Hostname: page-component-7bb8b95d7b-dvmhs Total loading time: 0 Render date: 2024-09-11T16:30:22.615Z Has data issue: false hasContentIssue false

A music of your own

Published online by Cambridge University Press:  10 November 2008

Extract

Folklore is the only recognised field of musical creativity on a mass scale. Here, ‘every new variant is an archetype, for there is no authoritative original’, even the same folk musician will not repeat the same melodic line unchanged; what folk singers ‘carried in their memories was not a fixed, memorised series of words and notes, but the fluid idea of a song which so far as they were concerned had never had any other existence than in the fresh evocations it received from singers like themselves’ (Bronson 1969, pp. 102–6).

Type
Research Article
Copyright
Copyright © Cambridge University Press 1981

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Békefi, Antal, A bakonyi szegényember dalai (The Songs of the Poor Man in the Bakony) (Budapest, 1966).Google Scholar
Betz, Albrecht, Hanns Eisler. Musik einer Zeit, die sich eben bildet (Munich, 1976; English translation, Cambridge, 1982).Google Scholar
Blacking, John, How Musical is Man? (Seattle, 1973, and London, 1976).Google Scholar
Bronson, Bertrand Harris, The Ballad as Song (Berkeley and Los Angeles, 1969).Google Scholar
Kodály, Zoltán, Visszatekintés (Retrospection), 2 vols. (Budapest, 1964).Google Scholar
Lloyd, A. L., ‘Arbeitervolkslieder in Grossbritannien’, in Beiträge zur Musikwissenschaft, 3–4 (1962), pp. 161203.Google Scholar
Maróthy, János, Music and the Bourgeois, Music and the Proletarian (Budapest, 1974; first published as Zene és polgár, zene es proletár (Budapest, 1966)).Google Scholar
Maróthy, János, Zene és ember (Music and Man) (Budapest, 1980).Google Scholar
Pestalozza, Luigi, ‘Die Erfahrungen von Musica-Realtà’, in Musik im Übergang, ed. Jungheinrich, H.-K. and Lombardi, L. (Munich, 1977), pp. 109–34.Google Scholar
Rossiter, Frank, Charles Ives and His America (New York, 1975).Google Scholar
Steinitz, Wolfgang, ‘Das Leunalied’, in Deutsches Jahrbuch für Volkskunde, 4 (1958), pp. 352.Google Scholar
Stenzl, ürg, (ed.), Luigi Nono. Texte, Studien zu seiner Musik (Zürich, 1975).Google Scholar
Stern, Dietrich, (ed.) Angewandte Musik 20er Jahre. Exemplarische Versuche gesellschaftsbezogener musikalischer Arbeit für Theater, Film, Radio, Massenveranstaltung. Argument-Sonderbände, 24, ed. Haug, W. F. (West Berlin, 1977).Google Scholar
Szabolcsi, Bence, Népzene és történelem (Folk Music and History) (Budapest, 1954).Google Scholar