Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 12
Do music festival communities address environmental sustainability and how? A Scottish case study
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- Published online by Cambridge University Press:
- 01 May 2019, pp. 252-275
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- Cited by 11
Not just the same old show on my radio: An analysis of the role of radio in the diffusion of black music among whites in the south of the United States of America, 1920 to 19601
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- Published online by Cambridge University Press:
- 11 November 2008, pp. 151-164
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- Cited by 11
Black, white and blue: the racial antagonism of The Smiths’ record sleeves
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- 13 December 2007, pp. 135-149
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- Cited by 11
Good things come in threes: triplet flow in recent hip-hop music
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- 11 October 2019, pp. 423-456
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- Cited by 11
Jews, punk and the Holocaust: from the Velvet Underground to the Ramones – the Jewish-American story
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- 07 January 2005, pp. 79-105
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- Cited by 11
Revolutionary songs in a gentrifying city: stylistic change and the economics of salvage in southern Mexico
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- 12 September 2018, pp. 351-370
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- Cited by 11
The jazz essays of Theodor Adorno: some thoughts on jazz reception in Weimar Germany
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- 11 November 2008, pp. 1-25
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- Cited by 11
I Wanna Be Your Man: Suzi Quatro's musical androgyny
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- 28 January 2004, pp. 1-16
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- Cited by 11
Rock music: a musical-aesthetic study
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- 11 November 2008, pp. 219-243
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- Cited by 11
Marsalis and Baraka: an essay in comparative cultural discourse
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- 19 October 2004, pp. 241-255
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- Cited by 11
Some theoretical perspectives on African popular music
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- 21 September 2011, pp. 371-388
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- Cited by 11
Popular Music in India: 1901–86
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- 11 November 2008, pp. 157-176
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- Cited by 11
‘have a little talk’: listening to the b-side of history
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- 04 October 2005, pp. 323-337
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- Cited by 11
The ‘East is red’ goes pop: commodification, hybridity and nationalism in Chinese popular song and its televisual performance
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- 11 November 2008, pp. 95-110
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- Cited by 11
Religion, gossip, narrative conventions and the construction of meaning in Hindi film songs
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- 11 December 2000, pp. 125-145
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- Cited by 11
‘Everybody's Lonesome for Somebody’: age, the body and experience in the music of Hank Williams
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- 11 November 2008, pp. 259-274
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Listening behaviour and musical preference in the age of ‘transmitted music’
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- 11 November 2008, pp. 119-149
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- Cited by 11
Making artistic popular music: the goal of true folk
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- 10 November 2008, pp. 9-14
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The articulation of soul: gypsy musicians and the Serbian Other
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- 17 November 2008, pp. 291-307
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Afro-Samurai: techno-Orientalism and contemporary hip hop
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- 16 May 2013, pp. 259-275
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