Book contents
- The Cambridge History of the Graphic Novel
- The Cambridge History of the Graphic Novel
- Copyright page
- Contents
- Illustrations
- Contributors
- 1 Introduction
- Part I 1799–1978
- Part II 1978–2000
- Part III 2000 to the present day
- 24 Joe Sacco, Graphic Novelist as Political Journalist
- 25 The Discovery of Marjane Satrapi and the Translation of Works from and about the Middle East
- 26 Chris Oliveros, Drawn and Quarterly, and the Expanded Definition of the Graphic Novel
- 27 The Jewish Graphic Novel
- 28 Crime Genre Fiction in the Graphic Novel
- 29 Genre Fiction in the Graphic Novel: The Case of Science Fiction
- 30 The Superhero Graphic Novel
- 31 Reinvention of the Form: Chris Ware and Experimentalism after Raw
- 32 Convergence Cultures: Modern and Contemporary Poetry and the Graphic Novel
- 33 Cinema’s Discovery of the Graphic Novel: Mainstream and Independent Adaptation
- 34 The Novel and the Graphic Novel
- 35 E-Graphic Novels
- 36 World Literature
- Bibliography
- Index
- References
29 - Genre Fiction in the Graphic Novel: The Case of Science Fiction
from Part III - 2000 to the present day
Published online by Cambridge University Press: 30 July 2018
Book contents
- The Cambridge History of the Graphic Novel
- The Cambridge History of the Graphic Novel
- Copyright page
- Contents
- Illustrations
- Contributors
- 1 Introduction
- Part I 1799–1978
- Part II 1978–2000
- Part III 2000 to the present day
- 24 Joe Sacco, Graphic Novelist as Political Journalist
- 25 The Discovery of Marjane Satrapi and the Translation of Works from and about the Middle East
- 26 Chris Oliveros, Drawn and Quarterly, and the Expanded Definition of the Graphic Novel
- 27 The Jewish Graphic Novel
- 28 Crime Genre Fiction in the Graphic Novel
- 29 Genre Fiction in the Graphic Novel: The Case of Science Fiction
- 30 The Superhero Graphic Novel
- 31 Reinvention of the Form: Chris Ware and Experimentalism after Raw
- 32 Convergence Cultures: Modern and Contemporary Poetry and the Graphic Novel
- 33 Cinema’s Discovery of the Graphic Novel: Mainstream and Independent Adaptation
- 34 The Novel and the Graphic Novel
- 35 E-Graphic Novels
- 36 World Literature
- Bibliography
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The Cambridge History of the Graphic Novel , pp. 476 - 491Publisher: Cambridge University PressPrint publication year: 2018
References
Primary Sources
Ellis, W., and Robertson, D. (1997–2002) Transmetropolitan, 10 vols. New York, NY: Vertigo.Google Scholar
Hergé, (1959 [1953) Destination Moon, trans. L. Lonsdale-Cooper and M. Turner. London: Methuen.Google Scholar
Hergé, (1959 [1954) Explorers on the Moon, trans. L. Lonsdale-Cooper and M. Turner. London: Methuen.Google Scholar
Tezuka, O. (1987–1989 [1952–1968]) Astroboy: The Original Astro Boy. New York, NY: NOW.Google Scholar
Ware, C. (2014–2015) Last Saturday. London: The Guardian. Online at: www.theguardian.com/books/ng-interactive/2014/sep/13/-sp-chris-ware-the-last-saturday-graphic-novel (accessed August 1, 2017).Google Scholar
Wolfman, M., and Pérez, G. (1985–1986) Crisis on Infinite Earths. New York, NY: DC Comics.Google Scholar
Secondary Sources
Bolter, J., and Grusin, R. (1999) Remediation: Understanding New Media. Cambridge, MA: MIT Press.Google Scholar
Broderick, D. (1995) Reading by Starlight: Postmodern Science Fiction. London and New York, NY: Routledge.Google Scholar
Brooke-Rose, C. (1981) A Rhetoric of the Unreal: Studies in Narratives and Structures, especially of the Fantastic. Cambridge: Cambridge University Press.Google Scholar
Christiansen, S. (2009) The Truth of the Word, the Falsity of the Image: Transmetropolitan’s Critique of the Society of the Spectacle. In MacLeod, C., Plesch, V. and Schoell-Glass, C., eds., Elective Affinities: Testing Word and Image Relationships. Amsterdam: Rodopi, 147–158.Google Scholar
Genette, G. (1997 [1982) Palimpsests: Literature in the Second Degree, trans. C. Newman. Lincoln, NE: University of Nebraska Press.Google Scholar
Hayles, N. K. (1999) How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics. Chicago, IL: University of Chicago Press.Google Scholar
Kukkonen, K. (2011) Metalepsis in Comics and Graphic Novels. In Kukkonen, K., and Klimek, S., eds., Metalepsis in Popular Culture. Berlin: De Gruyter, 213–231.Google Scholar
Mättää, J. (2006) Raketsommar: Science Fiction I Sverige, 1950–1968. Lund: Ellerströms.Google Scholar
McLuhan, M. (2001 [1964) Understanding Media: The Extensions of Man. London and New York, NY: Routledge.Google Scholar
Suvin, D. (1979) Metamorphoses of Science Fiction: The Poetics and History of a Literary Genre. New Haven, CT. Yale University Press.Google Scholar
Wolf, M. (2008) Proust and the Squid: The Story and Science of the Reading Brain. Cambridge: Icon Books.Google Scholar