3542 results in Opera
1d - The account of Gasparo Pacchierotti at Coutts & Co. (1779–1784)
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- Opera and Drama in Eighteenth-Century London
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- 22 September 2009
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- 10 May 2001, pp 258-262
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Acknowledgements
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- Opera and Drama in Eighteenth-Century London
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- 22 September 2009
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- 10 May 2001, pp xi-xii
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Notes
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- 22 September 2009
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10 - Rauzzini's last season
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- Opera and Drama in Eighteenth-Century London
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- 22 September 2009
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1a - The accounts of Richard Yates and James Brooke at Henry Hoare & Co. (1773–1777)
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- Opera and Drama in Eighteenth-Century London
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- 22 September 2009
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- 10 May 2001, pp 234-250
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Frontmatter
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- Opera and Drama in Eighteenth-Century London
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2a - Petition to the Lord Chamberlain (c.1770)
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- Opera and Drama in Eighteenth-Century London
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9 - Caterina Gabrielli
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- Opera and Drama in Eighteenth-Century London
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- 22 September 2009
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Torrefranca vs. Puccini: embodying a decadent Italy
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- Cambridge Opera Journal / Volume 13 / Issue 1 / March 2001
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- 05 March 2002, pp. 29-53
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- March 2001
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A madwoman's choice: aria substitution in Lucia di Lammermoor
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- Cambridge Opera Journal / Volume 13 / Issue 1 / March 2001
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- 05 March 2002, pp. 1-28
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- March 2001
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Musical style and political allegory in Krenek's Karl V
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- Cambridge Opera Journal / Volume 13 / Issue 1 / March 2001
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- 05 March 2002, pp. 55-80
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- March 2001
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Marcia J. Citron, Opera on Screen. New Haven and London: Yale University Press, 2000. 295 pp.
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- Cambridge Opera Journal / Volume 13 / Issue 1 / March 2001
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- 05 March 2002, pp. 81-85
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- March 2001
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‘Innsbruck, ich muss dich lassen’: Cesti, Orontea, and the Gelone problem
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- Cambridge Opera Journal / Volume 12 / Issue 3 / November 2000
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- 09 January 2002, pp. 179-217
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- November 2000
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Picturing Cio-Cio-San: House, screen, and ceremony in Puccini's Madama Butterfly
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- Cambridge Opera Journal / Volume 12 / Issue 3 / November 2000
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- 09 January 2002, pp. 237-259
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- November 2000
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Review
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- Cambridge Opera Journal / Volume 12 / Issue 3 / November 2000
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- 09 January 2002, pp. 261-266
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- November 2000
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Mozart in Turkey
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- Cambridge Opera Journal / Volume 12 / Issue 3 / November 2000
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- 09 January 2002, pp. 219-235
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- November 2000
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Here comes nobody: a dramaturgical exploration of Luciano Berio's Outis
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- Cambridge Opera Journal / Volume 12 / Issue 2 / July 2000
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- 15 June 2001, pp. 163-178
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- July 2000
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Racial essences and historical invisibility: Chinese opera in New York, 1930
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- Cambridge Opera Journal / Volume 12 / Issue 2 / July 2000
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- 15 June 2001, pp. 135-162
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- July 2000
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Marschner's villains, monomania, and the fantasy of deviance
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- Cambridge Opera Journal / Volume 12 / Issue 2 / July 2000
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- 15 June 2001, pp. 109-134
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- July 2000
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The Roman intermezzo and Sacchini's La contadina in corte
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- Cambridge Opera Journal / Volume 12 / Issue 2 / July 2000
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- 15 June 2001, pp. 91-107
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- July 2000
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