9876 results in Twentieth-Century and Contemporary Music
Music Technology, Gender, and Class: Digitization, Educational and Social Change in Britain
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- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
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- 26 August 2015, pp. 135-172
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TCM volume 12 issue 2 Cover and Front matter
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- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
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- 26 August 2015, pp. f1-f3
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Musique concrète, French New Wave cinema, and Jean Cocteau's Le Testament d'Orphée (1960)
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- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
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- 26 August 2015, pp. 197-224
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S. Andrew Granade, Harry Partch, Hobo Composer (University of Rochester Press, 2014), ISBN: 978-1-58-046495-6 (hb).
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- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
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- 26 August 2015, pp. 268-274
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Thus Spoke the Early Modernist: Zarathustra and Rotational Form in Webern's String Quartet (1905)
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- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
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- 26 August 2015, pp. 225-251
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Ruth Feldstein, How It Feels to Be Free: Black Women Entertainers and the Civil Rights Movement (New York: Oxford University Press, 2013), ISBN 978-0-19-531403-8 (hb).
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- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
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- 26 August 2015, pp. 274-279
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Notes on Contributors
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- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
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- 26 August 2015, pp. 133-134
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Brian Harker, Louis Armstrong’s Hot Five and Hot Seven Recordings (New York: Oxford University Press, 2011), ISBN: 978-0-195-38841-1 (hb), 978-0-195-38840-4 (pb). - Catherine Tackley, Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert (New York: Oxford University Press, 2011), ISBN: 978-0-195-39830-4 (hb), 978-0-195-39831-1 (pb). - Keith Waters, The Studio Recordings of the Miles Davis Quintet, 1965–68 (New York: Oxford University Press, 2011), ISBN: 978-0-195-39383-5 (hb), 978-0-195-39384-2 (pb). - Peter Elsdon, Keith Jarrett's The Köln Concert (New York: Oxford University Press, 2012), ISBN: 978-0-19-977925-3 (hb), 978-0-199-77926-0 (pb). - Gabriel Solis, Thelonious Monk Quartet Featuring John Coltrane at Carnegie Hall (New York: Oxford University Press, 2014), ISBN: 978-0-199-74435-0 (hb), 978-0-199-74436-7 (pb).
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- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
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- 26 August 2015, pp. 279-285
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TCM volume 12 issue 2 Cover and Back matter
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- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
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- 26 August 2015, pp. b1-b2
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Sonic Patterns and Compositional Strategies in Queen's ‘Bohemian Rhapsody’
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- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
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- 26 August 2015, pp. 173-196
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Pierre Schaeffer, In Search of a Concrete Music, trans. Christine North and John Dack (Berkeley: University of California Press, 2012), ISBN: 978-0-520-26573-8 (hb), ISBN: 978-0-520-26574-5 (pb). - Brian Kane, Sound Unseen: Acousmatic Sound in Theory and Practice (New York: Oxford University Press, 2014), ISBN: 978-0-19-934784-1 (hb).
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- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
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- 26 August 2015, pp. 285-290
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Copyright page
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- Musical Witness and Holocaust Representation
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- 05 August 2015
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- 09 July 2015, pp vi-vi
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A note on recordings
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- British Musical Modernism
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- 09 July 2015, pp xiv-xiv
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Contents
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- Musical Witness and Holocaust Representation
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Index
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- British Musical Modernism
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- 09 July 2015, pp 480-492
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4 - The state as witness: Jüdische Chronik in the German Democratic Republic
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- 09 July 2015, pp 92-125
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5 - The composer as witness: Steve Reich's Different Trains
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- 09 July 2015, pp 126-163
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Notes
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- 09 July 2015, pp 177-212
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2 - The philosopher as witness: Theodor Adorno's A Survivor from Warsaw
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- 09 July 2015, pp 36-56
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Index
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- Musical Witness and Holocaust Representation
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- 09 July 2015, pp 230-238
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