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Postdramatic Theatre. By Hans-Thies Lehmann, trans. Karen Jürs-Munby. Abingdon and New York: Routledge, 2006. Pp. x + 214. £93.99/$155 Hb; £43.99/$43.95 Pb.

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Postdramatic Theatre. By Hans-Thies Lehmann, trans. Karen Jürs-Munby. Abingdon and New York: Routledge, 2006. Pp. x + 214. £93.99/$155 Hb; £43.99/$43.95 Pb.

Published online by Cambridge University Press:  28 February 2020

Philip Watkinson
Philip Watkinson*
Affiliation:
University of Winchester, philip.watkinson@winchester.ac.uk
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Type
Double Take
Information
Theatre Research International , Volume 45 , Issue 1 , March 2020 , pp. 86 - 89
Copyright
Copyright © International Federation for Theatre Research 2020

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References

NOTES

1 Fuchs, Elinor, ‘Postdramatic Theatre (review)’, TDR: The Drama Review, 52, 2 (2008), pp. 178–83CrossRefGoogle Scholar, here p. 178.

2 Malabou, Catherine, The Future of Hegel: Plasticity, Temporality and Dialectic, trans. During, Lisabeth (Abingdon and New York: Routledge, 2005)Google Scholar; Žižek, Slavoj, Less than Nothing: Hegel and the Shadow of Dialectical Materialism (London: Verso, 2012)Google Scholar.

3 Žižek, Less than Nothing, p. 474.

4 Woolf, Brandon, ‘Towards a Paradoxically Parallaxical Postdramatic Politics?’, in Carroll, Jerome, Giles, Steve and Jürs-Munby, Karen, eds., Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance (London: Bloomsbury Methuen Drama, 2013), pp. 31–46Google Scholar, here p. 34.

5 Pavis, Patrice, The Routledge Dictionary of Performance and Contemporary Theatre, trans. Bowen, Andrew (Abingdon and New York: Routledge, 2016), p. 189CrossRefGoogle Scholar.

6 Mazzilli, Mary, Gao Xingjian's Post-exile Plays: Transnationalism and Postdramatic Theatre (London: Bloomsbury Methuen Drama, 2015)CrossRefGoogle Scholar; Hans-Thies Lehmann, ‘A Future for Tragedy? Remarks on the Political and the Postdramatic’, in Carroll, Giles and Jürs-Munby, Postdramatic Theatre and the Political, pp. 87–110.

7 Rachel Fensham, ‘Postdramatic Spectatorship: Participate or Else’, Critical Stages, 7 (2012), www.critical-stages.org/7/postdramatic-spectatorship-participate-or-else, accessed 12 November 2019.

8 Campbell, Alyson, ‘Experiencing Kane: An Affective Analysis of Sarah Kane's “Experiential” Theatre in Performance’, Australasian Drama Studies, 46 (2005), pp. 80–97Google Scholar; Hurley, Erin, Theatre and Feeling (Basingstoke: Palgrave Macmillan, 2010)CrossRefGoogle Scholar; Trezise, Bryoni, ‘Spectatorship That Hurts: Socìetas Raffaello Sanzio as Meta-affective Theatre of Memory’, Theatre Research International, 37, 3 (2012), pp. 205–20CrossRefGoogle Scholar.

9 Hans-Thies Lehmann, ‘Postdramatic’, in Shannon Jackson and Paula Marincola, eds., In Terms of Performance (2016), at http://intermsofperformance.site/keywords/postdramatic/hans-thies-lehmann, accessed 11 November 2019.

10 For an excellent example of recent scholarship on the postdramatic see Boyle, Michael Shane, Cornish, Matt and Woolf, Brandon, eds., Postdramatic Theatre and Form (London: Bloomsbury Methuen Drama, 2019)Google Scholar.