Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-fwgfc Total loading time: 0 Render date: 2024-07-13T16:32:45.143Z Has data issue: false hasContentIssue false

28 - Crime Genre Fiction in the Graphic Novel

from Part III - 2000 to the present day

Published online by Cambridge University Press:  30 July 2018

Jan Baetens
Affiliation:
University of Leuven
Hugo Frey
Affiliation:
University of Chichester
Stephen E. Tabachnick
Affiliation:
University of Memphis
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Aaron, J., and Guéra, R. M. (2007–2012) Scalped. New York, NY: DC Comics-Vertigo.Google Scholar
Azzarello, B., and Risso, E. (1999–2009) 100 Bullets. New York, NY: DC Comics-Vertigo.Google Scholar
Baker, K., and Zezelj, D. (2009) Luna Park. New York, NY: DC Comics-Vertigo.Google Scholar
Baron, M., Pander, A., and Pander, J. (1988) Ginger Fox. Norristown, PA: Comico.Google Scholar
Barr, M. W., Hughes, A., and Magyar, R. (1988–1991, 1997, 2005) The Maze Agency. Norristown, PA: Comico, Wheeling, WV: Innovation, Wayne County, MI: Caliber, and San Diego, CA: IDW.Google Scholar
Bendis, B. M. (1997) Jinx. Portland, OR: Image Comics.Google Scholar
Bendis, B. M. (2001) Goldfish. Portland, OR: Image Comics.Google Scholar
Bendis, B. M., and Andreyko, M. (2001) Torso. Portland, OR: Image Comics.Google Scholar
Bendis, B. M., and Gaydos, M. (2001–2004) Alias. New York, NY: Marvel Comics.Google Scholar
Bendis, B. M., and Oeming, M. A. (2000–) Powers. New York, NY: Marvel Comics Icon, and Portland, OR: Image Comics.Google Scholar
Brubaker, E., Lark, M., and Phillips, S. (1999) Scene of the Crime. New York, NY: DC Comics-Vertigo.Google Scholar
Brubaker, E., and Lutes, J. (2001) The Fall. Montreal: Drawn and Quarterly.Google Scholar
Brubaker, E., and Philips, S. (2003) Sleeper. New York, NY: DC Comics-Wildstorm.Google Scholar
Brubaker, E., (2006–2017) Criminal. New York, NY: Marvel Comics-Icon and Portland, OR: Image Comics.Google Scholar
Brubaker, E., (2008) Incognito. New York, NY: Icon Comics.Google Scholar
Brubaker, E., (2012–2014) Fatale. Portland, OR: Image Comics.Google Scholar
Brubaker, E., (2014–2016) The Fade Out. Portland, OR: Image Comics.Google Scholar
Brubaker, E., (2017–)Kill or Be Killed. Portland, OR: Image Comics.Google Scholar
Brubaker, E., Rucka, G., and M. Lark (2002–2006) Gotham Central. New York, NY: DC Comics.Google Scholar
Callahan, B., and Gillis, S. (1995) Perdita Durango. New York, NY: Neon Lit. Avon.Google Scholar
Chaykin, H., and Tischman, D. (2001–2003) American Century. New York, NY: DC Comics-Vertigo.Google Scholar
Collins, M. A., and Rayner, R. P. (1998) The Road to Perdition. New York, NY: DC Comics-Paradox Press.Google Scholar
Collins, M. A., and Beatty, T. (1981–1989) Ms. Tree. New York, NY: Eclipse Comics, Kitchener: Aardvark-Vanaheim, and Long Beach, CA: Renegade Press.Google Scholar
Collins, M. A., (1990–1993) Ms. Tree Quarterly. New York, NY: DC Comics.Google Scholar
Cooke, D. (2009) Richard Stark’s Parker: The Hunter. San Diego, CA: IDW.Google Scholar
Cooke, D. (2010) Richard Stark’s Parker: The Outfit. San Diego, CA: IDW.Google Scholar
Cooke, D. (2012) Richard Stark’s Parker: The Score. San Diego, CA: IDW.Google Scholar
Cooke, D. (2013) Richard Stark’s Parker: Slayground. San Diego, CA: IDW.Google Scholar
Delano, J., and Sudzuka, G. (2000–2002) Outlaw Nation. New York, NY: DC Comics-Vertigo.Google Scholar
Diggle, A., and Jock, (2003–2006) The Losers. New York, NY: DC Comics-Vertigo.Google Scholar
Drake, A., Waller, L., Baker, M., and Osrin, R. (1950) It Rhymes with Lust. New York, NY: St. Johns.Google Scholar
