21719 results in Drama, Theatre, Performance Studies
Notes
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5 - Wrestling with language: “head to head”
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TRI volume 17 issue 1 Cover and Front matter
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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José Limón's The Moor's Pavane: An Interview with Lucas Hoving
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- Dance Research Journal / Volume 24 / Issue 1 / Spring 1992
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- 22 July 2014, pp. 13-26
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Evreinov and Pirandello: Two Theatricalists in Search of The Chief Thing
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Barefoot to Balanchine: How to Watch Dance, by Mary Kerner. New York: Anchor Books, 1990. 208 pp., foreword by Ruth Page, illustrations by Delphine Louie, suggested reading, glossary, index. $18.95. - Dance Classics: A Viewer's Guide to the Best-Loved Ballets and Modern Dances, byNancy Reynolds and Susan Reimer-Torn. Pennington, New Jersey: a cappella books, 1991. 297pp., photographs, glossary, index. $14.95 paperbound. Originally published in differentform as In Performance (New York: Harmony Books, 1980).
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The Eugene O'Neill Review, Vol 14, Nos. 1–2 (1990). Ed. by Frederick C. Wilkins.
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- 23 January 2009, p. 65
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Beyond the Mask: Gordon Craig, Movement, and the Actor, by Irène Eynat-Confino. Carbondale and Edwardsville, Illinois: Southern Illinois University Press, 1987. xiii + 239 pp., illustrations, chronology, bibliography, index.
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- Dance Research Journal / Volume 24 / Issue 1 / Spring 1992
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- 22 July 2014, pp. 45-46
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Ben Jonson. By Richard Allen Cave. Houndmills, Basingstoke and London: Macmillan Education Ltd., 1991. Pp. 184. £8.99.
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, pp. 58-59
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Nutshells at the Rose
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Présentation des articles
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- 23 January 2009, pp. 81-82
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The Audience. By Herbert Blau. Baltimore and London: John Hopkins University Press, 1990. Pp. 414. $14.95.
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, p. 73
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The Theatre of Medieval Europe: New Research in Early Drama. Edited by Eckehard Simon. Cambridge: Cambridge University Press, 1991. Pp. xxii + 311. £35. - Renaissance Drama: New Series Xx: Essays on Dramatic Traditions: Challenges and Transmissions. Edited by Mary Beth Rose. Northwestern University Press: Illinois, 1990. Pp. vi + 238 + illus. $45.95
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- 23 January 2009, pp. 55-56
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The Chronicle of Western Costume: From the Ancient World to the late Twentieth Century. By John Peacock. London: Thames and Hudson, 1991. Pp. 224 + illus £16.95.
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, pp. 67-68
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Books Received
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- 22 July 2014, p. 50
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Behind the Scenes: Yeats, Horniman, and the Struggle for the Abbey Theatre. By Adrian Frazier. University of California Press: Berkeley, Los Angeles, and London, 1990. Pp xxv + 258.
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, pp. 62-63
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The Secret Art of The Performer: A Dictionary of Theatre Anthropology. By Eugenio Barba and Nicola Savarese. London and New York: Routledge, 1991. Pp. 272 + illus. £25.
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- 23 January 2009, p. 72
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The Image of the Arab in Israeli Theatre—from Competition to Exploitation (1912–1990)
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- 23 January 2009, pp. 46-54
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Editorial
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- 23 January 2009, p. 1
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Voice in Modern Theatre. By Jacqueline Martin. London and New York: Routledge, 1991. Pp. 235 + illus. £35.00; £9.99
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- 23 January 2009, p. 69
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