9876 results in Twentieth-Century and Contemporary Music
B. B. King: the Authorized Biography
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- Popular Music / Volume 2 / January 1982
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- 11 November 2008, pp. 317-318
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- January 1982
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A theoretical model for the sociomusicological analysis of popular musics
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- Popular Music / Volume 2 / January 1982
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- 11 November 2008, pp. 145-177
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- January 1982
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Black Women in American Bands and Orchestras
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- Popular Music / Volume 2 / January 1982
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- 11 November 2008, pp. 318-319
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- January 1982
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Sources of popular song in early nineteenth-century Britain: problems and methods of research
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- Popular Music / Volume 2 / January 1982
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- 11 November 2008, pp. 69-89
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- January 1982
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Rock music: a musical-aesthetic study
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- Popular Music / Volume 2 / January 1982
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- 11 November 2008, pp. 219-243
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- January 1982
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The World of Count Basie
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- Popular Music / Volume 2 / January 1982
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- 11 November 2008, pp. 319-321
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- January 1982
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The critique criticised: Adorno and popular music
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- Popular Music / Volume 2 / January 1982
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- 11 November 2008, pp. 201-218
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- January 1982
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The urbanisation of African music: some theoretical observations
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- Popular Music / Volume 2 / January 1982
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- 11 November 2008, pp. 113-129
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- January 1982
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Wait Until Dark: Jazz and the Underworld, 1880–1940. By Ronald L. Morris. Bowling Green, Ohio: Bowling Green University Popular Press, 1980. 231 pp.
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- Popular Music / Volume 2 / January 1982
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- 11 November 2008, pp. 291-296
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- January 1982
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The Smithsonian American Musical Theater Series. Washington, DC: Smithsonian Institution, 1977 – 1980. (10 records (available from Smithsonian Associates, PO Box 10230, Des Moines, Iowa 50336): Anything Goes (2007), Lady, Be Good (2008), Ziegfeld Follies of 1919 (2009), Oh Kay (2011), Souvenirs of Hot Chocolates (2012), Whoopee (2014), Let's Face It (2016), Music of Victor Herbert (2017), Funny Face (2019), The Band Wagon (2021)).
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- Popular Music / Volume 2 / January 1982
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- 11 November 2008, pp. 308-313
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- January 1982
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On being tasteless
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- Popular Music / Volume 2 / January 1982
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- 11 November 2008, pp. 9-18
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- January 1982
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PMU volume 2 Cover and Back matter
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- Popular Music / Volume 2 / January 1982
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- 11 November 2008, p. b1
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- January 1982
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Booklist
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- Popular Music / Volume 2 / January 1982
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- 11 November 2008, pp. 324-341
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- January 1982
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Blind Tom: the Post-Civil War Enslavement of a Black Musical Genius
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- Popular Music / Volume 2 / January 1982
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- 11 November 2008, pp. 316-317
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- January 1982
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American Popular Entertainment: Papers and Proceedings of the Conference on the History of American Popular Entertainment. Edited by Myron Matlaw. Westport, Connecticut & London: Greenwood Press, 1979. 338 pp. - Blacks in Blackface: a Source Book on Early Black Musical Shows. By Henry T. Sampson. Metuchen, NJ & London: Scarecrow Press, 1980. 562 pp.
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- Popular Music / Volume 2 / January 1982
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- 11 November 2008, pp. 281-286
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- January 1982
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Afro-American Religious Music: a Bibliography and a Catalogue of Gospel Music
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- Popular Music / Volume 1 / January 1981
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- 10 November 2008, p. 217
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- January 1981
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Blues Who's Who: a Biographical Dictionary of Blues Singers. By Sheldon Harris. New Rochelle, NY: Arlington House, 1979. 775 pp. - Lost Highway: Journeys and Arrivals of American Musicians. By Peter Guralnick. Boston: Godine, 1979. 362 pp.
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- Popular Music / Volume 1 / January 1981
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- 10 November 2008, pp. 192-196
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- January 1981
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Really the ‘Walking Blues’: Son House, Muddy Waters, Robert Johnson and the development of a traditional blues
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- Popular Music / Volume 1 / January 1981
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- 10 November 2008, pp. 57-72
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- January 1981
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A music of your own
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- Popular Music / Volume 1 / January 1981
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- 10 November 2008, pp. 15-25
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- January 1981
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Cross-cultural perspectives in popular music: the case of Afghanistan
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- Popular Music / Volume 1 / January 1981
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- 10 November 2008, pp. 105-122
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- January 1981
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