Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-pjpqr Total loading time: 0 Render date: 2024-07-07T06:04:14.340Z Has data issue: false hasContentIssue false

26 - Chris Oliveros, Drawn and Quarterly, and the Expanded Definition of the Graphic Novel

from Part III - 2000 to the present day

Published online by Cambridge University Press:  30 July 2018

Jan Baetens
Affiliation:
University of Leuven
Hugo Frey
Affiliation:
University of Chichester
Stephen E. Tabachnick
Affiliation:
University of Memphis
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Abouet, M., and Oubrerie, C. (2012 [2005–2007]) Aya: Life in Yop City, trans. by H. Dascher. Montreal: Drawn and Quarterly.Google Scholar
Barry, L. (2008) What It Is. Montreal: Drawn and Quarterly.Google Scholar
Barry, L. (2011) Blabber Blabber Blabber. Montreal: Drawn and Quarterly.Google Scholar
Barry, L. (2014) Syllabus. Montreal: Drawn and Quarterly.Google Scholar
Beaton, K. (2015) Step Aside Pops. Montreal: Drawn and Quarterly.Google Scholar
Beaty, B. (2013) Comics vs Art. Toronto: Toronto University Press.Google Scholar
Bocquet, J.-L., Fromental, J. L. and Barthélémy, S. (2011) The Adventures of Tintin, trans. H. Dascher. Montreal: Drawn and Quarterly.Google Scholar
Brienza, C., ed. (2016) Cultures of Comics Work. New York, NY: Palgrave Macmillan.Google Scholar
Centrifugal Bumblepuppy (1987–). Seattle, WA: Fantagraphics.Google Scholar
Brown, C. (1991) Yummy Fur. Montreal: Drawn and Quarterly.Google Scholar
Brown, C. (1992) The Playboy. Montreal: Drawn and Quarterly.Google Scholar
Dangle, L. (1991–). Dangle. Montreal: Drawn and Quarterly.Google Scholar
Deforge, M. (2009–). Lose. Toronto: Koyoma Press.Google Scholar
Delisle, G. (2005 [2003) Pyongyang. Montreal: Drawn and Quarterly.Google Scholar
Doucet, J. (1990) Dirty Plotte. Montreal: Drawn and Quarterly.Google Scholar
Doucet, J. (1993) Lève ta jambe, mon poisson est mort. Montreal: Drawn and Quarterly.Google Scholar
Doucet, J. (2004) Lady Pep. Montreal: Drawn and Quarterly.Google Scholar
Drechsler, D. (1996–1999) Nowhere. Montreal: Drawn and Quarterly.Google Scholar
Dumontier, M., and Farber, N. (2011) Constructive Abandonment. Montreal: Drawn and Quarterly.Google Scholar
Dumontier, M., (2013) Animals with Sharpies. Montreal: Drawn and Quarterly.Google Scholar
Fleener, M. (1992–)Slutburger. Montreal: Drawn and Quarterly.Google Scholar
Honk! (1986–)Seattle, WA: Fantagraphics.Google Scholar
Gravel, E. (2017) If Found . . . Please Return to Elise Gravel. Montreal: Drawn and Quarterly.Google Scholar
Hayashi, S. (2008) Red Colored Elegy. Montreal: Drawn and Quarterly.Google Scholar
Horrocks, D. (2014 [1998) Hicksville. Montreal: Drawn and Quarterly.Google Scholar
Jansson, T. (2006) Moomin. Montreal: Drawn and Quarterly.Google Scholar
Katsumata, S. (2009) Red Snow, Montreal: Drawn and Quarterly.Google Scholar
King, F. (1918–1951) Gasoline Alley. Syndicated comic, first published in the Chicago Tribune.Google Scholar
King, F. (2005– [1918–]) Walt and Skeezix, Montreal: Drawn and Quarterly.Google Scholar
Lindgren, A., and Nyman, I. V. (2013 [1945–1953]) Pippi Longstocking, trans. Tiina Nunnally. Montreal: Drawn and Quarterly.Google Scholar
Lutes, J. (2000) Berlin: City of Stones. Montreal: Drawn and Quarterly.Google Scholar
Lutes, J. (2003 [1996) Jar of Fools. Montreal: Drawn and Quarterly.Google Scholar
Lutes, J. (2008) Berlin: City of Smoke. Montreal: Drawn and Quarterly.Google Scholar
Matt, J. (1992–). Peepshow. Montreal: Drawn and Quarterly.Google Scholar
Max, (1998) The Extended Dream of Mr. D. Montreal: Drawn and Quarterly.Google Scholar
Mizuki, S. (2011 [1973) Onward Towards Our Noble Deaths. Montreal: Drawn and Quarterly.Google Scholar
Mizuki, S. (2012 [1997) NonNonBa. Montreal: Drawn and Quarterly.Google Scholar
Mizuki, S. (2012– [1960–1964]) Kitaro. Montreal: Drawn and Quarterly.Google Scholar
Mizuki, S. (2013–2014 [1988–1989]) Showa: A History of Japan, 5 vols. Montreal: Drawn and Quarterly.Google Scholar
Modan, R. (2008) Jamilti and Other Stories. Montreal: Drawn and Quarterly.Google Scholar
Morstad, J. (2011) Milk Teeth. Montreal: Drawn and Quarterly.Google Scholar
Morstad, J. (2012) The Wayside. Montreal: Drawn and Quarterly.Google Scholar
Motter, D. and Seth (1986) Mister X, vol. 6. Toronto:Vortex.Google Scholar
Oliveros, C. (2016) The Envelope Manufacturer. Montreal: Drawn and Quarterly.Google Scholar
Otsama, P. (1999) Homunculus. Montreal: Drawn and Quarterly.Google Scholar
Prewitt, A. (1997) Sof’ Boy and Friends. Montreal: Drawn and Quarterly.Google Scholar
Rabagliati, M. (1999) Paul in the Country. Montreal: Drawn and Quarterly.Google Scholar
Ralph, B. (2013) Cave In. Montreal: Drawn and Quarterly.Google Scholar
Ricard, A. (2012–2016 [2007–2012]) Anna and Froga, trans. H. Dascher. Montreal: Drawn and Quarterly.Google Scholar
Sacco, Joe (1998) Soba. Montreal: Drawn and Quarterly.Google Scholar
Sakabashira, I. (2010) Box Man. Montreal: Drawn and Quarterly.Google Scholar
Seth, (1991–)Palookaville. Montreal: Drawn and Quarterly.Google Scholar
Seth, (1997–)Clyde Fans. Montreal: Drawn and Quarterly.Google Scholar
Shapton, L. (2010) Native Trees of Canada, Montreal: Drawn and Quarterly.Google Scholar
Shapton, L. (2016) Was She Pretty? Montreal: Drawn and Quarterly.Google Scholar
Spiegelman, A. (1986) Maus 1. New York, NY: Pantheon.Google Scholar
Spiegelman, A. (2013) Co-Mix: A Retrospective of Comics, Graphics, and Scraps. Montreal: Drawn and Quarterly.Google Scholar
Suzuki, O. (2011) A Single Match. Montreal: Drawn and Quarterly.Google Scholar
Tatsumi, Y. (2009 [2008) A Drifting Life, trans. T. Nettleton, Montreal: Drawn and Quarterly.Google Scholar
Tomine, A. (1995–)Optic Nerve. Montreal: Drawn and Quarterly.Google Scholar
Wright, D. (2009) The Collected Doug Wright: Canada’s Master Cartoonist. Montreal: Drawn and Quarterly.Google Scholar
Wright, T. (2010–2012 [1963–1968]) Nipper, 4 vols. Montreal: Drawn and Quarterly.Google Scholar

