Themes of contemporary country music during the 2010s moved from “bro-country” songs promoting alcohol consumption, partying, and hook-up culture, toward tracks outlining consensual, presumed heterosexual, romantic relationships. Close listening to these “gentlemanly” songs reveals a specter of coercion, raising questions about the nature of consent. Using music by Sam Hunt and Thomas Rhett as case studies, this chapter investigates how male country artists represent romantic relationships as an idealized goal where consent is implied rather than expressly indicated. Case studies unravel how silent partners are pressurized and narrators hear or assume “yes” where no consent is offered. Investigations of songs by chart-dominating male country artists allow us to notice how and when in these songs women’s voices may be heard, silenced, or made irrelevant. Applicable beyond just country music, this chapter offers a means for understanding how the idea of consent manifests within popular musics more broadly.