61157 results in Music
“She went to Nashville to sing country music”
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- Whose Country Music?
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- 03 February 2023
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- 01 December 2022, pp 1-10
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PMU volume 41 issue 4 Cover and Back matter
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- Popular Music / Volume 41 / Issue 4 / December 2022
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- 09 January 2023, pp. b1-b4
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- December 2022
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Charles Fairchild. Musician in the Museum: Display and Power in Neoliberal Popular Culture. Bloomsbury Publishing USA, 2021. viii, 255 pp., list of illustrations, bibliography, index. ISBN 978-1-5013-6888-2 (hardback), 978-1-5013-6889-9 (paperback), 978-1-5013-6892-9 (online).
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- Yearbook for Traditional Music / Volume 54 / Issue 2 / December 2022
- Published online by Cambridge University Press:
- 08 February 2023, pp. 171-173
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- December 2022
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Acknowledgements
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- George Herbert and Early Modern Musical Culture
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- 11 November 2022
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- 01 December 2022, pp xv-xvi
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THE BODY IN CRISIS: NEW PATHWAYS AND SHORT CIRCUITS IN REPRESENTATION by Christine Greiner. 2021. Translation by Christopher Larkosh and Grace Holleran. Ann Arbor: University of Michigan Press. 140 pp. $29.95 paper. ISBN: 0472038664, ISBN-10: 978-0472038664. doi: 10.3998/mpub.11883180.
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- Dance Research Journal / Volume 54 / Issue 3 / December 2022
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- 24 March 2023, pp. 119-121
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- December 2022
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7 - From Bros to Gentlemen
- from Part II - Codes of Conduct
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- Whose Country Music?
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- 03 February 2023
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- 01 December 2022, pp 102-115
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Introduction
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- George Herbert and Early Modern Musical Culture
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- 11 November 2022
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- 01 December 2022, pp 1-23
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Naamyam Songs of Love and Longing (訴衷情:杜煥瞽師地水南音精選), Hong Kong’s Cultural Treasure 1. 2007. Performed by Dou Wun. Produced by Yu Siu-wah. Hong Kong: Bailey Record Co. and the Chinese Music Archive of the Chinese University of Hong Kong, CMA-07001. Booklet (24 pp.) with colour photographs, lyrics, and liner notes by Yu Siu-wah, Bell Yung, and Erica Lee in Chinese. CD, 2 discs (CD 1, 4 tracks, 69:33; CD 2, 6 tracks, 63:39). - Blind Dou Wun Remembers His Past: 50 Years of Singing Naamyam in Hong Kong (飄泊香江五十年地水南音: 全本《失明人杜煥憶往》), Hong Kong’s Cultural Treasure 2. 2008. Performed by Dou Wun. Produced by Yu Siu-wah. Hong Kong: Bailey Record Co. and the Chinese Music Archive of the Chinese University of Hong Kong, CMA-08001. Booklet (85 pp.) with single-colour graphics, lyrics, and liner notes by Yu Siu-wah, Bell Yung, and Sonia Ng in Chinese. CD, 6 discs (CD 1, 62:08; CD 2, 53:42; CD 3, 61:24; CD 4, 57:01; CD 5, 58:06; CD 6, 66:01). - Rare Recordings of Melodies from a Bygone Age (絕世遺音: 板眼, 龍舟, 粵謳), Hong Kong’s Cultural Treasure 3. 2011. Performed by Dou Wun and Lee Ngan-giu. Produced by Yu Siu-wah. Hong Kong: The Chinese Music Archive of the Chinese University of Hong Kong, CMA-11001. Booklet (27 pp.) with colour photographs and lyrics, and liner notes by Yu Siu-wah, Bell Yung, and Sonia Ng in Chinese. CD, 1 disc (53:47). - Jade Palm––Leaf Fan (《玉葵寶扇》之〈大鬧梅知府〉、〈碧蓉探監〉: 瞽師杜煥演唱龍舟版本), Hong Kong’s Cultural Treasure 4. 2012. Performed by Dou Wun. Produced by Bell Yung and Yu Siu-wah. Hong Kong: The Chinese Music Archive of the Chinese University of Hong Kong, CMA-12001. Booklet (20 pp.) with lyrics and liner notes by Bell Yung and Sonia Ng in Chinese. CD, 1 disc (59:14). - The Blind Musician Dou Wun Offers Auspicious Songs for Festive Occasions (八仙賀壽:瞽師杜煥賀喜慶), Hong Kong’s Cultural Treasure 5. 2013. Performed by Dou Wun. Produced by Bell Yung and Lee Tong Soon. Booklet (24 pp.) with illustration by Leumas To and liner notes by Bell Yung and Sonia Ng in Chinese. Hong Kong: The Chinese Music Archive of the Chinese University of Hong Kong, CMA-13001. CD, 1 disc (59:13). - The Birth of Guanyin, Goddess of Mercy (觀音出世), Hong Kong’s Cultural Treasure 6. 2015. Performed by Dou Wun. Produced by Bell Yung and Lee Tong Soon. Booklet (38 pp.) with colour photographs and liner notes by Bell Yung and Sonia Ng in Chinese. Hong Kong: The Chinese Music Archive of the Chinese University of Hong Kong, CMA-15001. CD, 3 discs (CD 1, 57:54; CD 2, 56:12; CD 3, 52:17). - Excerpts from Literary Masterpieces (名著摘錦:瞽師杜煥首本南音), Hong Kong’s Cultural Treasure 7. 