “My Mothers, My Uncles, Myself.” In Here First: Autobiographical Essays by Native American Writers, ed. Krupat, A. and Swann, B., 214–15. New York: The Modern Library.Google Scholar

Howe, L., and Gordon, R. [1993] 2008. Indian Radio Days. Alexandria, VA: Alexander Street Press.Google Scholar

Huhndorf, S. M. 2006. “American Indian Drama and the Politics of Performance.” In The Columbia Guide to American Indian Literatures of the United States Since 1945, ed. Cheyfitz, E., 288–318. New York: Columbia University Press.Google Scholar

Huntsman, J. 1980. Introduction to Geiogamah, H., New Native American Drama: Three Plays by Hanay Geiogamah, ix–xxiv. Norman: University of Oklahoma Press.Google Scholar

Huntsman, J. 1983. “Native American Theater.” In Ethnic Theater in the United States, ed. Schwartz Seller, M., 355–76. Westport, CT: Greenwood Press.Google Scholar

Huston-Findley, S. A., and Howard, R., eds. 2008. Footpaths and Bridges: Voices from the Native American Women Playwrights Archive. Ann Arbor: University of Michigan Press.Google Scholar

Jenkins, L. W. 1975. “The Performances of the Native Americans as American Theater: Reconaissance and Recommendations.” Unpublished dissertation, University of Minnesota.Google Scholar

Johnson, F. 2013. Salt Baby. Winnipeg: Scirocco Drama.Google Scholar

Kane, M., Daniels, G., and Clements, M. 2001. DraMétis: Three Métis Plays. Penticton: Theytus Books.Google Scholar

King, B. 2006. “Wolf in Camp.” In Evening at the Warbonnet and Other Plays, 165–229. Los Angeles: UCLA American Indian Studies Center.Google Scholar

Loring, K. 2009. Where the Blood Mixes, Toronto: Talonbooks.Google Scholar

Mojica, M. 1991. “In the Mother Tongue: Issues of Language and Voice. Excerpts from a Conversation with Bill Merasty.” Canadian Theatre Review 68 (Fall): 39–42.Google Scholar

Mojica, M., and Knowles, R., eds. 2003. Staging Coyote’s Dream: An Anthology of First Nations Drama in English. Toronto: Playwrights Union of Canada Press.Google Scholar

Mojica, M., and Knowles, R. eds. 2009. Staging Coyote’s Dream. Vol. II. Toronto: Playwrights of Canada Press.Google Scholar

Morgan, W. 1992. “The Trickster and Native Theatre: An Interview with Tomson Highway.” In Aboriginal Voices: Amerindian, Inuit, and Sami Theatre, ed. Brask, P. and Morgan, W., 130–38. Baltimore: Johns Hopkins University Press.Google Scholar

Moses, D. D. 1991. Almighty Voice and His Wife. Playwrights Canada Press.Google Scholar

Murray, M. [2008] 2018. A Very Polite Genocide. In Indian Act: Residential School Plays, ed. Bernard, Donna-Michelle St.. Toronto: Playwrights Canada Press.Google Scholar

Nolan, Y. 2006. Annie Mae’s Movement. Toronto: Playwrights Canada Press.Google Scholar

Nolan, Y. 2015. Medicine Shows: Indigenous Performance Culture. Toronto: Playwrights Canada Press.Google Scholar

Pettit, A. 2014. “Published Native American Drama, 1970–2011.” In The Oxford Handbook of Indigenous American Literature, ed. Cox, J. and Justice, D. H., 266–83. New York: Oxford.Google Scholar

Phillips, R. 2001. “Performing the Native Woman: Primitivism and Mimicry in Early Twentieth-Century Visual Culture.” In Antimodernism and Artistic Experience: Policing the Boundaries of Modernity, ed. Jessup, L., 26–49. Toronto: University of Toronto Press.Google Scholar

Rabillard, S. 1993. “Absorption, Elimination, and the Hybrid: Some Impure Questions of Gender and Culture in the Trickster Drama of Tomson Highway.” Essays in Theatre / Études Théâtrales 12, 1: 3–27.Google Scholar

Smith, S. H. 1997. American Drama: The Bastard Art. New York: Cambridge University Press.Google Scholar

Spiderwoman Theater. 2009. “Persistence of Memory.” In Performing Worlds into Being: Native American Women’s Theater, ed. Armstrong, A. E., Johnson, K. L., and Wortman, W. A., 42–56. Oxford, OH: Miami University Press.Google Scholar

Stanlake, C. 2001. “Native American Theatre.” In Introducing Theatre, ed. Reilly, J. H. and Phillips, M. S., 74–75. 9th edn. New York: Alliance Press.Google Scholar

Stanlake, C. 2009. Native American Drama: A Critical Perspective. Cambridge: Cambridge University Press.Google Scholar

Taylor, D. H. 1990. Toronto at Dreamer’s Rock and Education is Our Right: Two One-Act Plays. Markham, ON: Fifth House Press.Google Scholar

Taylor, D. H. 1996. “The Re-Appearance of the Trickster: Native Theatre in Canada.” In On-Stage and Off-Stage: English Canadian Drama in Discourse, ed. Glaap, A. and Althof, R., 51–59. St. John’s, NF: Breakwater Books.Google Scholar

Taylor, D. H. 2007. The Berlin Blues. Vancouver, CA: Talon.Google Scholar

Taylor, D. H. 2010. Dead White Writer on the Floor. Toronto: Talonbooks.Google Scholar

Valentino, G. 2013. “Theater Renaissance: Resituating the Place of Drama in the Native American Renaissance.” In The Native American Renaissance: Literary Imagination and Achievement, ed. Velie, A. R. and Lee, A. R., 295–306. Norman: University of Oklahoma Press.Google Scholar

Vizenor, G. 1995. Ishi and the Wood Ducks. In Native American Literature: A Brief Introduction and Anthology, 299–336. Berkeley: University of California, Harper Collins College Publishers.Google Scholar

Vizenor, G. 1998. Fugitive Poses: Native American Indian Scenes of Absence and Presence. Lincoln: University of Nebraska Press.Google Scholar

Vizenor, G. 2009. Native Liberty: Natural Reason and Cultural Survivance. Lincoln: University of Nebraska Press.Google Scholar

Vizenor, G. 2015. “Literary Transmotion: Survivance and Totemic Motion in Native American Indian Art and Literature.” In Twenty-First Century Perspectives on Indigenous Studies: Native North America in (Trans)Motion, ed. Däwes, B., Fitz, K., and Meyer, S., 17–30. New York: Routledge.Google Scholar

Wilmer, S. E., ed. 2009. Native American Performance and Representation. Tucson: University of Arizona Press.Google Scholar

Yellow Robe, W. S. Jr. 1986. The Independence of Eddie Rose. N.p.: C. G. Theater.Google Scholar