21719 results in Drama, Theatre, Performance Studies
The Making of Victorian Drama. By Anthony Jenkins. Cambridge: Cambridge University Press, 1991. Pp. 301 + illus. £30.
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, pp. 60-61
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Blood Memory: An Autobiography, by Martha Graham. New York: Doubleday, 1991. 279 pp., photographs. $25. - Martha: The Life and Work of Martha Graham, by Agnes de Mille. New York: Random House, 1991. 509 pp., photographs, selected bibliography, notes, index. $30. - Martha Graham: The Evolution of her Dance Theory and Training 1926–1991, comp. Marian Horosko. Chicago: Chicago Review Press, a cappella books, 1991. 185 pp., photographs. $14.95 paperbound, $29.95 clothbound.
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- Dance Research Journal / Volume 24 / Issue 1 / Spring 1992
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- 22 July 2014, pp. 39-40
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- Spring 1992
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Staging Shakespeare's Late Plays. By Roger Warren. Oxford: The Clarendon Press, 1990. Pp. xii + 247 + illus. £27.50.
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, pp. 56-57
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- Spring 1992
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Making Dances: Seven Post-Modern Choreographers, produced and directed by Michael Blackwood. Consultant Marcia B. Siegel. New York: Michael Blackwood Productions, 1980. VHS, 89 minutes, color. $350. ($975, 16 mm; rental—$150: 16 mm, 3/4” UMatic, VHS or BETA). - Retracing Steps: American Dance Since Postmodernism, produced and directed by Michael Blackwood. Consultant Sally Banes. New York: Michael Blackwood Productions, 1988. VHS, 89 minutes, color. $350. ($975, 16 mm; rental—$150: 16 mm, 3/4” UMatic, VHS or BETA).
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- Dance Research Journal / Volume 24 / Issue 1 / Spring 1992
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- 22 July 2014, pp. 47-49
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- Spring 1992
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Sharing the Dance. Contact Improvisation and American Culture, by Cynthia J. Novack. New Directions in Anthropological Writing. Madison, Wisconsin: University of Wisconsin Press, 1990. xvii + 258 pp., photographs, references, index. $14.95 paperbound.
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- Dance Research Journal / Volume 24 / Issue 1 / Spring 1992
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- 22 July 2014, pp. 37-38
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5th International Conference on Dance Research
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- Dance Research Journal / Volume 24 / Issue 1 / Spring 1992
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- 22 July 2014, pp. 52-54
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- Spring 1992
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‘I Am Going to America’: James Sheridan Knowles's Virginius and the Politics of ‘Liberty’
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, pp. 15-25
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- Spring 1992
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Painting and Performance: Chinese Picture Recitation and its Indian Genesis. By Victor H. Mair. Honolulu, University of Hawaii Press, 1988, Pp. 278 + illus.
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, pp. 69-70
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- Spring 1992
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Dance: Courses and Discourses
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- Dance Research Journal / Volume 24 / Issue 1 / Spring 1992
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- 22 July 2014, pp. 57-59
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- Spring 1992
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Books Received
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, pp. 78-80
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- Spring 1992
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Studying Water Study
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- Dance Research Journal / Volume 24 / Issue 1 / Spring 1992
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- 22 July 2014, pp. 1-12
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- Spring 1992
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The Commedia Dell'arte in Paris 1644–1697. By Virginia Scott. Charlottesville: The University Press of Virginia, 1990. Pp. xii + 459 + 19 illus. $45.00.
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, p. 59
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- Spring 1992
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Alternative Theatre: Reflecting a Multi-racial South African Society?
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, pp. 39-45
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- Spring 1992
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The Elizabethan Player: Contemporary Stage Representation. By David Mann. London and New York: Routledge, 1991, Pp. 274 + illus. - Shakespeare's Dramatic Transactions. By Michael E. Mooney, Durham and London: Duke University Press, 1990, Pp. 226. $29.95.
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, pp. 57-58
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- Spring 1992
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‘Poésie lyrique’ and ‘Chorégraphie’ at the Opéra in the July Monarchy
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- Cambridge Opera Journal / Volume 4 / Issue 1 / March 1992
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- 27 August 2008, pp. 1-19
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- March 1992
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Wagner's Nuremberg
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- Cambridge Opera Journal / Volume 4 / Issue 1 / March 1992
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- 27 August 2008, pp. 21-41
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- March 1992
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OPR volume 4 issue 1 Cover and Back matter
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- Cambridge Opera Journal / Volume 4 / Issue 1 / March 1992
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- 27 August 2008, pp. b1-b4
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- March 1992
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Operatic ambiguities and the power of music
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- Cambridge Opera Journal / Volume 4 / Issue 1 / March 1992
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- 27 August 2008, pp. 75-80
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- March 1992
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Billy Budd and the fear of words
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- Cambridge Opera Journal / Volume 4 / Issue 1 / March 1992
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- 27 August 2008, pp. 43-59
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- March 1992
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Cone's and Kivy's ‘World of Opera’
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- Cambridge Opera Journal / Volume 4 / Issue 1 / March 1992
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- 27 August 2008, pp. 61-74
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- March 1992
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