2016. Performed by Dou Wun. Produced by Bell Yung and Lee Tong Soon. Booklet (39 pp.) with colour photographs, lyrics, and liner notes by Bell Yung and Sonia Ng in Chinese. Hong Kong: The Chinese Music Archive of the Chinese University of Hong Kong, CMA-16001. CD, 2 discs (CD 1, 81:51; CD2, 68:32). - Revenge in Guang Chang Long: Deishui Naamyam Sung by Blind Master Dou Wun (大鬧廣昌隆), Hong Kong’s Cultural Treasure 8. 2019. Performed by Dou Wun. Produced by Bell Yung and Frederick Lau. Booklet (21 pp.) with lyrics and liner notes by Sonia Ng and Bell Yung in Chinese. Hong Kong: The Center for Chinese Music Studies of the Chinese University of Hong Kong, CCMS-19001. CD, 2 discs (CD 1, 77:40; CD 2, 57:36).
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- Yearbook for Traditional Music / Volume 54 / Issue 2 / December 2022
- Published online by Cambridge University Press:
- 03 January 2023, pp. 182-186
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- December 2022
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Copyright page
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- Whose Country Music?
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- 03 February 2023
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- 01 December 2022, pp iv-iv
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Catching Up with the West? Historiographical stances in early accounts of Chinese electronic music
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- Organised Sound / Volume 27 / Issue 3 / December 2022
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- 19 December 2022, pp. 275-283
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- December 2022
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Part III - Authenticity
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- Whose Country Music?
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- 03 February 2023
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- 01 December 2022, pp 131-190
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12 - Country Music Doesn’t Have to Suck
- from Part III - Authenticity
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- Whose Country Music?
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- 03 February 2023
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- 01 December 2022, pp 177-190
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6 - Pistol Annies
- from Part II - Codes of Conduct
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- Whose Country Music?
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- 03 February 2023
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- 01 December 2022, pp 87-101
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10 - “When Britney [Spears] Ruled the World”
- from Part III - Authenticity
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- Whose Country Music?
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- 03 February 2023
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- 01 December 2022, pp 148-161
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Chapter 5 - Double Motion
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- George Herbert and Early Modern Musical Culture
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- 11 November 2022
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- 01 December 2022, pp 139-174
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Electroacoustic Improvisation and Life Nourishment
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- Organised Sound / Volume 27 / Issue 3 / December 2022
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- 12 December 2022, pp. 379-386
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- December 2022
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3 - How 360° Deals Homogenized Country Music
- from Part I - Industry
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- Whose Country Music?
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- 03 February 2023
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- 01 December 2022, pp 41-54
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The Prisoner: A missing link in England’s history of electronic music
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- Organised Sound / Volume 27 / Issue 3 / December 2022
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- 12 December 2022, pp. 401-409
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- December 2022
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Chapter 1 - Measuring Well
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- George Herbert and Early Modern Musical Culture
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- 11 November 2022
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- 01 December 2022, pp 24-49
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Notes
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- George Herbert and Early Modern Musical Culture
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- 11 November 2022
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- 01 December 2022, pp 209-241
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