3542 results in Opera
Ariadne, Daphne and the problem of Verwandlung
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- Cambridge Opera Journal / Volume 15 / Issue 1 / March 2003
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- 02 September 2003, pp. 67-81
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- March 2003
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‘O ravishing delight’: the politics of pleasure in The Judgment of Paris
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- Cambridge Opera Journal / Volume 15 / Issue 1 / March 2003
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- 02 September 2003, pp. 15-31
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- March 2003
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Mesmerizing adultery: Così fan tutte and the Kornman scandal
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- Cambridge Opera Journal / Volume 14 / Issue 3 / November 2002
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- 20 June 2003, pp. 263-296
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- November 2002
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Review
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- Cambridge Opera Journal / Volume 14 / Issue 3 / November 2002
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- 20 June 2003, pp. 343-348
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- November 2002
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The trial, the condemnation, the cover-up: behind the scenes of Brecht/Dessau's Lucullus opera(s)
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- Cambridge Opera Journal / Volume 14 / Issue 3 / November 2002
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- 20 June 2003, pp. 313-342
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- November 2002
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Neapolitan elements and comedy in nineteenth-century opera buffe
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- Cambridge Opera Journal / Volume 14 / Issue 3 / November 2002
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- 20 June 2003, pp. 297-311
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- November 2002
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Administration and innovation at Turin's Teatro Regio: producing Sofonisba (1764) and Oreste (1766)
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- Cambridge Opera Journal / Volume 14 / Issue 3 / November 2002
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- 20 June 2003, pp. 243-262
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- November 2002
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Don Carlos as Bildungsoper: Carlos's last act
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- Cambridge Opera Journal / Volume 14 / Issue 1-2 / March 2002
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- 20 June 2003, pp. 109-131
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- March 2002
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Masked balls
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- Cambridge Opera Journal / Volume 14 / Issue 1-2 / March 2002
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- 20 June 2003, pp. 93-108
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- March 2002
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‘O patria mia’: Patriotism, dream, death
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- Cambridge Opera Journal / Volume 14 / Issue 1-2 / March 2002
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- 20 June 2003, pp. 161-175
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- March 2002
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‘Bewitched, bothered and bewildered’: Lady Macbeth, sleepwalking, and the demonic in Verdi's Scottish opera
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- Cambridge Opera Journal / Volume 14 / Issue 1-2 / March 2002
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- 20 June 2003, pp. 31-46
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- March 2002
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Primal scenes: Verdi in analysis
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- Cambridge Opera Journal / Volume 14 / Issue 1-2 / March 2002
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- 20 June 2003, pp. 1-9
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- March 2002
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Aida's flutes
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- Cambridge Opera Journal / Volume 14 / Issue 1-2 / March 2002
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- 20 June 2003, pp. 177-200
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- March 2002
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‘Teco io sto’: Strategies of seduction in Act II of Un ballo in maschera
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- Cambridge Opera Journal / Volume 14 / Issue 1-2 / March 2002
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- 20 June 2003, pp. 79-92
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- March 2002
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‘Chi piange, qual forza m'arretra?’: Verdi's interior voices
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- Cambridge Opera Journal / Volume 14 / Issue 1-2 / March 2002
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- 20 June 2003, pp. 59-78
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- March 2002
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Philippe and Posa Act II: The shock of the new
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- Cambridge Opera Journal / Volume 14 / Issue 1-2 / March 2002
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- 20 June 2003, pp. 133-147
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- March 2002
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‘… qualche cosa d’incredibile …': Hearing the invisible in Macbeth
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- Cambridge Opera Journal / Volume 14 / Issue 1-2 / March 2002
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- 20 June 2003, pp. 11-29
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- March 2002
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Comparing notes: Amelia/Maria and the ‘larve del passato’
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- Cambridge Opera Journal / Volume 14 / Issue 1-2 / March 2002
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- 20 June 2003, pp. 211-227
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- March 2002
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‘The firmness of a female hand’ in The Corsair and Il corsaro
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- Cambridge Opera Journal / Volume 14 / Issue 1-2 / March 2002
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- 20 June 2003, pp. 47-57
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- March 2002
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Learning to curse at sixty-seven
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- Cambridge Opera Journal / Volume 14 / Issue 1-2 / March 2002
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- 20 June 2003, pp. 229-241
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- March 2002
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