3542 results in Opera
A newly discovered accompanied recitative to Mozart's ‘Vado, ma dove’, K.583
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- Cambridge Opera Journal / Volume 12 / Issue 1 / March 2000
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- 20 March 2001, pp. 29-50
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- March 2000
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Musical setting and scenic movement: chorus and chœur dansé in eighteenth-century Parisian Opéra
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- Cambridge Opera Journal / Volume 12 / Issue 1 / March 2000
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- 20 March 2001, pp. 1-28
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- March 2000
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Music drama on the concert stage: voice, character and performance in Judith Weir's The Consolations of Scholarship
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- Cambridge Opera Journal / Volume 12 / Issue 1 / March 2000
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- 20 March 2001, pp. 55-79
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- March 2000
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Mozart or not? The musical evidence
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- Cambridge Opera Journal / Volume 12 / Issue 1 / March 2000
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- 20 March 2001, pp. 51-54
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- March 2000
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Steven Huebner, French Opera at the Fin de Siècle: Wagnerism, Nationalism, and Style. Oxford: Oxford University Press, 1999. xvii+526pp.
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- Cambridge Opera Journal / Volume 12 / Issue 1 / March 2000
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- 20 March 2001, pp. 81-89
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- March 2000
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Death drive: Eros and Thanatos in Wagner's Tristan und Isolde
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- Cambridge Opera Journal / Volume 11 / Issue 3 / November 1999
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- 27 August 2008, pp. 267-293
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- November 1999
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Contributors
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- Cambridge Opera Journal / Volume 11 / Issue 3 / November 1999
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- 27 August 2008, p. ii
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- November 1999
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Making a spectacle of oneself: French Revolutionary opera by women
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- Cambridge Opera Journal / Volume 11 / Issue 3 / November 1999
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- 27 August 2008, pp. 215-232
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- November 1999
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OPR volume 11 issue 3 Cover and Front matter
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- Cambridge Opera Journal / Volume 11 / Issue 3 / November 1999
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- 27 August 2008, pp. f1-f3
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- November 1999
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Meyerbeer's GiacomoBriefwechse1 und Tagebücher Vol. 5. Ed. by Henze-Döhring Sabine with the collaboration of Hans Moeller (Berlin: De Gruyter, 1998).
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- Cambridge Opera Journal / Volume 11 / Issue 3 / November 1999
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- 27 August 2008, pp. 295-300
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- November 1999
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OPR volume 11 issue 3 Cover and Back matter
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- Cambridge Opera Journal / Volume 11 / Issue 3 / November 1999
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- 27 August 2008, pp. b1-b2
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- November 1999
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Dejanira, Omphale, and the emasculation of Hercules: allusion and ambiguity in Handel
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- Cambridge Opera Journal / Volume 11 / Issue 3 / November 1999
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- 27 August 2008, pp. 199-213
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- November 1999
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Social control and the censorship of Giuseppe Verdi's operas in Rome (1844–1859)1
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- Cambridge Opera Journal / Volume 11 / Issue 3 / November 1999
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- 27 August 2008, pp. 233-265
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- November 1999
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Welcome to the machine! The representation of technology in Zeitopern
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- Cambridge Opera Journal / Volume 11 / Issue 2 / July 1999
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- 27 August 2008, pp. 159-177
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- July 1999
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OPR volume 11 issue 2 Cover and Back matter
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- Cambridge Opera Journal / Volume 11 / Issue 2 / July 1999
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- 27 August 2008, pp. b1-b4
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- July 1999
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‘The phantom of the Opera’: the lost voice of opera in silent film
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- Cambridge Opera Journal / Volume 11 / Issue 2 / July 1999
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- 27 August 2008, pp. 179-192
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- July 1999
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What recitatives owe to the airs: a look at the dialogue scene, Act I scene 2 of Rameau's Hippolyte et Aricie – version with airs
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- Cambridge Opera Journal / Volume 11 / Issue 2 / July 1999
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- 27 August 2008, pp. 103-134
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- July 1999
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Paolo Gallarati, La forza delle parole. Mozart drammaturgo. Turin: Einaudi, 1993. xiv + 374 pp. Giovanna Gronda, ed., Lorenzo Da Ponte: Il Don Giovanni. Turin: Einaudi, 1995. xxviii + 131 pp. Manfred Hermann Schmid, Italienischer Vers und musikalische Syntax in Mozarts Opern. Tutzing: Schneider, 1994 (Mozart Studien 4). 320 pp.
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- Cambridge Opera Journal / Volume 11 / Issue 2 / July 1999
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- 27 August 2008, pp. 193-198
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- July 1999
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Contributors
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- Cambridge Opera Journal / Volume 11 / Issue 2 / July 1999
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- 27 August 2008, p. ii
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- July 1999
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OPR volume 11 issue 2 Cover and Front matter
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- Cambridge Opera Journal / Volume 11 / Issue 2 / July 1999
- Published online by Cambridge University Press:
- 27 August 2008, pp. f1-f3
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- July 1999
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