Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 3
Ethnography in the Performing Arts: A Student Guide. By Simone Krüger. Palatine, 2008. 134 pp. Open Access Resource available at http://www.palatine.ac.uk/files/1377.pdf
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- Published online by Cambridge University Press:
- 20 October 2009, pp. 455-457
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- Cited by 3
The ‘social history’ of popular music: a label without a cause?
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- 11 November 2008, pp. 139-154
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‘The Sound of Silence’: Academic freedom and copyright
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- 11 November 2008, pp. 220-222
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John Blacking – Reminiscences
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- 17 November 2008, pp. 219-229
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Popular Indian South African music: division in diversity1
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- 17 November 2008, pp. 175-188
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Popular music analysis too often neglects the analysis of popular music
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- 27 August 2020, pp. 339-344
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Narrative, vocal staging and masculinity in the ‘Outlaw’ country music of Waylon Jennings
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- 13 September 2013, pp. 343-358
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‘A song goes round the world’: the German Schlager, as an organ of experience
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- 11 December 2000, pp. 147-180
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Melodies or rhythms?: the competition for the Greater London FM radio licence
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- 11 November 2008, pp. 203-219
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Rhythm, rhyme and reason: hip hop expressivity as political discourse
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- 28 August 2014, pp. 473-491
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Re-tuning the past, selling the future: Tata-AIG and the Tree of Love
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- 21 September 2011, pp. 351-370
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Hip-hop Judaica: the politics of representin’ Heebster heritage
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- 01 January 2009, pp. 1-18
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Inti-Illimani
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- 11 November 2008, pp. 241-246
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Japanese corporations and popular music
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- 17 November 2008, pp. 317-326
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Sentimentality and high pathos: popular music in fascist Germany
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- 10 November 2008, pp. 149-158
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Conflation and conflict in Brazilian popular music: forty years between ‘filming’ bossa nova in Orfeu Negro and rap in Orfeu
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- 19 October 2004, pp. 291-310
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Factors affecting the musical choices of audiences in East Suffolk, England*
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- 11 November 2008, pp. 51-73
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The popular expression of religious syncretism: the Bauls of Bengal as Apostles of Brotherhood
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- 11 November 2008, pp. 123-132
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In quest of truth: the meaning of message making in Israeli rap
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- 08 September 2015, pp. 452-470
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Visions of freedom: Duke Ellington in the Soviet Union
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- 21 September 2011, pp. 297-313
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