Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 2
Performative Reintegration: Applied Theatre for Conflict Transformation in Contemporary Colombia
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- 07 March 2019, pp. 291-304
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- Cited by 2
‘A Kind of Woman’: The Elizabethan Boy-Actor and the Kabuki Onnagata
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- 23 January 2009, pp. 1-8
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The Restorative Function of Language in Armand Gatti's Experimental Theatre for the ‘Exclus’1 of Society
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- 23 January 2009, pp. 36-52
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Woman and the City: The Semiotics of Embodiment
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- 23 January 2009, pp. 99-110
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Mei Lanfang and Stanislavsky: The (De)construction of an Intercultural Myth on the International Stage
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- 04 November 2020, pp. 264-280
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Gordon Craig, Mei Lanfang and the Chinese Theatre
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- 01 July 2007, pp. 161-177
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The Development of the Roman Stage: A Missing Link Restored
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- 23 January 2009, pp. 37-45
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Calls for Remembrance: At Work with Traditional Chants1
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- 01 July 2008, pp. 145-160
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Applause for the Wrong Reasons: The Use of Applications for Political Purposes in Paris Theatres, 1780–1830
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- 23 January 2009, pp. 256-270
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How did the Commedia dell'arte cross the Alps to Bavaria?
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- 23 January 2009, pp. 201-215
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Fires and Fire Precautions in the French Theatre
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- 23 January 2009, pp. 237-249
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Recasting the National Motherhood: Transactions of Western Feminisms in Korean Theatre
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- 11 August 2004, pp. 143-154
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La Virtu et la volupté. Models for the Actress in Early Modern Italy and France
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- 23 January 2009, pp. 152-158
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The Dutch Theatre System: A World of Independents
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- 18 June 2002, pp. 178-191
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The Values of a Festival – the Swedish Theatre Biennale 2003
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- 10 November 2005, pp. 240-251
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The Audience. By Herbert Blau. Baltimore and London: John Hopkins University Press, 1990. Pp. 414. $14.95.
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- 23 January 2009, p. 73
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Becoming Hamlet for Only Nine Days: Korean Workers and Documentary Theatre
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- 07 June 2016, pp. 122-134
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Games for Actors and Non-Actors. By Augusto Boal, translated by Adrian Jackson. London and New York: Routledge, 1992. Pp. 247. £35 Hb, £9.99 Pb.
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- 23 January 2009, pp. 78-79
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Intermediality and Queer African American Improvisation: Dianne McIntyre, Sounds in Motion
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- 28 July 2021, pp. 115-127
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‘Violence without Violence’: Spectacle, War and Lola Arias's MINEFIELD/CAMPO MINADO
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- 14 August 2017, pp. 163-178
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