Faust, C., Phillips, G., and Camerini, A. (2016–2017). Peepland. Bankside: Titan Comics.Google Scholar
Geary, R. (1995–2007) Treasury of Victorian Murder. New York, NY: Nantier Beall Minoustchine.Google Scholar
Geary, R. (2008–2013) Treasury of XXth Century Murder. New York, NY: Nantier Beall Minoustchine.Google Scholar
Grell, M. et al. (1983–1988) Jon Sable: Freelance. Evanston, IL: First Comics.Google Scholar
Hernandez, G. (2007) Chance in Hell. Seattle, WA: Fantagraphics.Google Scholar
Hernandez, G. (2009) Troublemakers. Seattle, WA: Fantagraphics.Google Scholar
Hernandez, G. (2011) Love from the Shadows. Seattle, WA: Fantagraphics.Google Scholar
Hernandez, G. (2017) Maria M. Seattle, WA: Fantagraphics.Google Scholar
Hill, J., and Rodriguez, G. (2008–2013) Locke and Key. San Diego, CA: IDW.Google Scholar
Hill, W., Matz, , and Jef, . (2016–2017) Triggerman. London: Titan Comics.Google Scholar
Johnson, M., and Pleece, W. (2008) Incognegro. New York, NY: DC Comics-Vertigo.Google Scholar
Karasik, P., and Mazzucchelli, D. (1994) City of Glass. New York, NY: Neon Lit. Avon.Google Scholar
Lapham, D. (1995–2005, 2015–) Stray Bullets. Los Angeles, CA: El Capitan Books and Portland, OR: Image Comics.Google Scholar
McCulloch, D., and Hendrix, S. (2006) Stagger Lee. Portland, OR: Image Comics.Google Scholar
McGregor, D., and Colan, G. (1984) Nathaniel Dusk. New York, NY: DC Comics.Google Scholar
McGregor, D., (1985a) Nathaniel Dusk II. New York, NY: DC Comics.Google Scholar
McGregor, D., (1985b) Detectives Inc.: A Terror of Dying Dreams. New York, NY: Eclipse Comics.Google Scholar
McGregor, D., and Rogers, M. (1980) Detectives Inc.: A Remembrance of Threatening Green. New York, NY: Eclipse Comics.Google Scholar
Miller, F. (1992) Sin City: The Hard Goodbye. Milwaukie, OR: Dark Horse.Google Scholar
Miller, F. (1993) Sin City: A Dame to Kill For. Milwaukie, OR: Dark Horse.Google Scholar
Miller, F. (1994) Sin City: The Big Fat Kill. Milwaukie, OR: Dark Horse.Google Scholar
Miller, F. (1996) Sin City: That Yellow Bastard. Milwaukie, OR: Dark Horse.Google Scholar
Miller, F. (1997) Sin City: Family Values. Milwaukie, OR: Dark Horse.Google Scholar
Miller, F. (1998) Sin City: Booze, Broads, and Bullets. Milwaukie, OR: Dark Horse.Google Scholar
Miller, F. (1989) Sin City: Hell and Back. Milwaukie, OR: Dark Horse.Google Scholar
Miller, F., and Mazzucchelli, D. (1987) Batman: Year One. New York, NY: DC Comics.Google Scholar
Moore, A., and Campbell, E. (2004) From Hell. Marietta, GA: Top Shelf.Google Scholar
Morrison, G., and Muth, J. J. (1994) The Mystery Play. New York, NY: DC Comics-Vertigo.Google Scholar
Preiss, B., and Reese, R. (1977) Son of Sherlock Holmes: The Woman in Red. New York, NY: Pyramid.Google Scholar
Preiss, B., and Sutton, T. (1976) Schlomo Raven: Public Detective. New York, NY: Pyramid.Google Scholar
Rodriguez, S. (1988) Nightmare Alley. Seattle, WA: Fantagraphics.Google Scholar
Rose, J., and Ozkon, T. (1995) La Pacifica. New York, NY: DC Comics-Paradox Press.Google Scholar
Rucka, G., and Lark, M. (2013–) Lazarus. Portland, OR: Image Comics.Google Scholar
Rucka, G., and Scott, N. (2015–2016) Black Magick. Portland, OR: Image Comics.Google Scholar
Rucka, G., Greenwood, J., and Southworth, M. (2009–2016) Stumptown. Portland, OR: Oni Press.Google Scholar
Rucka, G., and Lieber, S. (1998–2000) Whiteout. Portland, OR: Oni Press.Google Scholar
Seeley, T., and Zarcone, M. (2015) Effigy. New York, NY: DC Comics-Vertigo.Google Scholar
Steranko, J. (1976) Chandler: Red Tide. New York, NY: Pyramid.Google Scholar
Wagner, J., and Locke, V. (1997) A History of Violence. New York, NY: DC Comics-Paradox Press.Google Scholar

