3542 results in Opera
Shedding light on the audience: Hans Neuenfels and Peter Konwitschny stage Verdi (and Verdians)
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- Cambridge Opera Journal / Volume 14 / Issue 1-2 / March 2002
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- 20 June 2003, pp. 201-210
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- March 2002
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Verdi's Egyptian spectacle: On the colonial subject of Aida
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- Cambridge Opera Journal / Volume 14 / Issue 1-2 / March 2002
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- 20 June 2003, pp. 149-159
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- March 2002
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Attributing Mozart (i): three accompanied recitatives
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- Cambridge Opera Journal / Volume 13 / Issue 3 / November 2001
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- 24 September 2002, pp. 197-237
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- November 2001
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Staging at the Opéra-Comique in nineteenth-century Paris: Auber's Fra Diavolo and the livrets de mise-en-scène
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- Cambridge Opera Journal / Volume 13 / Issue 3 / November 2001
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- 24 September 2002, pp. 239-260
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- November 2001
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The semiotics of symmetry, or Rimsky-Korsakov's operatic history lesson
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- Cambridge Opera Journal / Volume 13 / Issue 3 / November 2001
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- 24 September 2002, pp. 261-293
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- November 2001
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Letters to the Editor
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- Cambridge Opera Journal / Volume 13 / Issue 3 / November 2001
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- 24 September 2002, pp. 295-296
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- November 2001
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Marian Smith, Ballet and Opera in the Age of Giselle. Princeton: Princeton University Press, 2000. xx+306 pp., illustrations, music, 24 cm. Princeton studies in opera. Bibliographic references pp. [241]-300, and index.
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- Cambridge Opera Journal / Volume 13 / Issue 2 / July 2001
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- 12 July 2002, pp. 191-196
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- July 2001
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Permeable boundaries in Mozart's Don Giovanni
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- Cambridge Opera Journal / Volume 13 / Issue 2 / July 2001
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- 10 July 2002, pp. 115-139
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- July 2001
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Cults of sacred memory: Parma and the Verdi centennial celebrations of 1913
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- Cambridge Opera Journal / Volume 13 / Issue 2 / July 2001
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- 10 July 2002, pp. 141-161
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- July 2001
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The opera parodies of Florent Carton Dancourt
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- Cambridge Opera Journal / Volume 13 / Issue 2 / July 2001
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- 12 July 2002, pp. 87-114
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- July 2001
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‘The New Woman’: Lady Macbeth and sexual politics in the Stalinist era
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- Cambridge Opera Journal / Volume 13 / Issue 2 / July 2001
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- 10 July 2002, pp. 163-189
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- July 2001
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3a - Journal Etranger, No. 1 (June 1777)
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- Opera and Drama in Eighteenth-Century London
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- 22 September 2009
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- 10 May 2001, pp 276-282
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1b - The customer account ledgers of Sheridan and Harris (1778–1779)
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- Opera and Drama in Eighteenth-Century London
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- 22 September 2009
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- 10 May 2001, pp 251-256
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6 - The recruitment of Lovattini
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- Opera and Drama in Eighteenth-Century London
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- 22 September 2009
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- 10 May 2001, pp 77-92
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Opera and Drama in Eighteenth-Century London
- The King's Theatre, Garrick and the Business of Performance
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- 22 September 2009
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- 10 May 2001
2b - Petition to the Lord Chamberlain (c.1775)
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- Opera and Drama in Eighteenth-Century London
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- 22 September 2009
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- 10 May 2001, pp 269-271
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12 - The Queen of Quavers satire
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- Opera and Drama in Eighteenth-Century London
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- 22 September 2009
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- 10 May 2001, pp 166-181
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1e - A page of opera payments and receipts in the Salt MSS (1780)
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- Opera and Drama in Eighteenth-Century London
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- 22 September 2009
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- 10 May 2001, pp 263-264
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3 - Sacchini and the revival of opera seria
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- Opera and Drama in Eighteenth-Century London
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- 22 September 2009
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- 10 May 2001, pp 40-51
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8 - Lucrezia Agujari at the Pantheon
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- Opera and Drama in Eighteenth-Century London
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- 22 September 2009
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- 10 May 2001, pp 105-120
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