Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 2
‘Oh boy, you salt of the earth’: outwitting patriarchy in raqs baladi
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- Published online by Cambridge University Press:
- 11 November 2008, pp. 285-298
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- Cited by 2
Writing Jimi: rock guitar pedagogy as postmodern folkloric practice1
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- 11 November 2008, pp. 281-288
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- Cited by 2
Twins of Evil: an investigation into the aesthetics of film music
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- 11 November 2008, pp. 1-35
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- Cited by 2
Recording studios as museums? Record producers’ perspectives on German rock studios and accounts of their heritage practice
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- 04 June 2021, pp. 91-113
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Troubling genre, ethnicity and geopolitics in Taiwanese American independent rock music
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- 06 February 2013, pp. 91-109
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Rage Against The Machine, Zapatismo, and the aesthetics of anger
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- 08 September 2015, pp. 390-407
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European world music charts
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- 11 November 2008, pp. 241-244
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- Cited by 2
these magic moments: pop, writing, and the little stuff
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- 04 October 2005, pp. 307-310
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KVLTER than KVLT: ‘True (Norwegian) black metal’ and the satanic politics of Bataillean ‘authenticity’
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- 11 October 2019, pp. 518-537
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‘Wrapped up’: ideological setting and figurative meaning in African-American gospel rap
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- 09 May 2006, pp. 265-282
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The Ugandan hip-hop image: the uses of activism and excess in fragile sites
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- 19 March 2021, pp. 420-438
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Dirty, soothing, secret magic: individualism and spirituality in New Age and extreme metal music cultures
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- 03 January 2019, pp. 105-120
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Sitars and bossas: World Music influences
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- 11 November 2008, pp. 45-70
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- Cited by 2
In Township Tonight! South Africa's Black City Music and Theatre. By David B. Coplan. Johannesburg: Ravan Press; London: Longman, 1985. 278pp.
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- 11 November 2008, pp. 352-355
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‘I fought the law’: popular music and British obscenity law
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- 11 November 2008, pp. 349-363
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Three tributaries of ‘The River’
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- 11 November 2008, pp. 27-34
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Feminine Endings: Music, Gender and Sexuality. By Susan McClary. Minnesota: University of Minnesota, 1991. 220 pp. - Cosi? Sexual Politics in Mozart's Operas. By Charles Ford. Manchester: Manchester University Press, 1991. 262 pp.
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- 11 November 2008, pp. 373-376
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Gender, genius and rock and roll in ‘Roy Orbison and Friends: A Black and White Night’
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- 21 September 2011, pp. 433-453
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Asaf'ev's theory of intonation and the analysis of popular song
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- 11 November 2008, pp. 91-111
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The fourth audience
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- 10 November 2008, pp. 123-141
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