9876 results in Twentieth-Century and Contemporary Music
Limitations and creativity in recording and performance
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Technology, the studio, music
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Learning to live with recording
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Something in the air
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Recreating history: A clarinettist's retrospective
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- 26 November 2009, pp 263-266
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Producing a credible vocal
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Revisiting concert life in the mid-century: The survival of acetate discs
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9 - Methods for analysing recordings
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3 - Getting sounds: The art of sound engineering
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1 - Performing for (and against) the microphone
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10 - Recordings and histories of performance style
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‘It could have happened’: The evolution of music construction
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Broadening horizons: ‘Performance’ in the studio
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- 26 November 2009, pp 59-62
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Reminder: A recording is not a performance
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Introduction
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Frontmatter
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11 - Going critical: Writing about recordings
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- 26 November 2009, pp 267-282
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7 - The development of recording technologies
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6 - Selling sounds: Recordings and the record business
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Afterword: Recording: From reproduction to representation to remediation
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