Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 10
Land, song, constitution: exploring expressions of ancestral agency, intercultural diplomacy and family legacy in the music of Yothu Yindi with Mandawuy Yunupiŋu1
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- Published online by Cambridge University Press:
- 03 February 2010, pp. 81-102
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- Cited by 10
From source to commodity: newly-composed folk music of Yugoslavia1
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- Published online by Cambridge University Press:
- 11 November 2008, pp. 241-256
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- Cited by 10
t.A.T.u. You! Russia, the global politics of Eurovision, and lesbian pop
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- 01 May 2007, pp. 195-210
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- Cited by 9
The making of the Tyneside concert hall
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- 10 November 2008, pp. 27-56
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- Cited by 9
The Stax sound: a musicological analysis
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- 11 November 2008, pp. 285-320
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- Cited by 9
Popping the question: the function and effect of popular music in cinema
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- 17 November 2008, pp. 367-379
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- Cited by 9
Tracking British television: pop music as stock soundtrack to the small screen
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- 09 December 2002, pp. 331-343
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- Cited by 9
Making modernity in the hinterlands: new Maroon musics in the Black Atlantic
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- 11 December 2000, pp. 265-292
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- Cited by 9
Theatre space as virtual place: audio technology, the reconfigured singing body, and the megamusical
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- 11 November 2008, pp. 205-218
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- Cited by 9
The Smiths: repressed (but remarkably dressed)
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- 11 November 2008, pp. 15-26
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- Cited by 9
Some theoretical perspectives on African popular music
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- Published online by Cambridge University Press:
- 21 September 2011, pp. 371-388
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- Cited by 9
James Brown's ‘Superbad’ and the double-voiced utterance1
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- 11 November 2008, pp. 309-324
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- Cited by 9
‘More powerful than politics’: Affective magic in the DIY musical activism after Egypt's 2011 Revolution
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- 03 January 2019, pp. 54-72
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- Cited by 9
Canadian content regulations and the formation of a national scene
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- 01 May 2008, pp. 307-315
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- Cited by 9
The regional North Indian popular music industry in 2014: from cassette culture to cyberculture
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- 28 August 2014, pp. 389-412
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- Cited by 9
Counting down to number one: the evolution of the meaning of popular music charts
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- 11 November 2008, pp. 95-111
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- Cited by 9
Bohemian rhapsodies: operatic influences on rock music
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- 31 July 2001, pp. 189-203
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- Cited by 9
A portrait of the politician as a young pub rocker: live music venue reform in Australia
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- 01 May 2008, pp. 243-256
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- Cited by 9
Hybridity and national musics: the case of Irish rock music
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- 11 December 2000, pp. 181-199
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- Cited by 9
Adopting imports: new images and alliances in Brazilian popular music of the 1990s1
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- 17 November 2008, pp. 309-329
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