9876 results in Twentieth-Century and Contemporary Music
Martin Munro, Different Drummers: Rhythm and Race in the Americas (Berkeley: University of California Press, 2010), ISBN 978-0-520-26283-6 (pb)
-
- Journal:
- Twentieth-Century Music / Volume 10 / Issue 1 / March 2013
- Published online by Cambridge University Press:
- 27 March 2013, pp. 156-163
-
- Article
- Export citation
Straightening the Record: Morton Feldman's Return to Graph Music
-
- Journal:
- Twentieth-Century Music / Volume 10 / Issue 1 / March 2013
- Published online by Cambridge University Press:
- 27 March 2013, pp. 59-90
-
- Article
- Export citation
TCM volume 10 issue 1 Cover and Back matter
-
- Journal:
- Twentieth-Century Music / Volume 10 / Issue 1 / March 2013
- Published online by Cambridge University Press:
- 27 March 2013, pp. b1-b2
-
- Article
-
- You have access
- Export citation
Spaces of Resistance: the Adorno–Nono Complex
-
- Journal:
- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
- Published online by Cambridge University Press:
- 27 March 2013, pp. 79-99
-
- Article
- Export citation
Matthew Riley, ed., British Music and Modernism, 1895–1960 (Farnham: Ashgate, 2010), ISBN 978-0-7546-6585-4 (hb)
-
- Journal:
- Twentieth-Century Music / Volume 10 / Issue 1 / March 2013
- Published online by Cambridge University Press:
- 27 March 2013, pp. 141-149
-
- Article
- Export citation
Resituating the Icon: David Osmond-Smith's Contribution to Music Semiotics
-
- Journal:
- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
- Published online by Cambridge University Press:
- 27 March 2013, pp. 177-200
-
- Article
- Export citation
Understanding Indeterminate Music through Performance: Cage's Solo for Piano
-
- Journal:
- Twentieth-Century Music / Volume 10 / Issue 1 / March 2013
- Published online by Cambridge University Press:
- 27 March 2013, pp. 91-113
-
- Article
- Export citation
Jason Toynbee and Byron Dueck, eds, Migrating Music (London: Routledge, 2011), ISBN 978-0-415-59448-6 (hb)
-
- Journal:
- Twentieth-Century Music / Volume 10 / Issue 1 / March 2013
- Published online by Cambridge University Press:
- 27 March 2013, pp. 163-166
-
- Article
- Export citation
Max Paddison and Irène Deliège, eds, Contemporary Music: Theoretical and Philosophical Perspectives (Farnham: Ashgate, 2010), ISBN 978-0-7546-0497-6 (hb)
-
- Journal:
- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
- Published online by Cambridge University Press:
- 27 March 2013, pp. 213-220
-
- Article
- Export citation
Mary Bauermeister, Ich hänge im Triolengitter: mein Leben mit Karlheinz Stockhausen (Munich: C. Bertelsmann, 2011), ISBN 978-3-570-58024-0
-
- Journal:
- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
- Published online by Cambridge University Press:
- 27 March 2013, pp. 221-227
-
- Article
- Export citation
Schaeffer's Values, Henry's Monsters and Orchestral Noise Reduction
-
- Journal:
- Organised Sound / Volume 18 / Issue 1 / April 2013
- Published online by Cambridge University Press:
- 26 March 2013, pp. 81-91
- Print publication:
- April 2013
-
- Article
- Export citation
Feiereisen Florence and Merley Hill Alexandra, Germany in the Loud Twentieth Century: An Introduction. New York: Oxford University Press, 2012. ISBN 978-0-19-975938-5
-
- Journal:
- Organised Sound / Volume 18 / Issue 1 / April 2013
- Published online by Cambridge University Press:
- 26 March 2013, pp. 96-97
- Print publication:
- April 2013
-
- Article
- Export citation
My Content/My Space/My Music
-
- Journal:
- Organised Sound / Volume 18 / Issue 1 / April 2013
- Published online by Cambridge University Press:
- 26 March 2013, pp. 22-29
- Print publication:
- April 2013
-
- Article
- Export citation
‘The Open Work’: Ecologies of participation
-
- Journal:
- Organised Sound / Volume 18 / Issue 1 / April 2013
- Published online by Cambridge University Press:
- 26 March 2013, pp. 3-13
- Print publication:
- April 2013
-
- Article
- Export citation
On Performing Electroacoustic Musics: a non-idiomatic case study for Adorno's theory of musical reproduction
-
- Journal:
- Organised Sound / Volume 18 / Issue 1 / April 2013
- Published online by Cambridge University Press:
- 26 March 2013, pp. 60-70
- Print publication:
- April 2013
-
- Article
- Export citation
Editorial
-
- Journal:
- Organised Sound / Volume 18 / Issue 1 / April 2013
- Published online by Cambridge University Press:
- 26 March 2013, pp. 1-2
- Print publication:
- April 2013
-
- Article
-
- You have access
- HTML
- Export citation
massMobile: towards a flexible framework for large-scale participatory collaborations in live performances
-
- Journal:
- Organised Sound / Volume 18 / Issue 1 / April 2013
- Published online by Cambridge University Press:
- 26 March 2013, pp. 30-42
- Print publication:
- April 2013
-
- Article
- Export citation
OSO volume 18 issue 1 Cover and Front matter
-
- Journal:
- Organised Sound / Volume 18 / Issue 1 / April 2013
- Published online by Cambridge University Press:
- 26 March 2013, pp. f1-f2
- Print publication:
- April 2013
-
- Article
-
- You have access
- Export citation
Richard Boulanger and Victor Lazzarini, eds, The Audio Programming Book. Cambridge, MA: The MIT Press, 2010. ISBN 978-0-262-01446-5 - Scott Wilson, David Cottle and Nick Collins, eds, The SuperCollider Book. Cambridge, MA: The MIT Press, 2011. ISBN 978-0-262-23269-2
-
- Journal:
- Organised Sound / Volume 18 / Issue 1 / April 2013
- Published online by Cambridge University Press:
- 26 March 2013, pp. 92-96
- Print publication:
- April 2013
-
- Article
- Export citation
OSO volume 18 issue 1 Cover and Back matter
-
- Journal:
- Organised Sound / Volume 18 / Issue 1 / April 2013
- Published online by Cambridge University Press:
- 26 March 2013, pp. b1-b8
- Print publication:
- April 2013
-
- Article
-
- You have access
- Export citation