Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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A working-class hero is something to be: the American Musicians’ Union's attempt to ban the Beatles, 1964
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- 03 February 2010, pp. 1-16
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On Becoming a Rock Musician. By H. Stith Bennett. Amherst: The University of Massachusetts Press, 1980. 258 pp.
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- 11 November 2008, pp. 304-308
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'Twixt midnight and day: binarism, blues and black culture
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- 11 November 2008, pp. 179-200
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Interpreting Paul Oliver
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- 03 January 2019, pp. 128-133
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‘Cookin' on the West Coast’: a contribution from the Swedish West Coast to contemporary composition practice1
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- 11 November 2008, pp. 83-104
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Drink, song and disorder: the sorry saga of the Licensing Act 2003
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- 14 April 2016, pp. 265-269
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Porno Para Ricardo: rock music and the ‘obsession with identity’ in contemporary Cuba
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- 28 August 2014, pp. 455-472
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Music Genres and Corporate Cultures. By Keith Negus. London: Routledge, 1999. 209 pp.
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- 31 July 2001, pp. 285-292
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American Popular Music. Volume 1, The Nineteenth Century and Tin Pan Alley. Volume 2, The Age of Rock. Edited by Timothy E. Scheurer. Bowling Green, OH: Bowling Green State University Popular Press, 1989. 181 pp. and 267 pp. - Popular Music Research: an Anthology From NORDICOM-Sweden. Edited by Keith Roe and Ulla Carlsson. Göteborg: Nordicom Information Center, University of Göteborg Department of Political Science, 1990. 167 pp.
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- 17 November 2008, pp. 107-109
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Interview with Paul Oliver
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- 04 January 2007, pp. 5-13
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Gestures in vocal performance and the experience of the listener: a case study of extra-semantic meaning-making in the singing of Olavi Virta
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- 01 January 2009, pp. 33-51
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New dialogues, old routes: emergent collaborations between Brazilian and Angolan music makers
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- 27 May 2011, pp. 175-190
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Rhymin’ and Stealin’. Musical Borrowing in Hip-Hop. By Justin A. Williams. Ann Arbor, MI: University of Michigan Press, 2013. 256 pp. ISBN 978-0-472-11892-2
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- 19 December 2014, pp. 140-142
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Understanding Fandom: An Introduction to the Study of Media Fan Culture. By Mark Duffett. New York: Bloomsbury Academic, 2013. 342 pp. ISBN 978-1-441-16693-7 - Popular Music Fandom: Identities, Roles and Practices. Edited by Mark Duffett. New York: Routledge, 2014. 233 pp. ISBN 978-0-415-50639-7
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- 30 April 2015, pp. 341-343
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Sufi Music of India and Pakistan: Sound, Context and Meaning in Qawwali
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- 11 November 2008, pp. 223-225
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Late-Stalinist ideological campaigns and the rupture of jazz: ‘jazz-talk’ in the Soviet Estonian cultural newspaper Sirp ja Vasar1
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- 28 August 2014, pp. 509-529
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The Musical: Race, Gender and Performance. Short Cuts Introductions to Film Studies 26. By Susan Smith. London and New York: Wallflower, 2005. 130 pp. ISBN 1-904764-37-1
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- 13 December 2007, pp. 175-177
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Memoryscapes and mediascapes: musical formations of ‘pensioners’ in late 20th-century Sweden
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- 23 April 2012, pp. 279-295
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How the yodel became a joke: the vicissitudes of a musical sign
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- 12 October 2012, pp. 461-479
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Debate: Quote Unquote
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- 11 November 2008, pp. 257-260
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