9876 results in Twentieth-Century and Contemporary Music
Editorial
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- Organised Sound / Volume 21 / Issue 1 / April 2016
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- 03 March 2016, pp. 1-3
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- April 2016
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21 - Tori Amos as shaman
- from Part III - Men and women
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- The Cambridge Companion to the Singer-Songwriter
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- 05 July 2016
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- 25 February 2016, pp 238-245
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24 - Reconciling theory with practice in the teaching of songwriting
- from Part IV - Frameworks and methods
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- 25 February 2016, pp 267-277
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15 - James Blake, digital lion
- from Part II - Individuals
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- 25 February 2016, pp 171-178
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27 - Don McGlashan and local authenticity
- from Part V - Global perspectives
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- 25 February 2016, pp 307-316
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Part II - Individuals
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- The Cambridge Companion to the Singer-Songwriter
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- 25 February 2016, pp 101-198
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17 - Joanna Newsom’s ‘Only Skin’: authenticity, ‘becoming-other’, and the relationship between ‘New’ and ‘Old Weird America’
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- 25 February 2016, pp 187-198
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8 - Thomas D’Urfey
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- 25 February 2016, pp 103-110
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Part IV - Frameworks and methods
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- 25 February 2016, pp 265-304
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Cambridge Companions to Music
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- 25 February 2016, pp 367-368
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20 - Changing openness and tolerance towards LGBTQ singer-songwriters
- from Part III - Men and women
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- 25 February 2016, pp 226-237
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23 - The female singer-songwriter in the 1990s
- from Part III - Men and women
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- 25 February 2016, pp 257-264
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29 - Singer-songwriters and fandom in the digital age
- from Part V - Global perspectives
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- 25 February 2016, pp 329-340
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Dedication
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- 25 February 2016, pp v-vi
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28 - Italian canzone d’autore and Greek entechno tragoudi: a comparative overview
- from Part V - Global perspectives
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- 05 July 2016
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- 25 February 2016, pp 317-328
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6 - Forging the singer-songwriter at the Los Angeles Troubadour
- from Part I - Establishing a tradition
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- 25 February 2016, pp 78-88
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22 - Gender identity, the queer gaze, and female singer-songwriters
- from Part III - Men and women
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- 25 February 2016, pp 246-256
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26 - Singer-songwriter authenticity, the unconscious and emotions (feat. Adele’s ‘Someone Like You’)
- from Part IV - Frameworks and methods
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- 25 February 2016, pp 291-304
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19 - Gender, genre, and diversity at Lilith Fair
- from Part III - Men and women
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- 25 February 2016, pp 215-225
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25 - Singer-songwriters and open mics
- from Part IV - Frameworks and methods
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- 05 July 2016
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- 25 February 2016, pp 278-290
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