Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 5
Introduction
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- Published online by Cambridge University Press:
- 01 January 2020, p. 177
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- Cited by 5
Instrumental Polyphonic Folk Music in Asia Minor
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- Published online by Cambridge University Press:
- 01 January 2020, pp. 73-86
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Listening and Responding to the Evidence of Early Twentieth-Century Performance
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- 01 January 2020, pp. 45-62
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By Myself but Not Alone. Agency, Creativity and Extended Musical Historicity
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- Published online by Cambridge University Press:
- 02 March 2023, pp. 533-556
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Roland Barthes and the Grain of Panzéra's Voice
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- 01 January 2020, pp. 113-132
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Modernism and Popular Music
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- 01 January 2020, pp. 200-204
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The Utility of Musical Instruments in the Racial and Colonial Agendas of Late Nineteenth-Century France
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- 01 January 2020, pp. 24-76
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Lili Boulanger's La Princesse Maleine: A Composer and her Heroine as Literary Icons
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- 01 January 2020, pp. 68-108
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The Divine Madness of Isabella Andreini
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- 01 January 2020, pp. 195-215
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Opera under the French Revolution
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- 01 January 1967, pp. 77-96
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A Treatise on Musicians from ?c. 1400: The Tractatulus de differentiis et gradibus cantorum by Arnulf de St Ghislain
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- 01 January 2020, pp. 1-21
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The Earliest Motets: Music and Words
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- 01 January 2020, pp. 141-163
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The Evolution of a ‘Memeplex’ in Late Mozart: Replicated Structures in Pamina's ‘Ach ich fühl's’
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- 01 January 2020, pp. 30-70
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Patrons and Pasquinades: Rameau in the 1730s
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- 01 January 2020, pp. 314-337
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Giovanni Francesco Crosa and the First Italian Comic Operas in London, Brussels and Amsterdam, 1748–50
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- 01 January 2020, pp. 246-275
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Orphans and Ladies: The Venetian Conservatoires (1680–1790)
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- 01 January 1962, pp. 31-47
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The Refrain Cento: Myth or Motet?
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- 01 January 2020, pp. 164-188
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Monumental Musicology
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- 01 January 2020, pp. 349-374
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The Sexual Politics of Victorian Musical Aesthetics
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- 01 January 2020, pp. 91-114
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‘Art to Enchant’: Musical Magic and its Practitioners in English Renaissance Drama
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- 01 January 2020, pp. 191-206
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