Theatre Survey: Volume 38 -

Theatre Survey

Only show content I have access to (4)

Over 3 years (55)

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save this undefined to your undefined account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your undefined account. Find out more about saving content to .

To save this article to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Theatre Survey
ISSN: 0040-5574

EISSN: 1475-4533

URL: /core/journals/theatre-survey
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

Theatre Survey

Refine listing

Actions for selected content:

Volume 38 - May 1997

Book Reviews

Theatre, Opera, and Audiences in Revolutionary Paris: Analysis and Repertory. By Emmet Kennedy, Marie-Laurence Netter, James P. McGregor, and Mark V. Olsen. Westport, CT: Greenwood Press, 1996; pp. xii + 412. $79.50 hardcover.

Companion to Theatre in Australia. By Philip Parsons (General Editor) with Victoria Chance, Sydney, Australia: Currency Press, 1995; pp. 704. $69.95 hardcover.

Melodrama: The Cultural Emergence of a Genre. Edited by Michael Hays and Anastasia Nikolopoulou. New York: St. Martin's Press, 1996; pp. 288 + xv. Illustrated; 8 page appendix. $39.95 hardcover.

List of Books Received

List of Books Received as of 16 March 1997

Front matter

TSY volume 38 issue 1 Cover and Front matter

Book Reviews

West End Women: Women and the London Stage 1918–1962. By Maggie B. Gale. New York: Routledge, 1996; pp. 262. $59.95 hardcover ($83.95 Canada); $17.94 paper ($24.95 Canada).

Back matter

TSY volume 38 issue 1 Back matter

Book Reviews

German Theatre: A Bibliography from the Beginning to 1995. By Michael Patterson. Leicester: Motley Press, 1996; pp. 887. $240.00 hardcover.

Performance: A Critical Introduction. By Marvin Carlson. London and New York: Routledge, 1996; pp. 247. $17.95 paper. - The Future of Ritual: Writings on Culture and Performance. By Richard Schechner. London and New York: Routledge, 1996 (first published in hardcover in 1993); pp. 283. $17.95 paper.

List of Books Received

List of Books Received as of 1 October 1997

Front matter

TSY volume 38 issue 2 Cover and Front matter

Back matter

TSY volume 38 issue 2 Back matter

Theatre Survey

Refine listing

Actions for selected content:

Save Search

Volume 38 - May 1997

Book Reviews

List of Books Received

Front matter

Book Reviews

Back matter

Book Reviews

List of Books Received

Front matter

Back matter