Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 3
Introduction: Rehearsing Arab Performance Realities
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- Published online by Cambridge University Press:
- 31 May 2013, pp. 84-86
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- Cited by 3
Generational shifts
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- Published online by Cambridge University Press:
- 04 October 2010, pp. 288-290
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The Lives and Deaths of Zakia: How AIDS Changed African Community Theatre and Vice Versa
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- 01 March 2007, pp. 85-100
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- Cited by 3
Editorial: Between Breaths
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- 04 November 2020, pp. 227-229
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Performing for Peace and Social Change in Africa's Great Lakes Region
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- 19 March 2021, pp. 23-38
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Eight Portraits of Gelosi Actors in 1589?
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- 23 January 2009, pp. 108-120
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Jacobin Revolutionary Theatre and the Early Circus: Astley's Dublin Amphitheatre in the 1790s
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- 10 February 2006, pp. 1-16
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Performing Translation
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- 23 January 2009, pp. 53-60
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Technology and Dramaturgical Development: Five Observations
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- 23 January 2009, pp. 188-197
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The Tunisian Revolution and the Dialectics of Theatre and Reality
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- 31 May 2013, pp. 148-157
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The Moor's Progress: A Study of Edward Young's Tragedy, The Revenge
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- 23 January 2009, pp. 172-195
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The Rise and Fall of Modelbooks, Notate and the Brechtian Method: Documentation and the Berliner Ensemble's Changing Roles as a Theatre Company
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- 07 June 2016, pp. 106-121
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Introduction: Diaspora, Performance, and National Affiliations in North America
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- 16 October 2003, pp. 259-266
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From Tahrir to ‘Tahrir’: Some Theatrical Impulses toward the Egyptian Uprising1
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- 31 May 2013, pp. 116-123
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Postdramatic Theatre. By Hans-Thies Lehmann, trans. Karen Jürs-Munby. Abingdon and New York: Routledge, 2006. Pp. x + 214. £93.99/$155 Hb; £43.99/$43.95 Pb.
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- 28 February 2020, pp. 86-89
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‘Alive and Present’: Theatresports and Contemporary Live Performance
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- 11 August 2004, pp. 155-173
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Ludruk Revisited: An Epistolary Interview with James L. Peacock
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- 23 January 2009, pp. 9-16
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Theatre as Advocacy: Asking for It and the Audibility of Women in Nirbhaya, the Fearless One
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- 09 September 2015, pp. 272-287
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‘Sometimes Uncomfortable, Sometimes Arousing’: The Slow Dramaturgy of Casey Jenkins's Craftivist Performances
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- 07 June 2016, pp. 168-180
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Theatre Research in the Nordic Countries (2000–2008)
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- 01 March 2009, pp. 66-83
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