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Spaces of Resistance: the Adorno–Nono Complex

Published online by Cambridge University Press:  27 March 2013

WESLEY PHILLIPS
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Abstract

The historical and theoretical resonances between the work of Theodor Adorno and that of Luigi Nono have hitherto remained underexplored. In this article a debate is constructed between the two figures concerning the politics of space in advanced music in order to question a frequently held opposition between ‘autonomous’ and ‘political’ art. Nono can be seen to interweave German and Italian traditions of historical materialism, responding simultaneously to the issues of both reification and imperialism. This is drawn out by way of Adorno's evolving attitude towards the younger generation at Darmstadt, via his revised understanding of the relationship between music and painting. Conversely the solidarity Nono maintained with contemporary spaces of resistance while not compromising his musical language promises to expand Adorno's aesthetic theory.

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Twentieth-Century Music , Volume 9 , Special Issue 1-2: Music – Politics – Semiotics: Aspects of the Legacy of David Osmond-Smith (1946–2007) , March 2012 , pp. 79 - 99
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Copyright © Cambridge University Press 2013

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