9876 results in Twentieth-Century and Contemporary Music
16 - The analysis of live and interactive electroacoustic music: Hans Tutschku –Zellen-Linien(2007)
- from Part IV - Analyses of key works
-
-
- Book:
- Expanding the Horizon of Electroacoustic Music Analysis
- Published online:
- 05 April 2016
- Print publication:
- 07 April 2016, pp 333-354
-
- Chapter
- Export citation
7 - OREMA: an analytical community
- from Part III - Harnessing new forces
-
-
- Book:
- Expanding the Horizon of Electroacoustic Music Analysis
- Published online:
- 05 April 2016
- Print publication:
- 07 April 2016, pp 148-169
-
- Chapter
- Export citation
8 - EAnalysis: developing a sound-based music analytical tool
- from Part III - Harnessing new forces
-
-
- Book:
- Expanding the Horizon of Electroacoustic Music Analysis
- Published online:
- 05 April 2016
- Print publication:
- 07 April 2016, pp 170-194
-
- Chapter
- Export citation
Part IV - Analyses of key works
-
- Book:
- Expanding the Horizon of Electroacoustic Music Analysis
- Published online:
- 05 April 2016
- Print publication:
- 07 April 2016, pp 195-399
-
- Chapter
- Export citation
5 - Some ideas concerning the relationship between form and texture
- from Part II - Ideas and challenges
-
-
- Book:
- Expanding the Horizon of Electroacoustic Music Analysis
- Published online:
- 05 April 2016
- Print publication:
- 07 April 2016, pp 102-120
-
- Chapter
- Export citation
18 - Some questions around listening:Vancouver Soundscape Revisitedby Claude Schryer
- from Part IV - Analyses of key works
-
-
- Book:
- Expanding the Horizon of Electroacoustic Music Analysis
- Published online:
- 05 April 2016
- Print publication:
- 07 April 2016, pp 376-399
-
- Chapter
- Export citation
11 - Temporal recurrence in Andrew Lewis’sPenmon Point
- from Part IV - Analyses of key works
-
-
- Book:
- Expanding the Horizon of Electroacoustic Music Analysis
- Published online:
- 05 April 2016
- Print publication:
- 07 April 2016, pp 231-246
-
- Chapter
- Export citation
12 - Michel Waisvisz:No Backup / Hyper Instruments
- from Part IV - Analyses of key works
-
-
- Book:
- Expanding the Horizon of Electroacoustic Music Analysis
- Published online:
- 05 April 2016
- Print publication:
- 07 April 2016, pp 247-265
-
- Chapter
- Export citation
Part I - Setting the scene
-
- Book:
- Expanding the Horizon of Electroacoustic Music Analysis
- Published online:
- 05 April 2016
- Print publication:
- 07 April 2016, pp 1-28
-
- Chapter
- Export citation
2 - Listening and meaning: how a model of mental layers informs electroacoustic music analysis
- from Part II - Ideas and challenges
-
-
- Book:
- Expanding the Horizon of Electroacoustic Music Analysis
- Published online:
- 05 April 2016
- Print publication:
- 07 April 2016, pp 31-57
-
- Chapter
- Export citation
3 - Forming form
- from Part II - Ideas and challenges
-
-
- Book:
- Expanding the Horizon of Electroacoustic Music Analysis
- Published online:
- 05 April 2016
- Print publication:
- 07 April 2016, pp 58-79
-
- Chapter
- Export citation
Contributors
-
- Book:
- Expanding the Horizon of Electroacoustic Music Analysis
- Published online:
- 05 April 2016
- Print publication:
- 07 April 2016, pp x-x
-
- Chapter
- Export citation
![](https://assets.cambridge.org/97811075/44055/cover/9781107544055.jpg)
Expanding the Horizon of Electroacoustic Music Analysis
-
- Published online:
- 05 April 2016
- Print publication:
- 07 April 2016
Scarlett Johansson's Body and the Materialization of Voice
-
- Journal:
- Twentieth-Century Music / Volume 13 / Issue 1 / March 2016
- Published online by Cambridge University Press:
- 14 March 2016, pp. 139-152
-
- Article
- Export citation
Textured Voices and the Performance of Ethical Life in the Case of the Laff Box (1966)
-
- Journal:
- Twentieth-Century Music / Volume 13 / Issue 1 / March 2016
- Published online by Cambridge University Press:
- 14 March 2016, pp. 109-137
-
- Article
- Export citation
TCM volume 13 issue 1 Cover and Back matter
-
- Journal:
- Twentieth-Century Music / Volume 13 / Issue 1 / March 2016
- Published online by Cambridge University Press:
- 14 March 2016, pp. b1-b2
-
- Article
-
- You have access
- Export citation
‘My Tongue Gets t-t-t-’: Words, Sense, and Vocal Presence in Van Morrison's It's Too Late to Stop Now
-
- Journal:
- Twentieth-Century Music / Volume 13 / Issue 1 / March 2016
- Published online by Cambridge University Press:
- 14 March 2016, pp. 53-76
-
- Article
- Export citation
Pamela Karantonis, Francesca Placanica, Anne Sivuoja-Kauppala, and Pieter Verstraete, eds, Cathy Berberian: Pioneer of Contemporary Vocality (Farnham, Surrey and Burlington: Ashgate, 2014), ISBN: 978-1-4094-6983-4 (hb).
-
- Journal:
- Twentieth-Century Music / Volume 13 / Issue 1 / March 2016
- Published online by Cambridge University Press:
- 14 March 2016, pp. 167-170
-
- Article
- Export citation
Voice, Technē, and Jouissance in Music for 18 Musicians
-
- Journal:
- Twentieth-Century Music / Volume 13 / Issue 1 / March 2016
- Published online by Cambridge University Press:
- 14 March 2016, pp. 25-52
-
- Article
- Export citation
Nicholas Harkness, Songs of Seoul: An Ethnography of Voice and Voicing in Christian South Korea (Berkeley and Los Angeles: University of California Press, 2014), ISBN: 978-0-520-27653-6 (pb).
-
- Journal:
- Twentieth-Century Music / Volume 13 / Issue 1 / March 2016
- Published online by Cambridge University Press:
- 14 March 2016, pp. 185-190
-
- Article
- Export citation