9876 results in Twentieth-Century and Contemporary Music
Introduction
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Contents
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Musical Witness and Holocaust Representation
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Glossary
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Epilogue
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1 - The composer as witness: Arnold Schoenberg's A Survivor from Warsaw
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Nick Collins, Margaret Schedel and Scott Wilson, Cambridge Introductions to Music: Electronic Music. Cambridge: Cambridge University Press, 2013. ISBN: 981107648173 (paperback); 9781107010923 (hardback)
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Sound Pedagogy: Teaching listening since Cage
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Dead Logics and Worlds: Sound art and sonorous objects
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Extending Musical Form Outwards in Space and Time: Compositional strategies in sound art and audiovisual installations
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OSO volume 20 issue 2 Cover and Front matter
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Getting Out of the Black Box: analogising the use of computers in electronic music and sound art
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Sound and movie examples – issue 20(2)
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OSO volume 20 issue 2 Cover and Back matter
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A ‘Sound Grammar’ for the City: The spatial and temporal dimension of Barber’s concerts
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Mimetic Instrumental Resynthesis*
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Corporeality of Music and Sound Sculpture
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Developing a Phenomenological Approach to Music Notation
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Editorial: Historical continuum, mimetic fissures
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Acousmatic Approaches to the Construction of Image and Space in Sound Art
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