9876 results in Twentieth-Century and Contemporary Music
Technomad. Global Raving Countercultures. By Graham St John. London and Oakville: Equinox, 2009. 312 pp. ISBN 978-1-84553-625-1 (hb), 978-1-84553-626-8 (pb)
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- Popular Music / Volume 30 / Issue 2 / May 2011
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- 27 May 2011, pp. 290-291
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- May 2011
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Latin Down Under: Latin American migrant musicians in Australia and New Zealand
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- Popular Music / Volume 30 / Issue 2 / May 2011
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- 27 May 2011, pp. 191-207
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- May 2011
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Music, Informal Learning and the School: A New Classroom Pedagogy. By Lucy Green. Aldershot and Burlington: Ashgate Publishing Limited, 2008. 213 pp. ISBN 978-0-7546-6522-9
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- Popular Music / Volume 30 / Issue 2 / May 2011
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- 27 May 2011, pp. 288-290
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- May 2011
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Conference Report. ¿Popular, pop, populachera? El dilema de las músicas populares en América Latina. IX Conference of the International Association for the Study of Popular Music, Latin-American Branch, 1-5 June 2010, Universidad Central de Venezuela, Caracas
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- Popular Music / Volume 30 / Issue 2 / May 2011
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- 27 May 2011, pp. 279-284
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- May 2011
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Giving voice to the ‘dignified man’: reflections on global popular music
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- Popular Music / Volume 30 / Issue 2 / May 2011
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- 27 May 2011, pp. 227-244
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Introduction: Crossing Borders
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- Popular Music / Volume 30 / Issue 2 / May 2011
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- 27 May 2011, pp. 171-174
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Other Voices: Hidden Histories of Liverpool's Music Scenes, 1930s–1970s. By Michael Brocken. Farnham and Burlington: Ashgate, 2010. 268 pp. ISBN 978-0-754-66793-3
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- Popular Music / Volume 30 / Issue 2 / May 2011
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- 27 May 2011, pp. 285-286
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- May 2011
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Recorded Music: Performance, Culture and Technology. Edited by Amanda Bayley. Cambridge: Cambridge University Press, 2010. 374 pp. ISBN 978-0-521-86309-4
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- Popular Music / Volume 30 / Issue 2 / May 2011
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- 27 May 2011, pp. 291-293
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- May 2011
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PMU volume 30 issue 2 Cover and Front matter
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- Popular Music / Volume 30 / Issue 2 / May 2011
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- 27 May 2011, pp. f1-f6
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- May 2011
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Típico, folklórico or popular? Musical categories, place, and identity in a transnational listening community
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- Popular Music / Volume 30 / Issue 2 / May 2011
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- 27 May 2011, pp. 245-262
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- May 2011
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The Languages of Global Hip Hop. Edited by Marina Terkourafi. London: Continuum, 2010. 351 pp. ISBN 978-0-8264-3160-8
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- Popular Music / Volume 30 / Issue 2 / May 2011
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- 27 May 2011, pp. 286-288
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- May 2011
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The ‘routes’ and ‘roots’ of danzón: a critique of the history of a genre
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- Popular Music / Volume 30 / Issue 2 / May 2011
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- 27 May 2011, pp. 263-278
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- May 2011
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Dusty! Queen of the Postmods. By Annie J. Randall. New York: Oxford University Press, 2009. 219 pp. ISBN 978-0-19-532943-8
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- Popular Music / Volume 30 / Issue 2 / May 2011
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- 27 May 2011, pp. 293-296
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- May 2011
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Constructing community in the digital home studio: Carnival, creativity and indigenous music video production in the Bolivian Andes
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- Popular Music / Volume 30 / Issue 2 / May 2011
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- 27 May 2011, pp. 209-226
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- May 2011
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David Manning, ed., Vaughan Williams on Music (Oxford and New York: Oxford University Press, 2008), ISBN 978-0-1951-8239-2 (hb)
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- Twentieth-Century Music / Volume 6 / Issue 2 / September 2009
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- 13 April 2011, pp. 260-264
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TCM volume 6 issue 2 Cover and Front matter
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- Twentieth-Century Music / Volume 6 / Issue 2 / September 2009
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- 13 April 2011, pp. f1-f3
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The Comfort of Denial: Metre, Cyclic Form, and Narrative in Shostakovich's Seventh String Quartet
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- Twentieth-Century Music / Volume 6 / Issue 2 / September 2009
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- 13 April 2011, pp. 209-235
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Review Article: A Very British Modernism?
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- Twentieth-Century Music / Volume 6 / Issue 2 / September 2009
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- 13 April 2011, pp. 237-253
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The Quiet Revolution of a B Natural: Prokofiev's ‘New Simplicity’ in the Second Violin Concerto
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- Twentieth-Century Music / Volume 6 / Issue 2 / September 2009
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- 13 April 2011, pp. 183-208
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TCM volume 6 issue 2 Cover and Back matter
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- Twentieth-Century Music / Volume 6 / Issue 2 / September 2009
- Published online by Cambridge University Press:
- 13 April 2011, pp. b1-b6
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