Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 4
The state of rock: a history of Finland’s cultural policy and music export
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- 01 May 2008, pp. 257-269
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- Cited by 4
Trends and taste in Japanese popular music: a case-study of the 1982 Yamaha World Popular Music Festival*
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- 11 November 2008, pp. 75-96
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- Cited by 4
Protestant vibrations? Reggae, Rastafari, and conscious Evangelicals
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- 09 May 2006, pp. 235-263
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- Cited by 4
Beyond the playlist: commercial radio as music culture
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- 19 June 2017, pp. 178-195
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- Cited by 4
Popular music policy making and the Instrumental Policy Behaviour Process
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- 01 May 2008, pp. 193-208
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- Cited by 4
Live mediation: performing concerts using studio technology
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- 14 September 2016, pp. 320-337
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- Cited by 4
Sing a song of difference: Connie Boswell and a discourse of disability in jazz
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- 20 October 2009, pp. 297-322
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- Cited by 3
García Márquez, macondismo, and the soundscapes of vallenato
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- 15 June 2005, pp. 207-222
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- Cited by 3
‘Redneck religion and shitkickin' saviours?’: Gram Parsons, theology and country music
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- 09 April 2002, pp. 93-105
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- Cited by 3
Popular dance music elements in the folk music of Gypsies in Hungary
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- 11 November 2008, pp. 45-65
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- Cited by 3
New generations, older bodies: danzón, age and ‘cultural rescue’ in the Port of Veracruz, Mexico
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- 23 April 2012, pp. 217-230
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- Cited by 3
Is ‘world music’ the ‘classic music’ of our time?
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- 26 June 2003, pp. 235-240
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- Cited by 3
Remembering – John Blacking
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- 17 November 2008, pp. 115-119
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- Cited by 3
‘Jazzing’ and Australia's First Jazz Band
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- 11 November 2008, pp. 279-295
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- Cited by 3
‘I Want Your Hands On Me’: building equivalences through rap music
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- 11 November 2008, pp. 105-121
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- Cited by 3
Who is Beck? Sonic markers as a compositional tool in pop production
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- 14 September 2016, pp. 380-395
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- Cited by 3
Pussy Riot, freedom of expression, and popular music studies after the Cold War
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- 16 May 2013, pp. 303-311
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- Cited by 3
‘The only real magic’: enchantment and disenchantment in music's modernist ordinary
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- 03 January 2019, pp. 8-32
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- Cited by 3
Mid-century Modern Jazz: Music and Design in the Postwar Home
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- 13 December 2016, pp. 55-74
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- Cited by 3
Mediating Music: materiality and silence in Madonna's ‘Don't Tell Me’
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- 18 June 2009, pp. 127-142
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