9876 results in Twentieth-Century and Contemporary Music
Musical Comedy in America. By Cecil Smith and Glenn Litton. New York: Theatre Arts Books, 1981. 367 pp. - American Popular Stage Music, 1860–1880. By Deane L. Root. Ann Arbor: UMI Research Press, 1981. 284 pp.
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. 279-285
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Capitalism and Romantic ideology in the record business
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. 143-156
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The Hollow Horn: Bob Dylan's Reception in the United States and Germany. By Dennis Anderson. Munich: Hobo Press, 1981. 280 pp. - Voice Without Restraint: Bob Dylan's Lyrics and Their Background. By John Herdman. Edinburgh: Paul Harris Publishing; New York: Delilah, 1982, 164 pp. - Performed Literature: Words and Music by Bob Dylan. By Betsy Bowden. Bloomington: Indiana University Press, 1982. 239 pp.
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. 296-300
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- January 1983
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Australian Music Directory
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. 335-336
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- January 1983
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Sozialgeschichte des Jazz in den U.S.A. By Ekkehard Jost. Frankfurt: Fischer, 1982. 265 pp. - Jazzmusiker: Materialien zur Soziologie der afro-amerikanischen Musik. By Ekkehard Jost. Berlin: Ullstein, 1981. 311 pp.
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. 319-322
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- January 1983
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Collusion
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. 323-324
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- January 1983
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Booklist
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. 337-363
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- January 1983
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The record industry: the growth of a mass medium
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. 53-75
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- January 1983
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Notation and identity in contemporary popular music
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. 215-234
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- January 1983
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‘A magic science’: rock music as a recording art
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. 195-213
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- January 1983
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Tenement Songs: the Popular Music of the Jewish Immigrants. By Mark Slobin. Urbana & London: University of Illinois Press, 1982. 213 pp.
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. 289-292
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- January 1983
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Mother of the Blues: a Study of Ma Rainey
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. 329-331
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- January 1983
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Black through white: Hoagy Carmichael and the cultural reproduction of racism*
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. 33-50
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- January 1983
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Deep Blues
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. 328-329
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- January 1983
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Scandalize My Name: Black Imagery in American Popular Music. By Sam Dennison. New York & London: Garland Publishing, 1982. 594 pp.
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. 292-296
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- January 1983
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‘Caught in a whirlpool of aching sound’: the production of dance music in Britain in the 1920s*
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. 7-31
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- January 1983
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The contributors
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. viii-ix
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- January 1983
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Riding on a Blue Note: Jazz and American Pop
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. 324-326
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- January 1983
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PMU volume 3 Cover and Front matter
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. f1-f8
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- January 1983
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Sound Effects: Youth, Leisure, and the Politics of Rock 'n' Roll. By Simon Frith. New York: Pantheon Books, 1981. 294 pp.
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- Popular Music / Volume 3 / January 1983
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- 11 November 2008, pp. 300-304
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- January 1983
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