Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 6
Theatre in the Arab World: A Difficult Birth
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- Published online by Cambridge University Press:
- 07 June 2006, pp. 145-162
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- Cited by 6
From Bogeyman to Bison: A Herd-Like Amnesia of HIV/AIDS in Theatre?1
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- Published online by Cambridge University Press:
- 30 August 2011, pp. 196-212
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- Cited by 5
Refiguring the Body: Performance of Identity in Mapantsula and Fools
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- Published online by Cambridge University Press:
- 09 October 2002, pp. 243-258
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- Cited by 5
Theatre and Performance at a Time of Shifting Disciplines
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- 14 June 2001, pp. 137-144
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- Cited by 5
Social Practice, Interdisciplinary Perspective
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- 14 June 2001, pp. 129-136
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- Cited by 5
Animal Labour in the Theatrical Economy
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- Published online by Cambridge University Press:
- 29 March 2004, pp. 57-65
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- Cited by 5
Beginners On Stage: Arendt, Natality and the Appearance of Children in Contemporary Performance
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- 11 February 2016, pp. 70-84
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- Cited by 5
The ‘Cleveland Medea’ Calyx Crater and the Iconography of Ancient Greek Theatre
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- 09 May 2005, pp. 3-18
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- Cited by 5
Performing Visions of Governmentality: Care and Capital in 100% Vancouver1
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- 04 June 2014, pp. 101-119
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- Cited by 5
Cruel Vibrations: Sounding Out Antonin Artaud's Production of Les Cenci1
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- 04 October 2010, pp. 250-262
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- Cited by 5
Theatre and the Publics of Democracy: Between Melodrama and Rational Realism1
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- 24 October 2016, pp. 202-217
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- Cited by 5
Unveiling: Persepolis* as Embodied Performance
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- 01 July 2007, pp. 143-160
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- Cited by 5
From Blackface to ‘Genuine Negroes’: Nineteenth-Century Minstrelsy and the Icon of the ‘Negro’
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- 23 January 2009, pp. 17-23
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- Cited by 5
Disruptions in Representation: Anne Bogart's Creative Encounter with East Asian Performance Traditions
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- 23 January 2009, pp. 105-110
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- Cited by 5
Introduction: The Pursuit of Otherness for the Investigation of Self
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- 23 January 2009, pp. 93-97
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- Cited by 5
The Performance of Political Correctness
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- 31 May 2011, pp. 134-147
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- Cited by 5
Trial as Theatre in the Russian Revolution
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- Published online by Cambridge University Press:
- 23 January 2009, pp. 7-13
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- Cited by 5
The Corporeality of the Actor's Body: The Boundaries of Theatre and the Limitations of Semiotic Methodology
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- 23 January 2009, pp. 198-211
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- Cited by 5
Language under Attack: The Iconoclastic Theatre of Socìetas Raffaello Sanzio
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- 01 March 2009, pp. 50-65
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- Cited by 5
Race-ing Performativity through Transculturation, Taste and the Mulata Body
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- 18 June 2002, pp. 136-152
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