Secondary Sources

Alverson, B. (2016 ) From Publisher to Artist: Drawn and Quarterly Founder Chris Oliveros’s “The Envelope Manufacturer.” Publisher’s Weekly, January 13. Online at: www.publishersweekly.com/pw/by-topic/industry-news/comics/article/69135-from-publisher-to-artist-drawn-and-quarterly-founder-chris-oliveros-s-the-envelope-manufacturer.html (accessed July 31, 2017).Google Scholar
Bourdieu, P. (1980) The Production of Belief: Contribution to an Economy of Symbolic Goods. Media, Culture and Society, 2 (3), 261293.Google Scholar
Devlin, T. (2015) Drawn and Quarterly: Twenty-Five Years of Contemporary Cartooning, Comics, and Graphic Novels. Montreal: Drawn and Quarterly.Google Scholar
Labio, C. (2011) What’s in a Name? The Academic Study of Comics and the “Graphic Novel.” Cinema Journal, 50 (3), 123126.CrossRefGoogle Scholar
McGillis, I. (2016) All in Good Time, Chris Oliveros, Montreal Gazette, 7 January. Online at: http://montrealgazette.com/entertainment/books/all-in-good-time-chris-oliveros (accessed July 31, 2017).Google Scholar
Medley, M. (2015) 25 Years and Change: Drawn and Quarterly Writes a New Chapter in Its Graphic History. The Globe and Mail, May 8. Online at: www.theglobeandmail.com/arts/books-and-media/25-years-and-change-drawn-quarterly-writes-a-new-chapter-in-its-graphic-history/article24331398/ (accessed July 31, 2017).Google Scholar
Merino, A. (2003) Fantagraphics: Creadores del Canon. Gijón: Fundación Municipal de Cultura.Google Scholar
Rogers, S. with Heer, J. (2015) A History of Drawn and Quarterly. In Devlin, Tom, ed., Drawn and Quarterly: Twenty-Five Years of Contemporary Cartooning, Comics, and Graphic Novels. Montreal: Drawn and Quarterly, 1357.Google Scholar
Wilmot, A. G. A. (2008) Gekiga into English: Translating the Words, Images, and Culture of Yoshihiro Tatsumi’s A Drifting Life, unpublished Master of Publishing thesis, Vancouver: Simon Fraser University.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×