Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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Creación musical, cultura popular y construcción nacional en la España contemporánea. By Celsa Alonso Madrid: Instituto Complutense de Ciencias Musicales, 2010. 347 pp. ISBN 978-8-489-45745-4 - Transnational Encounters. Music and Performance at the U.S.–Mexico Border. Edited by Alejandro L. Madrid. New York: Oxford University Press, 2011. 406 pp. ISBN 978-0-199-73592-1 - Flamenco Music and National Identity in Spain. By William Washabaugh. Farnham: Ashgate, 2012. 177 pp. ISBN 978-1-409-43484-9
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- 13 September 2013, pp. 543-547
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Are workers musicians? Kesha Sebert, Johanna Wagner and the gendered commodification of star singers, 1853–2014
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- 05 November 2021, pp. 191-209
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A sound track to ecological crisis: tracing guitars all the way back to the tree – ERRATUM
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- 11 October 2019, p. 588
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Kaitiakitanga, Whai Wāhi and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band
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- 07 October 2021, pp. 263-280
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Post-imperialism, imaginary geography and the women of Led Zeppelin's IV
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- 09 October 2017, pp. 410-426
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Turning things around? From white fusion stars with Andean flavour to Andean fusion stars with white appeal
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- 12 September 2018, pp. 424-443
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Introduction
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- 17 November 2008, pp. 259-262
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Musicking assemblages and non-human becomings: Mapping morphogenetic processes and distributed agencies in Wolfgang Buttress’ the Hive
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- 26 April 2023, pp. 42-58
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The Uses of Literacy: Aspects of Working-Class Life. By Richard Hoggart. London: Penguin Modern Classics, 2009. 370 pp. ISBN 978-0-141-19158-4
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- 16 June 2010, pp. 317-319
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Sample magic: (conjuring) phonographic ghosts and meta-illusions in contemporary hip-hop production
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- 03 January 2019, pp. 33-53
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The Music of Fantasy Cinema (Genre, Music and Sound Series). Edited by Janet K. Halfyard. Sheffield: Equinox Publishing, 2012. 252 pp. ISBN 978-1908049-93-3
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- 08 April 2014, pp. 348-350
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The World Has Made Me the Man of My Dreams: Meshell Ndegeocello and the ‘problem’ of Black female masculinity
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- 13 September 2013, pp. 471-496
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Paul, John and Broad Street
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- 11 November 2008, pp. 327-338
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Music, Sound and Silence in Buffy the Vampire Slayer. Edited by Paul Attinello, Janet K. Halfyard and Vanessa Knights. Farnham: Ashgate, 2010. 278 pp. ISBN 978-0-7546-6041-2
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- 12 October 2012, pp. 502-504
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Introduction: Crossing Borders
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- 27 May 2011, pp. 171-174
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Crossover: Sam Katzman's Switchblade Calypso Bop Reefer Madness Swamp Girl or ‘Bad Jazz,’ calypso, beatniks and rock 'n' roll in 1950s teenpix
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- 12 October 2010, pp. 437-455
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Beyond the reef: role conflict and the professional musician in Hawaii
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- 10 November 2008, pp. 189-198
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Sain Cymru: the role of the Welsh phonographic industry in the development of a Welsh language pop/rock/folk scene*
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- 11 November 2008, pp. 77-105
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A music of your own
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- 10 November 2008, pp. 15-25
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Under suspicion: library music and the Musicians’ Union in Britain, 1960–1978
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- 10 March 2023, pp. 1-19
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