9876 results in Twentieth-Century and Contemporary Music
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The Graph Music of Morton Feldman
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- 05 May 2016
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- 26 May 2016
Let's Talk About Love: Why Other People Have Such Bad Taste. By Carl Wilson. New York: Bloomsbury, 2014. 243 pp. ISBN 978-1-4411-6677-7
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- Popular Music / Volume 35 / Issue 2 / May 2016
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- 14 April 2016, pp. 280-281
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- May 2016
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The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. By Michael Brocken. Burlington, VT: Ashgate, 2015. 236 pp. ISBN 978-1-4724-3399-2
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- Popular Music / Volume 35 / Issue 2 / May 2016
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- 14 April 2016, pp. 293-295
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- May 2016
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Music in America's Cold War Diplomacy. By Danielle Fosler-Lussier. Oakland, CA: University of California Press, 2015. 352 pp. ISBN: 978-0-520-28413-5
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- Popular Music / Volume 35 / Issue 2 / May 2016
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- 14 April 2016, pp. 290-291
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- May 2016
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Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia. By Uroš Čvoro. Farnham: Ashgate, 2014. 209 pp. ISBN 978-1-4724-2036-7
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- Popular Music / Volume 35 / Issue 2 / May 2016
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- 14 April 2016, pp. 273-276
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- May 2016
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Introduction: the mediations of music and alcohol
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- Popular Music / Volume 35 / Issue 2 / May 2016
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- 14 April 2016, pp. 161-165
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- May 2016
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The Hank Williams Reader. Edited by Patrick Huber, Steve Goodson and David M. Anderson. New York: Oxford University Press, 2014. 352 pp. ISBN 978-0-1997-4319-3; 0-1997-4319-3
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- Popular Music / Volume 35 / Issue 2 / May 2016
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- 14 April 2016, pp. 272-273
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- May 2016
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Vinyl: The Analogue Record in the Digital Age. By Dominik Bartmanski and Ian Woodward. London and New York: Bloomsbury, 2015. 240 pp. ISBN 978-0-8578-5731-6
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- Popular Music / Volume 35 / Issue 2 / May 2016
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- 14 April 2016, pp. 270-272
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- May 2016
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PMU volume 35 issue 2 Cover and Front matter
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- Popular Music / Volume 35 / Issue 2 / May 2016
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- 14 April 2016, pp. f1-f6
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- May 2016
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Traditional Music and Irish Society: Historical Perspectives. By Martin Dowling. Surrey and Burlington, VT: Ashgate, 2014. 350 pp. ISBN 978-1-4094-3510-5
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- Popular Music / Volume 35 / Issue 2 / May 2016
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- 14 April 2016, pp. 281-283
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- May 2016
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Networks of Sound, Style and Subversion: The Punk and Post-Punk Worlds of Manchester, London, Liverpool and Sheffield, 1975–80. By Nick Crossley. Manchester: Manchester University Press, 2015. 268 pp. ISBN 978-0-719-08865-0
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- Popular Music / Volume 35 / Issue 2 / May 2016
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- 14 April 2016, pp. 291-293
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- May 2016
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Drink, song and politics in early modern England
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- Popular Music / Volume 35 / Issue 2 / May 2016
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- 14 April 2016, pp. 166-190
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- May 2016
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Drink, song and disorder: the sorry saga of the Licensing Act 2003
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- Popular Music / Volume 35 / Issue 2 / May 2016
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- 14 April 2016, pp. 265-269
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- May 2016
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‘I Hear America Singing’: Folk Music and National Identity. By Rachel Clare Donaldson. Philadelphia, PA: Temple University Press, 2014. 225 pp. ISBN: 978-1-4399-1079-5
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- Popular Music / Volume 35 / Issue 2 / May 2016
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- 14 April 2016, pp. 288-289
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- May 2016
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‘I'm there to play music not break up fights': gigging entertainers’ experiences of alcohol-related misbehaviour by audiences and its impact on performance
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- Popular Music / Volume 35 / Issue 2 / May 2016
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- 14 April 2016, pp. 245-264
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- May 2016
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Temperance battle songs: the musical war against alcohol
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- Popular Music / Volume 35 / Issue 2 / May 2016
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- 14 April 2016, pp. 191-206
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- May 2016
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Pop-Rock Music: Aesthetic Cosmopolitanism in Late Modernity. By Motti Regev. Polity Press, Cambridge and Malden, MA, 2013. 208 pp. ISBN 978-0-7456-6173-5
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- Popular Music / Volume 35 / Issue 2 / May 2016
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- 14 April 2016, pp. 286-288
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- May 2016
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‘One bourbon, one scotch, one beer’: alcohol sponsorship at Glasgow Jazz Festival, 1987–2001
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- Popular Music / Volume 35 / Issue 2 / May 2016
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- 14 April 2016, pp. 231-244
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- May 2016
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Please Allow Me to Introduce Myself: Essays on Debut Albums. Edited by George Plasketes. Farnham and Burlington, VT: Ashgate, 2013. 250 pp. ISBN 9-781-4094-4176-2
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- Popular Music / Volume 35 / Issue 2 / May 2016
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- 14 April 2016, pp. 276-278
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- May 2016
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‘Pardon me, I'm very drunk’: alcohol, creativity and performance anxiety in the case of Robert Wyatt
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- Popular Music / Volume 35 / Issue 2 / May 2016
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- 14 April 2016, pp. 207-221
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- May 2016
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