Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 4
The Killjoy Comedian: Hannah Gadsby's Nanette
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- Published online by Cambridge University Press:
- 28 February 2020, pp. 72-85
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- Cited by 4
Shakespeare's Exploitation of a Two-Door Stage: Macbeth
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- Published online by Cambridge University Press:
- 23 January 2009, pp. 207-230
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- Cited by 4
Trans-lating Hijra Identity: Performance Culture as Politics
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- Published online by Cambridge University Press:
- 03 April 2019, pp. 71-75
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- Cited by 4
Oskar Schlemmer's Research Practice at the Dessau Bauhaus
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- Published online by Cambridge University Press:
- 11 August 2004, pp. 128-142
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- Cited by 4
Look who's Looking!: Perspective and the Paradox of Postdramatic Subjectivity
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- Published online by Cambridge University Press:
- 29 March 2004, pp. 29-41
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- Cited by 4
Dossier: Climate Change and the Decolonized Future of Theatre
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- Published online by Cambridge University Press:
- 24 June 2020, pp. 179-208
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- Cited by 4
The London Court Stage in the Savoy Correspondence, 1613–1675
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- Published online by Cambridge University Press:
- 23 January 2009, pp. 79-94
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- Cited by 4
Bells and Alarm Clocks: Theatre and Theatre Research at the Millenium
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- Published online by Cambridge University Press:
- 23 January 2009, pp. 98-108
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- Cited by 4
From Tahrir to ‘Tahrir’: Some Theatrical Impulses toward the Egyptian Uprising1
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- 31 May 2013, pp. 116-123
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- Cited by 4
‘The Money Was Real Money’: Talking with Audiences about Corruption, Domestic Violence and Aesthetic Values during the Roverman Festival of Plays at the Ghana National Theatre1
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- 07 June 2016, pp. 151-167
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- Cited by 4
Interculturalism, Aestheticism, Orientalism: Starting from Peter Brook's Mahabharata
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- 23 January 2009, pp. 98-104
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- Cited by 4
Profits at Drury Lane, 1713–1716
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- 23 January 2009, pp. 241-255
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- Cited by 4
Digital Performance and Its Discontents (or, Problems of Presence in Pandemic Performance)
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- Published online by Cambridge University Press:
- 09 February 2023, pp. 9-23
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- Cited by 4
Challenging the Ghosts: Leopold Jessner's Hamlet
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- Published online by Cambridge University Press:
- 09 May 2005, pp. 72-87
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- Cited by 4
Identity Politics Then and Now
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- Published online by Cambridge University Press:
- 26 January 2012, pp. 64-67
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- Cited by 4
‘Acting in the Real World’: Acting Methodologies, Power and Gender
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- 07 March 2019, pp. 258-271
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- Cited by 4
‘A Community of Consumers’: Legitimate Hybridity, German American Theatre, and the American Public
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- Published online by Cambridge University Press:
- 16 October 2003, pp. 267-288
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- Cited by 4
From Text to Performance: The Rise of Theatre Studies as an Academic Discipline in Germany
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- Published online by Cambridge University Press:
- 23 January 2009, pp. 168-178
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- Cited by 4
‘Homescapes’ and Identity Reformations in Australian Multicultural Drama
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- Published online by Cambridge University Press:
- 21 March 2001, pp. 47-59
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- Cited by 4
Evreinov and Pirandello: Twin Apostles of Theatricality
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- Published online by Cambridge University Press:
- 23 January 2009, pp. 147-167
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