Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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Provinces versus metropolis in the British brass band movement in the early twentieth century: the case of William Rimmer and his music
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- Published online by Cambridge University Press:
- 11 November 2008, pp. 151-163
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- Cited by 2
Third Latin American Conference of the International Association for the Study of Popular Music
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- Published online by Cambridge University Press:
- 31 July 2001, pp. 263-274
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‘I fought the law’: popular music and British obscenity law
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- 11 November 2008, pp. 349-363
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- Cited by 2
The scent of Catalan rock: Els Pets' ideology and the rock and roll industry
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- 11 November 2008, pp. 245-261
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Saturday Night or Sunday Morning? From Arts to Industry – New Forms of Cultural Policy. By Geoff Mulgan and Ken Worpole. London: Comedia, 1986. 133 pp. - Music and Society: the Politics of Composition, Performance and Reception. Edited by Richard Leppert and Susan McClary. Cambridge: Cambridge University Press, 1987. 202 pp.
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- 11 November 2008, pp. 231-233
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A natural ear for music? Hearing (dis)abled masculinities
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- 20 October 2009, pp. 411-423
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cruising a road to nowhere: mechanics and mysteries of the pop moment
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- 04 October 2005, pp. 311-321
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Three tributaries of ‘The River’
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- 11 November 2008, pp. 27-34
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Not-so-big in Japan: Western pop music in the Japanese market
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- 11 November 2008, pp. 203-225
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Home Sweet Home? The ‘culture of exile’ in mid-Victorian popular song
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- 11 November 2008, pp. 131-150
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Feminine Endings: Music, Gender and Sexuality. By Susan McClary. Minnesota: University of Minnesota, 1991. 220 pp. - Cosi? Sexual Politics in Mozart's Operas. By Charles Ford. Manchester: Manchester University Press, 1991. 262 pp.
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- 11 November 2008, pp. 373-376
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Success ratios, new music and sound recording copyright
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- 09 October 2017, pp. 393-409
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The Imperfect Art: Reflections On Jazz and Modern Culture. By Ted Gioia. New York: Oxford: Oxford University Press, 1989. 152 pp.
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- 17 November 2008, pp. 103-107
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Bachata: from the Margins to the Mainstream
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- 11 November 2008, pp. 359-364
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‘Does it threaten the status quo?’ Elite responses to British punk, 1976–1978
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- 13 April 2018, pp. 271-289
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Corvus Corax: medieval rock, the minstrel, and cosmopolitanism as anti-nationalism
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- 11 October 2019, pp. 361-378
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Technology, accessibility and creativity in popular music education
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- 20 October 2009, pp. 425-431
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Introduction: Special issue on popular music and disability
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- 20 October 2009, pp. 293-295
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Baudrillard's Blues
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- 30 November 2015, pp. 84-99
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Nuuk underground: musical change and cosmopolitan nationalism in Greenland
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- 19 December 2014, pp. 113-133
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