21719 results in Drama, Theatre, Performance Studies
Letter to the Editor
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- Dance Research Journal / Volume 24 / Issue 1 / Spring 1992
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- 22 July 2014, pp. 60-62
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- Spring 1992
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TRI volume 17 issue 1 Back matter
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, pp. b1-b3
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- Spring 1992
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Congress on Research in Dance Annual Conference
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- Dance Research Journal / Volume 24 / Issue 1 / Spring 1992
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- 22 July 2014, pp. 54-56
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Havelock Ellis's Essay “The Art of Dancing”: A Reconsideration
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- Dance Research Journal / Volume 24 / Issue 1 / Spring 1992
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- 22 July 2014, pp. 27-36
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- Spring 1992
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The First German Theatre: Schiller, Goethe, Kleist and Buchner in Performance. By Michael Patterson. London: Routledge, 1990. Pp. xiv + 208. £35.00
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, pp. 59-60
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The Function of Song in Contemporary British Drama. By Elizabeth Hale Winkler. London and Toronto: Associated University Presses/University of Delaware, 1990. Pp. 368. £35.
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, pp. 68-69
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Russian Theatre in the age of Modernism. Edited by Robert Russell and Andrew Barratt. New York: St. Martin's Press, 1990. Pp. 269. $39.95.
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, pp. 64-65
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- Spring 1992
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International Guild of Musicians in Dance Conference
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- Dance Research Journal / Volume 24 / Issue 1 / Spring 1992
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- 22 July 2014, pp. 56-57
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Brenton: The Playwright. By Richard Boon. London: Methuen, 1991. Pp. xviii + 355 + illus. £9.99
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, pp. 65-67
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A Review of Plays Published in Britain, 1990–1991
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, pp. 74-77
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Actors and Onlookers: Theater and Twentieth-Century Scientific Views of Nature. By Natalie Crohn Schmitt Evanston. Northwestern Univ. Press. 1990. Pp + illus. $10.95.
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, pp. 70-72
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Did The Greeks Really Get to the Theatre before Dawn—Three Days Running?
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, pp. 2-7
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- Spring 1992
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French Renaissance Tragedy: The Dramatic Word. By Gillian Jondorf. Cambridge: Cambridge University Press, 1990, Pp. xii + 174. £27.50.
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, p. 56
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Harriet Bosse: Strindberg's Muse and Interpreter. By Carla Waal. Carbondale and Edwards ville: Southern Illinois University Press, 1990. pp. xii + 298.
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
- Published online by Cambridge University Press:
- 23 January 2009, pp. 61-62
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- Spring 1992
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Journals Received
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- Dance Research Journal / Volume 24 / Issue 1 / Spring 1992
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- 22 July 2014, p. 51
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DRJ volume 24 issue 1 Cover and Front matter
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- Dance Research Journal / Volume 24 / Issue 1 / Spring 1992
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- 22 July 2014, pp. f1-f4
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- Spring 1992
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On Directing Shakespeare, By Ralph Berry. London: Penguin, 1989. Pp. 227 + illus. $21.95.
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, p. 67
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“Early Scottish Reel Steps and the Influence of the French Quadrille,” by Y. Guillard. In Dance Studies, Volume 13, 1989, ed. Roderyk Lange. Jersey, Channel Islands: Centre for Dance Studies, 1990. 114 pp., maps, Kinetography Laban examples, illustrations, bibliography. £5.00.
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- Dance Research Journal / Volume 24 / Issue 1 / Spring 1992
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- 22 July 2014, pp. 41-42
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Annie Horniman: A Pioneer in the Theatre. By Sheila Gooddie. London: Methuen. 1990. Pp. vii + 216. £16.99
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- Theatre Research International / Volume 17 / Issue 1 / Spring 1992
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- 23 January 2009, pp. 63-64
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DRJ volume 24 issue 1 Cover and Back matter
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- Dance Research Journal / Volume 24 / Issue 1 / Spring 1992
- Published online by Cambridge University Press:
- 22 July 2014, pp. b1-b2
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- Spring 1992
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