21719 results in Drama, Theatre, Performance Studies
Ingmar Bergman. Four Decades in the Theater. By Lise-Lone and Frederick J. Marker. Directors in Perspective. Cambridge: Cambridge University Press, 1982. Pp. 262. £19.50; £5.95. - Peter Stein. Germany's Leading Theatre Director. By Michael Patterson. Directors in Perspective. Cambridge: Cambridge University Press, 1981. Pp. 186. £17.50; £5.50.
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- Theatre Research International / Volume 9 / Issue 2 / Summer 1984
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- 23 January 2009, pp. 157-159
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- Summer 1984
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TRI volume 9 issue 2 Back matter
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- Theatre Research International / Volume 9 / Issue 2 / Summer 1984
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- 23 January 2009, pp. b1-b4
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- Summer 1984
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J. M. Synge. By Eugene Benson. London: Macmillan Modern Dramatists, 1982. Pp. xii + 167. £10; £2.95. - ‘Since O'Casey’ and other Essays on Irish Drama. By Robert Hogan. Bucks: Colin Smythe, 1983. Pp. 176. £9.75.
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- Theatre Research International / Volume 9 / Issue 2 / Summer 1984
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- 23 January 2009, pp. 150-152
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- Summer 1984
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The Court Theatre at Fontainebleau
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- Theatre Research International / Volume 9 / Issue 2 / Summer 1984
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- 23 January 2009, pp. 127-139
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- Summer 1984
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Books Received
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- Theatre Research International / Volume 9 / Issue 2 / Summer 1984
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- 23 January 2009, pp. 163-164
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- Summer 1984
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Frontier Theatre: A History of Nineteenth-Century Theatrical Entertainment in the Canadian Far West and Alaska. By Chad Evans. Victoria, British Columbia: Sono Nis Press, 1983. Pp. 326 + illus.
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- Theatre Research International / Volume 9 / Issue 2 / Summer 1984
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- 23 January 2009, pp. 147-148
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- Summer 1984
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The Taming of the Shrew. By William Shakespeare. Edited by H. J. Oliver. The Oxford Shakespeare. Oxford: Oxford University Press, 1982. Pp. 248. £9.50. - Henry V. By William Shakespeare. Edited by Taylor Gary. The Oxford Shakespeare. Oxford: Oxford University Press, 1982. Pp. 330. £9.50. - Troilus and Cressida. By William Shakespeare. Edited by Muir Kenneth. The Oxford Shakespeare. Oxford: Oxford University Press, 1982. Pp. 205. £9.50.
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- Theatre Research International / Volume 9 / Issue 2 / Summer 1984
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- 23 January 2009, pp. 141-145
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- Summer 1984
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Idealization of Characters and Specialization of Acting in Eighteenth-Century Tragedy: The Villain
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- Theatre Research International / Volume 9 / Issue 2 / Summer 1984
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- 23 January 2009, pp. 111-127
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- Summer 1984
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Punch In The Italian Puppet Theatre. By Michael Byrom. Centaur Press. £15.00.
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- Theatre Research International / Volume 9 / Issue 2 / Summer 1984
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- 23 January 2009, pp. 145-146
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- Summer 1984
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The Origins of the Actor Benefit in London
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- Theatre Research International / Volume 9 / Issue 2 / Summer 1984
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- 23 January 2009, pp. 99-111
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- Summer 1984
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Four Bars of ‘Agit’. Incidental Music for Victorian and Edwardian Melodrama. Edited by David Mayer and Matthew Scott, with a preface by Sir Peter Hall. London: Samuel French, 1983. Pp. 80. £5.25.
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- Theatre Research International / Volume 9 / Issue 2 / Summer 1984
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- 23 January 2009, pp. 149-150
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- Summer 1984
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The Private Theatre Auditorium
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- Theatre Research International / Volume 9 / Issue 2 / Summer 1984
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- 23 January 2009, pp. 79-92
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- Summer 1984
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Brecht and East Asian Theatre. The Proceedings of a Conference on Brecht in East Asian Theatre, Hong Kong, 16–20 March 1981. Edited by Antony Tatlow and Tak-wai Wong. Hong Kong: Hong Kong University Press, 1982. Pp. 227 + illus. $42.
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- Theatre Research International / Volume 9 / Issue 2 / Summer 1984
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- 23 January 2009, pp. 153-155
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- Summer 1984
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Nineteenth-Century Theatrical Memoirs. By Claudia D. Johnson and Vernon E. Johnson. London: Greenwood Press, 1982. Pp. xvii + 269.
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- Theatre Research International / Volume 9 / Issue 2 / Summer 1984
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- 23 January 2009, pp. 146-147
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- Summer 1984
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Ingmar Bergman. A Project For The Theatre. Edited by Frederick J. Marker and Lise-Lone Marker. New York: Frederick Ungar Publishing Co., 1983. $15.95.
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- Theatre Research International / Volume 9 / Issue 2 / Summer 1984
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- 23 January 2009, pp. 155-157
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- Summer 1984
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Résumés des Articles
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- Theatre Research International / Volume 9 / Issue 2 / Summer 1984
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- 23 January 2009, pp. 160-162
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- Summer 1984
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List of plays and editions
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- Elizabethan Stage Conventions and Modern Interpreters
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- 22 September 2009
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- 14 June 1984, pp 181-185
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4 - Elizabethan darkness and modern lighting
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- Elizabethan Stage Conventions and Modern Interpreters
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- 22 September 2009
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- 14 June 1984, pp 70-83
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7 - Theatrical metaphor: seeing and not-seeing
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- Elizabethan Stage Conventions and Modern Interpreters
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- 22 September 2009
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- 14 June 1984, pp 130-155
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![](https://assets.cambridge.org/97805213/11618/cover/9780521311618.jpg)
Elizabethan Stage Conventions and Modern Interpreters
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- 22 September 2009
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- 14 June 1984