Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 3
Mid-century Modern Jazz: Music and Design in the Postwar Home
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- Published online by Cambridge University Press:
- 13 December 2016, pp. 55-74
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- Cited by 3
Unheard Melodies: Narrative Film Music. By Claudia Gorbman. Bloomington & Indianapolis: Indiana University Press; and London: BFI Publishing, 1987. 186 pp.
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- Published online by Cambridge University Press:
- 11 November 2008, pp. 339-342
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- Cited by 3
Introduction: As Time Goes By
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- Published online by Cambridge University Press:
- 23 April 2012, pp. 193-197
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- Cited by 3
Revisiting the wreck: PJ Harvey's Dry and the drowned virgin-whore
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- 07 March 2002, pp. 431-447
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- Cited by 3
Marabi Nights: Early South African Jazz and Vaudeville. By Christopher Ballantine. Johannesburg: Raven Press, 1993. xii + 116 pp., taped examples.
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- 11 November 2008, pp. 245-247
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Caught in a trap? Beyond pop theory's ‘butch’ construction of male Elvis fans
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- 07 March 2002, pp. 395-408
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A Farewell To Vinyl?
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- 11 November 2008, pp. 109-110
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The repertory of a Victorian provincial brass band
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- 11 November 2008, pp. 117-132
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The ‘world’ before globalisation: Moroccan elements in The Incredible String Band's music
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- 25 January 2011, pp. 127-143
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Going to the Nation: the idea of Oklahoma in early blues recordings
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- 04 January 2007, pp. 83-96
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Music and national identity in Scotland: a study of Jock Tamson's Bairns
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- 11 November 2008, pp. 203-216
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- Cited by 3
Internal rhyme in ‘The Boy with a Moon and Star on His Head’, Cat Stevens, 1972
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- 12 October 2012, pp. 383-400
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‘Fair use isn't fair’: a response to Sheila Whiteley
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- 11 November 2008, pp. 129-132
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The enactment of the field of cultural and artistic production of popular music in Brazil: a case study of the ‘Noel Rosa Generation’ in the 1930s
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- 17 February 2006, pp. 117-125
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‘Brains, means, lyrical ammunition’: hip-hop and socio-racial agency among African Students in Kharkiv, Ukraine
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- 21 September 2011, pp. 315-330
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Black Noise: Rap Music and Black Culture in Contemporary America. By Tricia Rose. Hanover & London. Wesleyan University Press, 1994. xvi + 241 pp.
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- 11 November 2008, pp. 135-136
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The medium and materials of popular music: ‘Hound Dog’, turntablism and muzak as situated musical practices1
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- 13 December 2007, pp. 99-116
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Having the sceptre: Wu-Tang Clan and the aura of music in the age of digital reproduction
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- 09 October 2017, pp. 427-440
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The mobilising of the German 1848 protest song tradition in the context of international twentieth-century folk revivals
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- 14 September 2016, pp. 338-359
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Azealia Banks: ‘Chasing Time’, erotics, and body politics
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- 13 April 2018, pp. 157-174
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