Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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Sky of blue, sea of green: a semiotic reading of the film Yellow Submarine
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- Published online by Cambridge University Press:
- 13 December 2007, pp. 1-14
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Dangerous Crossroads. Popular Music, Postmodernism and the Poetics of Place. By George Lipsitz. London and New York: Verso, 1994. 192 pp.
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- Published online by Cambridge University Press:
- 11 November 2008, pp. 247-248
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Ban rap and drill lyrics in the courtroom
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- Published online by Cambridge University Press:
- 09 January 2023, pp. 546-557
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The problem with AI music: song and cyborg creativity in the digital age
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- Published online by Cambridge University Press:
- 27 August 2020, pp. 332-338
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The moan within the tone: African retentions in rhythm and blues saxophone style in Afro-American popular music
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- 11 November 2008, pp. 155-174
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Introduction to special issue: Prosecuting and Policing Rap
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- 01 November 2022, pp. 419-426
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Cathy's homecoming and the Other world: Kate Bush's ‘Wuthering Heights’
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- 17 November 2008, pp. 227-240
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‘I say high, you say low’: the Beatles and cultural hierarchies in 1960s and 1970s Britain
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- 19 March 2021, pp. 401-419
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Searching for ghosts: fluidity and temporal expansion in Joni Mitchell's first five albums (1968–1972)
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- 11 October 2019, pp. 399-422
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The Death and Life of the Music Industry in the Digital Age. By Jim Rogers. London: Bloomsbury Academic, 2013. 284 pp. ISBN-10 1-623-56001-2 - Understanding the Music Industries. Edited by Chris Anderton, Andrew Dubber and Martin James. London: Sage Publications, 2013. 248 pp. ISBN-10: 1-446-20795-1
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- Published online by Cambridge University Press:
- 30 April 2015, pp. 351-354
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Musico-ethnological approaches to musical instruments
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- 11 November 2008, pp. 216-218
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The Tape Levy
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- 11 November 2008, pp. 93-94
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Count Basie and the piano that swings the band
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- 10 November 2008, pp. 45-79
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Erratum
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- Published online by Cambridge University Press:
- 07 March 2002, p. 479
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Stereotypes as source of subcultural capital: Poland and the Polish in the auto-representation project of the Dutch rapper, Mr. Polska
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- 12 September 2018, pp. 466-486
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‘Ces nymphes, je les veux perpétuer’: the post-war pastoral in space-age bachelor-pad music
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- 26 June 2003, pp. 159-172
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Ethnomusicology and Modern Music History. Edited by Stephen Blum, Philip V. Bohlman and Daniel M. Neuman. Urbana and Chicago: University of Illinois Press, 1991. 322 pp.
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- 11 November 2008, pp. 371-373
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PMU volume 7 issue 3 Back matter
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- 11 November 2008, pp. b1-b7
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‘Jazz at Night and the Classics in the Morning’: musical double-consciousness in short fiction by Langston Hughes
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- 15 June 2005, pp. 273-278
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‘Or any art at all?’: Frank Zappa meets critical theory
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- 31 July 2001, pp. 205-222
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