21719 results in Drama, Theatre, Performance Studies
‘A Place Marked by Life’: Brook at the Bouffes du Nord
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- New Theatre Quarterly / Volume 1 / Issue 1 / February 1985
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- 15 January 2009, pp. 39-74
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- February 1985
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‘Understand Me by My Signs’: on Shakespeare's Semiotics
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- New Theatre Quarterly / Volume 1 / Issue 1 / February 1985
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- 15 January 2009, pp. 84-97
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- February 1985
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NTQ volume 1 issue 1 Cover and Front matter
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- New Theatre Quarterly / Volume 1 / Issue 1 / February 1985
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- 15 January 2009, pp. f1-f4
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- February 1985
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Playing the Fool: the Pragmatic Status of Shakespeare's Clowns
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- New Theatre Quarterly / Volume 1 / Issue 1 / February 1985
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- 15 January 2009, pp. 98-104
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- February 1985
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‘Particular Pleasures’ in Performance
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- New Theatre Quarterly / Volume 1 / Issue 1 / February 1985
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- 15 January 2009, pp. 19-23
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- February 1985
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Shakespeare from Scratch: the Footsbarn ‘Hamlet’ and ‘King Lear’
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- New Theatre Quarterly / Volume 1 / Issue 1 / February 1985
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- 15 January 2009, pp. 105-127
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- February 1985
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TSY volume 25 issue 2 Cover and Back matter
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- Theatre Survey / Volume 25 / Issue 2 / November 1984
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- 24 September 2009, pp. b1-b2
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- November 1984
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Arthur McKee Rankin's The Danites 1877–1881: Prime Example of the American Touring Process
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- Theatre Survey / Volume 25 / Issue 2 / November 1984
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- 24 September 2009, pp. 225-247
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- November 1984
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The Social Life of the Performer on the Yorkshire Circuit, 1766–1785
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- Theatre Survey / Volume 25 / Issue 2 / November 1984
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- 24 September 2009, pp. 167-176
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- November 1984
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Masonic Theatre Pieces in London 1730–1780
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- Theatre Survey / Volume 25 / Issue 2 / November 1984
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- 24 September 2009, pp. 153-166
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- November 1984
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TSY volume 25 issue 2 Cover and Front matter
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- Theatre Survey / Volume 25 / Issue 2 / November 1984
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- 24 September 2009, pp. f1-f3
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- November 1984
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William, the Obscure Hammerstein
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- Theatre Survey / Volume 25 / Issue 2 / November 1984
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- 24 September 2009, pp. 249-252
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- November 1984
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Eric Walter White, A History of English Opera. London: Faber and Faber, 1983. Pp. 472 + 32 plates. $59.95. - White, A Register of First Performances of English Operas and Semi-Operas from the 16th Century to 1980. London: The Society for Theatre Research, 1983. Pp. vi + 130. £10.50.
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- Theatre Survey / Volume 25 / Issue 2 / November 1984
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- 24 September 2009, pp. 255-257
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- November 1984
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The Lanergans in Performance
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- Theatre Survey / Volume 25 / Issue 2 / November 1984
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- 24 September 2009, pp. 211-223
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- November 1984
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The Theatre's Qualified Victory in an Old War
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- Theatre Survey / Volume 25 / Issue 2 / November 1984
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- 24 September 2009, pp. 193-209
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- November 1984
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The Creacion of the World: A Critical Edition and Translation, edited and translated by Paula Neuss. New York and London: Garland Publishing Inc., 1983. 344 pp. $50.
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- Theatre Survey / Volume 25 / Issue 2 / November 1984
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- 24 September 2009, pp. 253-255
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- November 1984
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Passion Framed by Art: Helen Faucit's Juliet
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- Theatre Survey / Volume 25 / Issue 2 / November 1984
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- 24 September 2009, pp. 177-192
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- November 1984
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Thomas H. Pauly, An American Odyssey: Elia Kazan and American Culture. Philadelphia: Temple University Press, 1983. 282 pp. $29.95.
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- Theatre Survey / Volume 25 / Issue 2 / November 1984
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- 24 September 2009, pp. 257-260
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- November 1984
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The Théâtre du Marais in 1644: A New Look at the Old Evidence Concerning France's Second Public Theatre
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- Theatre Survey / Volume 25 / Issue 2 / November 1984
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- 24 September 2009, pp. 127-152
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- November 1984
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Ballet Old and New, by André Levinson, translated by Susan Cook Summer. New York: Dance Horizons, 1982. $11.50 paper.
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- Dance Research Journal / Volume 16 / Issue 2 / Fall 1984
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- 22 July 2014, pp. 32-34
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- Fall 1984
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