Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 4
On Ambiguity: Towards a Post-Modern Performance Theory
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- Published online by Cambridge University Press:
- 23 January 2009, pp. 71-85
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- Cited by 4
Stealing from God: The Crisis of Creation in Socìetas Raffaello Sanzio's Genesi and Eduardo Kac's Genesis
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- 14 June 2001, pp. 199-208
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- Cited by 3
Countering ‘Theoretical Imperialism’: Some Possibilities from Japan1
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- 01 October 2007, pp. 312-324
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- Cited by 3
The Age-Old Tradition of Mexico's Popular Theatre
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- 23 January 2009, pp. 111-122
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- Cited by 3
Transience and Connection in Robert Lepage's The Blue Dragon: China in the Space of Flows
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- 03 May 2012, pp. 134-147
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- Cited by 3
Sardou on the English Stage
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- 23 January 2009, pp. 33-44
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- Cited by 3
A Computer Reconstruction of Richelieu's Palais Cardinal Theatre, 1641
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- 23 January 2009, pp. 233-247
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- Cited by 3
Wii Are Family: Performing Race in Neo-liberal Europe1
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- 01 February 2013, pp. 20-33
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- Cited by 3
Freedom of Repression
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- 31 May 2011, pp. 117-133
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- Cited by 3
Wayang in Jaman Now: Reflexive Traditionalization and Local, National and Global Networks of Javanese Shadow Puppet Theatre
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- 03 April 2019, pp. 40-57
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- Cited by 3
Peter Sellars's Merchant of Venice: A Retrospective Critique of Process
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- 04 October 2006, pp. 298-314
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- Cited by 3
The Actor as Performer of the Implied Spectator's Role
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- 23 January 2009, pp. 49-62
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- Cited by 3
Towards a Civic Contract of Performance: Pitfalls of Decolonizing the Exhibitionary Complex at Brett Bailey's Exhibit B1
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- 09 September 2015, pp. 250-271
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- Cited by 3
Traditional Popular Culture and the Cuban ‘New Theatre’: Teatro Escambray and the Cabildo de Santiago
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- 23 January 2009, pp. 142-152
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The Case for the Rectangular/Trapezoidal Orchestra
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- 23 January 2009, pp. 1-20
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- Cited by 3
Editorial: Between Breaths
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- 04 November 2020, pp. 227-229
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Unnatural Acts: Art and Passion on the Mid-Eighteenth-Century Stage
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- 23 January 2009, pp. 93-110
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- Cited by 3
Postdramatic Theatre. By Hans-Thies Lehmann. Trans. Karen Jürs-Munby. Abingdon/New York: Routledge, 2006. Pp. x + 214. £70/$125 Hb; £19.99/$35.95 Pb
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- 04 October 2006, pp. 315-316
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Consuming the Canon: Theatre, Commodification and Social Mobility in Late Nineteenth-Century German Theatre
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- 07 June 2006, pp. 129-144
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- Cited by 3
Given the Tino Sehgal Case: How to Save the Future of a Work of Art that Materializes Only Temporarily
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- 01 July 2009, pp. 194-199
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