Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 14
Writing about listening: alternative discourses in rock journalism
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- Published online by Cambridge University Press:
- 01 January 2009, pp. 53-67
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- Cited by 14
The rough guide to critics: musicians discuss the role of the music press
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- Published online by Cambridge University Press:
- 09 May 2006, pp. 221-234
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- Cited by 14
Sounds real: music and documentary
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- Published online by Cambridge University Press:
- 09 December 2002, pp. 357-366
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- Cited by 14
Israeli rock, or a study in the politics of ‘local authenticity’
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- Published online by Cambridge University Press:
- 11 November 2008, pp. 1-14
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- Cited by 14
Snobs and quétaines: prestige and boundaries in popular music in Quebec
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- Published online by Cambridge University Press:
- 17 February 2006, pp. 97-116
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- Cited by 14
A many-headed beast: progressive rock as European meta-genre
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- Published online by Cambridge University Press:
- 12 October 2010, pp. 417-435
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- Cited by 14
Cheer up emo kid: rethinking the ‘crisis of masculinity’ in emo
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- 08 April 2014, pp. 225-242
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- Cited by 14
accidents, hooks and theory
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- Published online by Cambridge University Press:
- 04 October 2005, pp. 381-397
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- Cited by 13
Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk
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- Published online by Cambridge University Press:
- 19 June 2017, pp. 283-301
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- Cited by 13
Records that play: the present past in sampling practice
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- Published online by Cambridge University Press:
- 18 June 2009, pp. 143-159
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- Cited by 13
New Zealand popular music, government policy, and cultural identity
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- Published online by Cambridge University Press:
- 01 May 2008, pp. 271-287
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- Cited by 13
Austropop: popular music and national identity in Austria
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- Published online by Cambridge University Press:
- 11 November 2008, pp. 151-185
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- Cited by 13
A diachronic study of change in juju music
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- 11 November 2008, pp. 232-242
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- Cited by 13
Local differences? popular music and the local state
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- 11 November 2008, pp. 43-55
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- Cited by 13
The urbanisation of African music: some theoretical observations
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- Published online by Cambridge University Press:
- 11 November 2008, pp. 113-129
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- Cited by 13
Listening for the hiss: lo-fi liner notes as curatorial practices
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- Published online by Cambridge University Press:
- 13 April 2018, pp. 253-270
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- Cited by 13
National music to national redeemer: the consolidation of a ‘folk-song’ construct in Edwardian England
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- 09 April 2002, pp. 1-25
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- Cited by 13
Chicha in the shanty towns of Arequipa, Peru
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- Published online by Cambridge University Press:
- 11 November 2008, pp. 229-244
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- Cited by 13
Fandom as a religious form: on the reception of pop music by Cliff Richard fans in Liverpool
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- Published online by Cambridge University Press:
- 01 February 2012, pp. 125-141
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- Cited by 13
Behind the magical mystery door: history, mythology and the aura of Abbey Road Studios
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- Published online by Cambridge University Press:
- 14 September 2016, pp. 396-417
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