Secondary Sources

Ahrens, J. (2010) The Ordinary Urban: 100 Bullets and the Clichés of Mass Culture. In Ahrens, J. and Meteling, A., eds., Comics and the City: Urban Space in Print, Picture and Sequence. New York, NY: Continuum, 214228.Google Scholar
Aldama, F. L. (2016) Recreative Graphic Novel Acts in Gilbert Hernandez’s Twenty-First-Century Neo-Noirs. In Aldama, F. L. and González, C., eds., Graphic Borders: Latino Comic Books Past, Present, and Future. Austin, TX: University of Texas Press, 4163.Google Scholar
Beaty, B. (2008) David Cronenberg’s A History of Violence. Toronto: University of Toronto Press.Google Scholar
Benton, M. (1993) The Illustrated History of Crime Comics: The Taylor History of Comics Number 5. Dallas: Taylor.Google Scholar
Coughlan, D. (2006) Paul Auster’s City of Glass: The Graphic Novel. Modern Fiction Studies, 52 (4), 832854.Google Scholar
Mehring, F. (2013) Hard-Boiled Silhouettes: Transnational Mediation and the Art of Omission in Frank Miller’s Sin City. In Denson, S., Meyer, C., and Strobl, S., eds., Transnational Perspectives on Graphic Narratives: Comics at the Crossroads. London: Bloomsbury, 211227.Google Scholar
Pizzino, C. (2008) Art That Goes Boom: Genre and Aesthetics in Frank Miller’s Sin City. English Language Notes, 46 (2), 115128.Google Scholar
Pizzino, C. (2016) Arresting Developments: Comics at the Boundaries of Literature. Austin, TX: University of Texas Press.Google Scholar
Prince, M. J. (2017) The Magic of Patriarchal Oppression in Alan Moore and Eddie Campbell’s From Hell. Journal of Graphic Novels and Comics, 8 (3), 252263.Google Scholar
Quiring, B. (2010) “A Fiction That We Must Inhabit”: Sense Production in Urban Spaces According to Alan Moore and Eddie Campbell’s From Hell. In Ahrens, J. and Meteling, A., eds., Comics and the City: Urban Space in Print, Picture and Sequence. New York, NY: Continuum, 199213.Google Scholar
Sabin, R. (1993) Adult Comics: An Introduction. London and New York, NY: Routledge.Google Scholar
Wandtke, T. R. (2015) The Dark Night Returns: The Contemporary Resurgence of Crime Comics. Rochester, NY: RIT Press.Google Scholar
Wertham, F. (1954) Seduction of the Innocent. New York, NY: Rinehart & Co.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×