Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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Obituary: Paul Oliver (1927–2017)
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- Published online by Cambridge University Press:
- 13 April 2018, pp. 290-295
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‘A small Utopia’: Unterstützer not Anhänger. Einstürzende Neubauten's Supporter Initiative
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- Published online by Cambridge University Press:
- 12 October 2010, pp. 373-396
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I'm waiting for the band: protraction and provocation at rock concerts
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- 07 January 2005, pp. 147-152
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Teaching Popular Music 19–21 April 1990
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- Published online by Cambridge University Press:
- 11 November 2008, pp. 370-371
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What is Popular Music Studies Today? A review of the 19th biennial conference of the International Association for the Study of Popular Music
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- 13 April 2018, pp. 296-298
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Centre for Jazz and Popular Music (CJPM) University of Natal, Durban, South Africa
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- 11 November 2008, pp. 303-305
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Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music. By Jesse Weaver Shipley. Durham, NC: Duke University Press, 2013. 329 pp. ISBN 082-2-35366-0
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- 28 August 2014, pp. 566-568
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From Manchuria to the tradition village: on the construction of place via pelimanni music
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- 11 December 2000, pp. 101-124
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‘Daddy-callin’ Mamas’ and ‘Jelly Beans’: sex work and ribaldry in the blues archive
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- 07 February 2022, pp. 492-508
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Rock von Rechts (Rock from the Right). By Dieter Baacke, Thier Michaela, Grüninger Christian and Frank Lindemann. Bielefeld: AJZ-Druck & Verlag, 1994. 199 pp. - Rassismus, Musik und Gewalt. Ursachen, Entwicklungen, Folgerungen (Racism, Music and Violence. Causes, Developments, Consequences). By Erika Funk-Hennigs and Johannes Jäger. Münster: LIT Verlag, 1995. 230 pp. - Tanz den Adolf Hitler. Faschismus in der populären Kultur (Dance the Adolf Hitler. Fascism in popular culture). By Georg Seeßlen. Berlin: Edition Tiamat, 1994, 189 pp.
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- 11 November 2008, pp. 119-122
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‘We come from the underground’: grounding Chinese punk in Beijing and Wuhan
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- 30 August 2022, pp. 170-193
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An analysis of performance practices in African American gospel music: rhythm, lyric treatment and structures in improvisation and accompaniment
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- 30 April 2015, pp. 197-225
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‘Pardon me, I'm very drunk’: alcohol, creativity and performance anxiety in the case of Robert Wyatt
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- 14 April 2016, pp. 207-221
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The Illustrated Rock Handbook
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- 10 November 2008, pp. 235-244
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Networks of Sound, Style and Subversion: The Punk and Post-Punk Worlds of Manchester, London, Liverpool and Sheffield, 1975–80. By Nick Crossley. Manchester: Manchester University Press, 2015. 268 pp. ISBN 978-0-719-08865-0
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- 14 April 2016, pp. 291-293
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To Be or Not to Bop: Jack Kerouac's On The Road and the culture of bebop and rhythm 'n' blues
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- 15 June 2005, pp. 279-286
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Popular Music: Education Issue
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- 11 November 2008, p. 127
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Introduction
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- 17 November 2008, pp. 259-262
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Nests, arcs and cycles in the lifespan of a studio project
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- 19 December 2014, pp. 67-93
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Celluloid love songs: musical modus operandi and the dramatic aesthetics of romantic Hindi film – Erratum
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- 20 October 2009, p. 461
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