During acquisition children internalise adult-based phonological patterns and alternately adopt and discard child-specific patterns reflecting their unskilled production. The child-specific patterns are often assumed to be low-level phonetic effects, and so, in a classical modular feedforward grammar, they should not interfere with the higher-level adult-based phonology. This paper reports an interaction in which the application of a categorical adult-based process (Voice Assimilation) is conditioned by a gradient child-specific process (fricative devoicing). Acoustic analyses of longitudinal data from a Polish-speaking child reveal variable Voice Assimilation effects in target voiced fricative–stop/stop–fricative clusters (voicing and devoicing), correlated with the extent of voicing in fricatives in non-assimilatory contexts. I analyse this phonology–phonetics trade-off by appealing to symbol-like dynamical representations, expressed in the language of non-linear mathematics. Such representations offer a non-derivational link between the qualitative and quantitative aspects of speech. Variability ensues as a natural consequence of grammar change.

An acoustic experiment on final devoicing in Polish, aimed at providing new data on incomplete neutralisation, is described. The experiment was modelled on a study of German by Roettger et al. (2014), who mitigated possible effects of orthography by employing a word-formation task based on auditory stimuli, eliciting stop-final nonce words with underlying final voiced or voiceless stops. Our results provide some evidence for incomplete neutralisation in Polish, with an effect on closure duration, but not on preceding vowel duration, as well as interspeaker variation in the reliability of contrast maintenance. Considered against the background of studies from other languages, the results point to implementational differences in incomplete neutralisation effects as a function of laryngeal typology, which are accounted for in the Onset Prominence representational model.

We investigate the phonotactic behaviour of nasal consonants in a database of over 200 languages. Our findings challenge the common classification of nasals as intermediate between obstruents and liquids on the sonority hierarchy. Instead, we propose that there are two types of nasal consonants, one group with lower sonority than liquids and one with higher sonority. We propose that these two types of nasals differ in the presence or absence of a value for the feature [±continuant].

Features are standard in segmental analysis but have been less successfully applied to tone. Subtonal features have even been argued to be less satisfactory for the representation of African tone than tonal primitives such as H, M, L (Hyman 2010; Clements et al. 2010). I argue that the two-feature system of Yip (1980) and Pulleyblank (1986) offers a straightforward account of the tonology of Laal, an endangered, three-tone isolate of southern Chad – in particular properties of the Mid tone that are otherwise difficult to account for, namely the avoidance of complex patterns involving M, and a pervasive M-to-L lowering process, both straightforwardly analysed as subtonal assimilation. Other tonal operations in Laal are shown to involve full-tone behaviour, justifying a tone geometry à la Snider (1999, 2020) where subtonal features are linked to a Tonal Root Node, giving tones the ability to be either fully or partially active, just like segments.

This paper presents the results of a corpus study and an online loanword adaptation experiment examining the tonal adaptation of English loanwords in Mandarin. Using maximum entropy models, I control for the substantial influences of lexical tone distributions and standardisation, and uncover phonological determinants of tone beyond these lexical and conventional factors. The most important phonological determinant of tone in the corpus was English voicing, while in the experiment it was English stress-aligned pitch contours. I argue that these distinct tonal adaptation patterns constitute two different perceptual mappings, one from F0 perturbations to tone and the other from English intonation to tone, both arising due to particular borrowing contexts. I suggest that increasingly close contact between English and Mandarin may lead to more intonation-driven tonal adaptation in the latest wave of borrowing. The maximum entropy approach holds promise for the analysis of complex cases of tonal adaptation in other languages.

Phonological coalescence, understood as a type of synchronic alternation in which two phonological elements seem to fuse into one, presents a prima facie challenge for versions of Optimality Theory that assume the principle of containment. If all underlying material has to be present in the output form, replacing two input elements with a single output element is not straightforward. I argue that, under the assumptions of Autosegmental Coloured Containment Theory, a distinct operation of coalescence is unnecessary, as all major types of coalescence patterns can be analysed in terms of (i) adding new association lines between some autosegmental nodes, and (ii) the underparsing of other nodes, leading to their phonetic non-realisation. The proposed analysis accurately reflects the heterogeneity of coalescence alternations, which are shown to fall into three different types.

Primary word stress is typologically diverse. In some languages, the metrical structure of a word predicts the location of primary stress, while in other languages it does not. This diversity is considered through the lens of Harmonic Serialism (HS), a serial constraint-based theory, and it is argued that HS must incorporate a limited degree of parallelism to capture the typology. Namely, primary-stress assignment is simultaneous with foot-building and also mobile, being (re)assessed throughout a metrical derivation. But incorporating this parallelism into HS is both possible and desirable: the positive typological consequences of HS are preserved, and the implied formal divergence between the prosodic word and the foot with respect to parallelism echoes a fundamental distinction that is visible in a wide range of extant theoretical and empirical findings.