9876 results in Twentieth-Century and Contemporary Music
Organised Sound, Mental Imageries and the Future of Music Technology: a neuroscience outlook*
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- Organised Sound / Volume 15 / Issue 1 / April 2010
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- 11 March 2010, pp. 13-25
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- April 2010
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Imaginal Listening: a quaternary framework for listening to electroacoustic music and phenomena of sound-images
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- Organised Sound / Volume 15 / Issue 1 / April 2010
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- 11 March 2010, pp. 43-53
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- April 2010
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James Saunders (ed.) The Ashgate Research Companion to Experimental Music. Farnham: Ashgate, 2009. ISBN 978-0-7546-6282-2
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- Organised Sound / Volume 15 / Issue 1 / April 2010
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- 11 March 2010, pp. 75-77
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- April 2010
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Images of Sonic Objects
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- Organised Sound / Volume 15 / Issue 1 / April 2010
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- 11 March 2010, pp. 54-62
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- April 2010
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OSO volume 15 issue 1 Cover and Front matter
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- Organised Sound / Volume 15 / Issue 1 / April 2010
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- 11 March 2010, pp. f1-f2
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- April 2010
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OSO volume 15 issue 1 Cover and Back matter
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- Organised Sound / Volume 15 / Issue 1 / April 2010
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- 11 March 2010, pp. b1-b4
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- April 2010
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Editorial
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- Organised Sound / Volume 15 / Issue 1 / April 2010
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- 11 March 2010, pp. 1-4
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- April 2010
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Towards a Phenomenology of the Acoustic Image
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- Organised Sound / Volume 15 / Issue 1 / April 2010
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- 11 March 2010, pp. 5-12
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- April 2010
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A Composite Approach to Ives's ‘Cage’
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- Twentieth-Century Music / Volume 5 / Issue 2 / September 2008
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- 05 February 2010, pp. 179-193
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The Establishment of the Virtual Performance Space in Rock
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- Twentieth-Century Music / Volume 5 / Issue 2 / September 2008
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- 05 February 2010, pp. 219-241
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Charles Ives at ‘Christo's Gates’
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- Twentieth-Century Music / Volume 5 / Issue 2 / September 2008
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- 05 February 2010, pp. 157-178
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Notes on Contributors
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- Twentieth-Century Music / Volume 5 / Issue 2 / September 2008
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- 05 February 2010, p. 155
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Gillian Mitchell, The North American Folk Music Revival: Nation and Identity in the United States and Canada, 1945–1980 (Aldershot: Ashgate, 2007), ISBN 0754657566 (hb)
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- Twentieth-Century Music / Volume 5 / Issue 2 / September 2008
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- 05 February 2010, pp. 263-268
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Adam Krims, Music and Urban Geography (New York and London: Routledge, 2007), ISBN 0415970121 (pb)
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- Twentieth-Century Music / Volume 5 / Issue 2 / September 2008
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- 05 February 2010, pp. 259-262
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Patricia Hall and Friedemann Sallis, eds, A Handbook to Twentieth-Century Musical Sketches (Cambridge: Cambridge University Press, 2004), ISBN 0 521 80860 X (hb)
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- Twentieth-Century Music / Volume 5 / Issue 2 / September 2008
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- 05 February 2010, pp. 243-251
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TCM volume 5 issue 2 Cover and Back matter
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- Twentieth-Century Music / Volume 5 / Issue 2 / September 2008
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- 05 February 2010, pp. b1-b6
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Experimental Actions, the Outcomes of Which Are Foreseen: Experiment and Tradition in Conlon Nancarrow's Studies nos 21 and 36 for Player Piano
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- Twentieth-Century Music / Volume 5 / Issue 2 / September 2008
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- 05 February 2010, pp. 195-217
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Nicholas Cook and Anthony Pople, eds, The Cambridge History of Twentieth-Century Music (Cambridge: Cambridge University Press, 2004), ISBN 0521662567 (hb)
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- Twentieth-Century Music / Volume 5 / Issue 2 / September 2008
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- 05 February 2010, pp. 251-258
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TCM volume 5 issue 2 Cover and Front matter
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- Twentieth-Century Music / Volume 5 / Issue 2 / September 2008
- Published online by Cambridge University Press:
- 05 February 2010, pp. f1-f3
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Performing Class in British Popular Music. By Nathan Wiseman-Trowse. Basingstoke: Palgrave MacMillan, 2008. 208 pp. ISBN 978-0230219496
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- Popular Music / Volume 29 / Issue 1 / January 2010
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- 03 February 2010, pp. 158-159
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- January 2010
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